Niels Simonsen

Niels Simonsen (10 December 1807 – 11 December 1885) was a Danish painter, lithographer and sculptor. [1] [2]

For the Danish opera singer, see Niels Juel Simonsen.
Niels Simonsen
Niels Simonsen, late 1860s
Born10 December 1807
Copenhagen
Died11 December 1885
Frederiksberg
NationalityDanish
EducationRoyal Danish Academy of Fine Arts
Known forPainter and educator
MovementOrientalist

Biography

Simonsen was born in Copenhagen, Denmark. He was the son of Simnon Rasmusson and Bolette Nielsdatter. His parents were shopkeepers. At the age of fourteen, he was apprenticed to a master decorative painter and began to take drawing lessons at the Royal Danish Academy of Fine Arts. Later, he took private lessons from Johan Ludwig Lund (1777–1867).[3] [4]

Kirsten Svendsdatter finds the Golden Horn (1859)

He had originally planned to make lithography his career but, after a successful showing at the Charlottenborg Spring Exhibition in 1827, he turned to sculpture and received some orders, including one for reliefs in a hall at Christiansborg. In 1830, he was awarded a gold medal for his relief of Christ healing the sick, which is now displayed at Kongens Nytorv public square in Copenhagen.

Although the fees for these commissions were substantial, portrait busts were his primary source of income. His failure to win any more official recognition for his work soon prompted him to turn to painting.[3] He held his first exhibition in 1833, after some very brief training. His painting of a wounded soldier brought him some prize money and was quickly purchased. It was later widely reproduced; notably in an engraving by Carl Edvard Sonne (1804–1878).[5]

By 1834, having failed to reproduce this initial success, he requested a loan from Privy Councilor Nicolai Abraham Holten (1775-1850), who had recently bought an altarpiece Simonsen had been unable to sell after those who ordered it changed their minds. The loan was given and it enabled him to spend two years in Munich, where he came under the influence of the Academy of Fine Arts and developed friendships with the artists there. [6]

He soon found buyers for his work; landowners and businessmen as well as foreign art collectors. By 1837, he was sufficiently well-off to send home for his fiancée, Anne Marie Petersen, and get married. Over the next few years, he traveled to Tyrol, Northern Italy and Algiers.[3] The resulting works were purchased by the royal families of Bavaria and Württemberg and the Royal Collection in Copenhagen. His 1840 view of Algiers is now in the Nationalmuseum, Stockholm. [7]

Sea Fight (1844)

Return to Denmark

In 1842, he became a member of the Munich Academy and was offered a professorship, but chose to take a similar offer from King Christian VIII and returned home; teaching military history painting at the Royal Academy.[3] He also continued with his private career and the exotic works derived from his visit to North Africa were especially popular.

From 1848 to 1851, during the First Schleswig War, he concentrated on large canvases of military scenes, several of which were acquired for the Royal Collection. After that, he went back to genre scenes, took a trip to Sweden and created a major work, Trolovelse i Skaane (1862), symbolizing the reconciliation of Denmark and Sweden after years of bitter contention for the island of Scania. [3]

In 1852, he was named a Knight in the Order of the Dannebrog. From 1854 to 1883, he was a teacher at the Academys' Model School. He once again focused on battle painting during the Second Schleswig War and became a member of the Royal Swedish Academy of Arts. He made his last major trip abroad (to Rome) with money from Det anckerske Legat which had been founded in 1870 by Carl Andreas Ancker (1828—1857) as a funding source for writers, composers and artists. He died during 1885 in Frederiksberg.[8] [3]

gollark: I mean, those apply to some narrowly defined things in physics, for limited definitions of "action" and such, but not in general so far as I can tell.
gollark: I don't think so, unless you really stretch the definition most of the time or claim it's metaphorical or something.
gollark: Like "colourless green ideas sleep furiously" and such.
gollark: It's just that stuff like "thought isnt action. so things that started as thought are just concepts in action, the action is still the same action as all other actions, push and pull." and "every action has an equal and opposite reaction" don't seem like... semantically meaningful sentences. I mean, they're... valid sentences, but don't look like they're actually conveying any true useful information.
gollark: Sure?

References
  1. Sigurd Müller. "Niels Simonsen, 1807-85, maler". Dansk biografisk Lexikon. Retrieved March 1, 2019.
  2. "Niels Simonsen". RKD – Netherlands Institute for Art History. Retrieved March 1, 2019.
  3. Artist: Niels Simonsen Kunstindeks Danmark & Weilbach Kunstnerleksikon.
  4. "Artist: J. L. Lund". Kunstindeks Danmark & Weilbach Kunstnerleksikon. Retrieved March 1, 2019.
  5. "Artist: Edvard Sonne". Kunstindeks Danmark & Weilbach Kunstnerleksikon. Retrieved March 1, 2019.
  6. Harald Jørgensen. "Nicolai Holten". Dansk Biografisk Leksikon, Gyldendal. Retrieved March 1, 2019.
  7. "Acquisitions of the month: November 2018". Apollo Magazine.
  8. "Det Anckerske Legat - andre modtagere". litteraturpriser.dk. Retrieved March 1, 2019.



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