Nicolas Lagneau
Nicolas Lagneau (fl c. 1600–50)[1] was a French draftsman noted for his portrait drawings. He was especially interested in grotesque physiognomies, which he drew in meticulous detail either from models or from his imagination.[1] His drawings are usually executed in black and red chalk, sometimes with the addition of blue or yellow gouache.[1] In their heightened realism, and their emphasis on facial expressions, wrinkles, and deformities, Lagneau's portraits reveal the influence of Rembrandt's early works.[1]
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Grotesque Man Wearing a Turban by Nicolas Lagneau, Bibliothèque nationale de France
Lagneau is not known to have painted. His drawings, which were widely copied and imitated in his time, are plentiful in French and US museums.
Notes
- Klingsöhr-Leroy
gollark: And despite randomly breaking in bizarre ways, living stuff has much better self-repair than any human designs.
gollark: No human could come up with the really optimized biochemistry we use and make it work as well as evolution did, so in that way it's more "intelligent".
gollark: Intelligence is poorly defined, really.
gollark: There are also things like how eyes are somewhat backward, food/water and air use the same pipes, there is no conscious diagnostics capability, the immune system sometimes randomly declares war on body parts it doesn't like, and the head/neck is a ridiculous vulnerability.
gollark: Worrying.
References
- Klingsöhr-Leroy, Cathrin. "Lagneau, Nicolas", Oxford Art Online
- Mérot, Alain (1995). French painting in the seventeenth century. Yale University Press. ISBN 0-300-06550-7
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