Nicholas Zalevsky

Nicholas Zalevsky (born February 19, 1951, Kiev, Ukraine)  — Ukrainian and American figurative painter. His works have been associated with Magic realism, Photorealism and Surrealism. He started his career as a Soviet Nonconformist Artist (ukrainian underground) opposing the then dominant to Soviet Socialist realism. He had to create art in the underground. From 1991 he works out of West Hartford, Connecticut, USA, with regular visits to his native city.

Nicholas Zalevsky
Born(1951-02-19)February 19, 1951
Kiev, Ukraine
NationalityAmerican
Alma materUkrainian Academy of Printing
MovementFigurative art, Magic realism
AwardsMuseum of Russian Art Best Picture Award, 2012

Awards

Biography

Nicholas Zalewsky was born on February 19, 1951 in Kiev, Ukraine, to an ethnically mixed family of a Ukrainian mother and a Jewish father. Zalevsky's only sibling is,  — his brother Vladislav who is 17 years his senior. From his early childhood, Nicholas showed a talent for drawing, which led him to study in specialized Shevchenko State Art School in Kiev from where he,  —graduated in 1968 (as his friend Les Podervianskyi). Then he attended the Ukrainian Academy of Printing in Kiev graduating from its Department of Graphic Arts in 1976 and moving on to work as a children books illustrator. His artistic position drastically differed from the canon of Socialist Realism. His artistic views being greatly different from those that conformed to the canons Socialist Realism. In 1977, Nickolas took part in underground art exhibition by the art association «Rukh» («Movement») along with such artists as Mykola Trehub, Vudon Baklitsky, Yuri Kosin, Alexander Kostetsky, Olena Golub and others.[1] Naturally, he did not expect to achieve any success in a country that did not let him develop his talent. For years, Zalevsky lived by doing odd jobs while exhibiting his paintings in such conditions as private apartments or abandoned buildings. This led the artist to seek and develop new directions in his work. In 1991, he and his family moved to the US joining his elder brother who had already settled there.

Creativity

Zalevsky's painting manner exhibits the features of narrative fiction based on the discourse of the absurd associated with the works of Arthur Rimbaud, Samuel Beckett, and Charles Bukowski. «I always wanted to blow up this perfectly-fed world of Dutch still life. The picture is not entitled to be a supplement to the expensive interior»  — writes Zalevsky .[2] His "Dutch Still Life" (2005) contains, in addition to ordinary objects (such as potatoes, an onion, a plate and a bottle of beer) a cut-off human finger which does not belong to this traditionally set group of objects. Zalevsky's multi-figured composition "Crucifixion" (1996) gives an unusual treatment to the theme of Christ by depicting only one of his nail-pierced hands of gigantic size stuck out of an entrance to a NYC subway station. His interpretation of such mythological figures as Salome (2002) and Centaur (2016) denies them their customary pathos and heroism. Zalevsky works on his every in painstakingly careful and lengthy way, with many preparatory drawings, during several years for one painting. As a result, his paintings have received much attention and appreciation at international art competitions.[3]

Exhibitions
  • 2012 — Museum of Russian Art, Jersey City, New Jersey, USA, (personal exhibition)
  • 2012 — Museum of Russian Art, Jersey City, New Jersey, USA, Best Picture Award
  • 2011 — West Hartford Art League, West Hartford, Connecticut, USA, (personal exhibition).
  • 2011 — CT +6, West Hartford Art League, West Hartford, Connecticut, USA, Best of Show Award.
  • 2009  — Jewish Community Center, West Hartford, Connecticut, USA
  • 2006 — Gallery "Collection", Kiev, Ukraine (personal exhibition).
  • 1995 — The Canton's Gallery, Canton, Connecticut, USA, Best Picture Award.
  • 1977, — exhibitions of underground creative association «Rukh»(«Movement»), Kiev, Ukraine

Notes
  1. Olena Golub. Anniversary of an underground exhibit.//Den(The Day), 2007,  —¹38 Tuesday,11.
  2. in uk.:Nicholas Zalewsky. I remember.( Catalogue of personal exhibition with preface by M. Klymentyev, G. Vysheslavsky), «Collection» Gallery, Kiev, 2006, p. 25.
  3. First Place of an international on-line Art-competition.net —«Scapes-2018»

Sources
  • in uk.: Glib Vysheslavsky, Sidor Hibelynda-O. // Terminology of Modern Art, Paris-Kyiv, Terra Incognita, 2010,   - P.239. ISBN 978-966-96839-2-2
  • in uk.:' Olena Golub.Dialogue across the ocean. //Den(The Day), 2006,  —Dec.9
gollark: The example could be done without that.
gollark: So, squid, *can* you create a 3D-positioned 2D subcanvas or what?
gollark: Just sticking in some "3DCanvas" function to get a usable 2D one working with in-world screenness would be much nicer than manual whatever's.
gollark: We could have a fourth spatial dimension of ridiculousness.
gollark: Not necessarily/
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.