Ng Mui

Ng Mui (Chinese: t 伍枚, p Wú Méi; Cantonese: Ng5 Mui4) is said to have been one of the legendary Five Elders—survivors of the destruction of the Shaolin Temple by the Qing Dynasty.

Ng Mui
BornChina
StyleWing Chun

She is said to have been a master of various martial arts including the Shaolin martial arts, the Wudang martial arts, Ng Ying Kung Fu (Chinese: 五形功夫) and Yuejiaquan, and the family style of Yue Fei. She is also credited as the founder of the martial arts Wǔ Méi Pài (Ng Mui style), Wing Chun, Dragon style, White Crane, and Five-Pattern Hung Kuen.

She has been associated with various locations, including the Shaolin Temple in either Henan or Fujian, the Wudang Mountains in Hubei, Mount Emei in Sichuan, a supposed White Crane Temple, the Daliang Mountains on the border between Sichuan and Yunnan, and additional locations in Guangxi and Guangdong. According to one folk story, she was the daughter of a Ming general.

Wing Chun

According to the Wing Chun master [Fleming], Ng Mui was residing and studying at the Henan Shaolin Monastery; she managed to survive its destruction by Manchu forces due to her Sifu becoming a traitor after she defeated him during the reign of the Kangxi Emperor (1662–1722). She fled to the White Crane Temple. (which this account locates in the Daliang mountains between Yunnan and Sichuan)[1] where she met a girl of fifteen named Yim Wing-Chun whom a bandit was trying to force into marriage. Ng Mui taught Yim Wing Chun how to defend herself by distilling Shaolin martial art knowledge into a system that Yim Wing Chun could learn quickly, and use without developing great strength.[2]

The calligraphic inscription that hangs over the main gate of the Shaolin Monastery was written in the Kangxi Emperor's own hand.

Five-Pattern Hung Kuen

It is believed that the Five-Pattern System was jointly created by the Buddhist nun Ng Mui, and Miu Hin, an unshaved disciple of the Siu Lam Monastery. Through careful observation, and imagination, these two kung fu experts imitated the movements of the creatures—how they jump, how they paw, and how they use their wings, beaks, jaws, or claws, how they coil up, how they rush forward and retreat, and finally they created this kung fu system consisting of movements modified from those of the named creatures, and adjusted the techniques to suit human limbs.

— Leung Ting, Five-Pattern Hung Kuen, Part I. (1980)

Dragon

Modern Dragon style historians relate that Shaolin nun Ng Mui, who is said to have originated the Dragon style, was one of the last members of the temple before its first destruction, which they date to 1570 (Chow & Spangler, 1982). The Shaolin Gung Fu Institute of the Pacific Northwest agrees with the date of 1570 for a destruction of the temple and states explicitly that Dragon style was created at the Henan Shaolin Temple c. 1565.

Wǔ Méi Pài

In the Wǔ Méi Pài tradition, Ng Mui—the daughter of a general in the Ming imperial court—fully developed her practical style in the Forbidden City. To develop balance and leg strength she trained on upturned logs, in a pattern she invented. She was travelling when her parents were killed in the Manchu capture of the Ming capital. She took refuge in the White Crane Temple (which this legend locates in Kwangsi Province), and became an anti-Qing rebel, teaching her style only within the Temple. The style uses instantaneous counters, and slower movements from Bodhidharma and Qigong.[3][4]

White Crane

According to the genealogy of Tibetan White Crane, "Ng Mui" is the Chinese name of the Tibetan monk Jikboloktoto,[5] who was the last generation of transmission before Sing Lung, who brought the art to Guangdong. This account is most different from the others, with a male Ng Mui, the absence of a Manchu menace to flee from and, given the dating of Sing Lung's relocation to Guangdong to 1865, a 19th-century setting.

In Michelle Yeoh's 1994 movie Wing Chun, the main character's teacher was based on the legends of Ng Mui. In a 2010 film Kung Fu Wing Chun, also about the origins of Wing Chun,[6] Ng Mui is played by Kara Wai.

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gollark: That would be good. I don't know what some of the American coast is meant to look like normally. Or Japan and Indonesia and such.
gollark: BRB, retasking orbital laser arrays.
gollark: Look at all that nice usable land in Antarctica.
gollark: Seems kind of cramped, although I guess you'd want them to exist.

See also

Notes
 ChinesePinyinCantonese Yale 
^ Yuejiaquan 岳家拳Yùejiāquán
^ Wu Mei Pai 五枚派Wǔ Méi PàiNg5 Mui4 Paai1Ng Mui style
^ Daliang Mountains 大涼山Dàliángshān

References
  • Chow, David & Spangler, Richard (1982). Kung Fu: History, Philosophy and Technique. Burbank: Unique Publications. ISBN 0-86568-011-6.
  • Chu, Robert; Ritchie, Rene & Wu, Y. (1998). Complete Wing Chun: The Definitive Guide to Wing Chun's History and Traditions. Boston: Tuttle Publishing. ISBN 0-8048-3141-6.
  • Leung Ting (1980). Five-Pattern Hung Kuen, Part I. Hong Kong: Leung's Publications. ISBN 962-7284-09-2.
  • "Riding the Wind: Dragon Style Kung Fu". Archived from the original on January 12, 2016. Retrieved August 26, 2005.
  1. "The Origin of Ving Tsun". www.vingtsun.org.hk. Retrieved 2010-06-06. Buddhist Abbess Ng Mui, Abbot Chi Shin, Abbot Pak Mei, Master Fung To Tak and Master Miu Hin escaped and fled their separate ways. Ng Mui took refuge in White Crane Temple on Mt. Tai Leung And a more complete translation at: "The Origin of Wing Chun - by Grandmaster Yip Man". Heritage Martial Arts. Tai Leung Mountain near the border between Yunan and Szechuan provinces
  2. "Lineage > Ng Mui". International Wing Chun Academy. Retrieved 2010-06-06.
  3. "Interviewees". www.wumei.com. Retrieved 2010-06-06.
  4. Sifu Ken Lo, Seventh Generation World Wide Head of Wu Mei Pai. "ABOUT WU MEI PAI". Wu Mei Kung Fu Association. Retrieved 2010-06-06.
  5. "Our Direct Lineage From Dharma Master". www.sillumgungfu.com. Archived from the original on April 13, 2012. Retrieved 2010-06-06.
  6. Kung Fu Wing Chun (2010), retrieved 2019-08-12
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