Neville Kennard

Neville Kennard (c. September 1900 – 30 December 1963[1]) was an England actor, comedian and writer, most active in the 1920s, 1930s and 1940s. He was a prolific writer of sketches and a specialist in variety entertainment, who was one of the most famous names associated with the concert party form of entertainment.[2]

Neville Kennard
Born
Lord Nevill Brown

c.September 1900
Eastbourne, Sussex, England
Died30 December 1963
Eastbourne, Sussex, England
OccupationActor, writer, comedian
Years active1920s–1963
Spouse(s)Gladys Wells

Early life

Neville Kennard, real name Lord Nevil Brown, was born in Eastbourne[2] in 1900, the son of Harriet (née Kennard) and Edwin Brown, a carpenter.[3] They had married on 20 February 1892 in Ripe, Sussex[4] where Harriet was from.[3] Lord Nevil was the third of at least five children. He grew up in 12 Mona Road with his four sisters: Evelyn Violet (born 1896), Winifred Kennard (1898 - 1982[5]), Bessie Lilian (born 1903) and Gwendoline Isabella Linda (born 1906). Lord Nevil Brown took as his stage name Neville Kennard (his middle name plus the surname of his maternal grandfather, George Kennard[4])

Career

Kennard's career was initially encouraged by the great music-hall comedian, Sam Mayo. Neville's early years were with alfresco concert parties,[2] a form of entertainment described as long-gone and much lamented.[2] He performed in variety alongside the comedian, Gladys Wells, who later became his wife. Together they were often billed as "Kennard and Wells". In the 1930s he advertised himself as "The Perfect Fool" alongside Gladys Wells (billed as a Comedienne).[6] It was at this time that he spent a number of seasons at the Windmill Theatre.

He also toured with Fred Karno's Mumming Birds,[2] an act made famous previously by the pairing of Charles Chaplin and Stan Laurel. He later became a popular principal comedian in pantomime, revue and summer show.[2] During the Second World War, he continued to perform in pantomime. At every performance of the 1943 pantomime, "Cinderella," Neville Kennard, who played Buttons, appealed for anything smokeable for the troops.[7]

He also presented his own summer shows, and wrote a number of successful concert party sketches including: The tale of a tail; At your service; Babies in the park; and probably the most performed *It's Up To You Sir. In the "It's Up To You Sir" sketch the audience were invited to make suggestions as to how the sketch should proceed. After the gradual demise of concert party and other forms of variety, mainly due to the rise of cinema, he remained active. In 1949 he started to write a weekly column in the theatrical newspaper The Performer all about summer shows. It was called "Pom Poms and Ruffles" and was so successful that he continued it once the winter started and called it "Bon Bons and Trifles". He spent his later years, from 1956, in Eastbourne.[8]

He died on 30 December 1963[1] and in the "Business of the Theatrical Managers' Association" section of The Stage magazine a small obituary was posted.[9]

Personal life

Kennard was married to Gladys Wells[1] (real name Gladys B Turner) who on a number of occasions performed with him. Thye had married at the latter end of 1938 in Hendon, Middlesex.[10] Despite much of their work being in London, they lived for most of the 1930s in Sharrow.[11][12] At the end of the thirties they had relocated to Kenton[13][14] before finally living in Eastbourne from 1956. He died in Cuckfield, Sussex in 1963.[15]

gollark: You could have a "game night" or something instead of buying random trinkets for each other.
gollark: To which I say bee you do something less consumerist.
gollark: Anyway, despite being economically bad (unless you can give special things not available on the open market), you may object that gifting is still good because it forms social bonds.
gollark: Well, if it would actually be better for them than the equivalent money try and convince them so.
gollark: Recommend them it, as I said.

References
  1. The Stage, Thursday, 9 January 1964, page 17
  2. Roy Hudd, Philip Hindin, Roy Hudd's cavalcade of variety acts: a who was who of light entertainment, 1945-60, 1997, p94
  3. 1911 Census of England and Wales, RG14PN4818 RG78PN208 RD71 SD2 ED6 SN94
  4. Ancestry.com. England & Wales Marriages, 1538-1940 , Place: Ripe, Sussex, England; Collection: ; BTs; Date Range: 1890 - 1893; Film Number: 1468913.
  5. London Borough of Richmond Upon Thames, Richmond Cemetery Services, Grave Details of Cyril Wagner Newman and Winifred Kennard Lewis
  6. The Stage, Thursday, 29 January 1931, Page: 10
  7. Lou Warwick, Meg Toyer, Death of a theatre: a history of the New Theatre, Northampton, - 1978 - p127
  8. British Telecom Phone Book, 1956, Southend-On-Sea / Colchester / Norwich / Cambridge / Bedford / Oxford / Reading / Guilford / Tunbridge Wells / Canterbury / Brighton Jun, page 178
  9. The Stage Archive Thursday, 30 January 1964 Page: 15
  10. Ancestry.com. England & Wales, Marriage Index: 1916-2005, Oct-Nov-Dec 1938, Registration district: Hendon, Volume Number: 3a, Page Number: 1539
  11. British Telecom Phone Book, 1932, Birmingham / Chester/ North Wales/ Shrewsbury/ Stoke-on-Trent / Nottingham/ Lincoln/ Peterborough / Leicester/ Derby / Coventry/ Northampton / Sheffield, page 46
  12. British phone books 1880-1984 from the collection held by BT Archives. 1937, page 67, Birmingham / Chester/ North Wales/ Shrewsbury/ Stoke-On-Trent / Nottingham/ Lincoln/ Peterborough /
  13. British Telecom Phone Book, 1939, London Surnames A - K Feb, p1299
  14. British Telecom Phone Book, 1955, Outer London: West Middlesex / Hertfordshire & North Middlesex / Essex, page 287
  15. Ancestry.com. England & Wales, Death Index: 1916-2005, Death Registration Month/Year: 1963, Registration district: Cuckfield, Volume: 5h, Page: 228
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