Nasrollah Kasraian

Nasrollah Kasraian (Persian: نصرالله کسرائیان‎, born 1944 in Khorramabad, Iran) is an internationally renowned Iranian photographer and has been called the "father of Iranian ethno-photography".[1][2] He and his wife, anthropologist Ziba Arshi, have documented the lives of various populations living within the borders of Iran, while publishing more than 40 books and various other media.[3][4] Kasraian's work on the Turkman's of Iran has been adapted for the screen by Babek Karimi [2]. His work has initiated new branches of research, such as anthropological studies of Kurdistan,[5] and influenced a generation of Iranian photographers.[6]

Interview with Kasraian in Tehran

Biography

A graduate in law from Tehran University, Kasraian abandoned that profession and fully engaged in photography since 1966, citing an encounter with a French photographer as the decisive moment.[7]

Due to this work and the work of his brothers, all equally engaged in the arts, the family has had a strong impact on the contemporary art.

Nasrollah Kasraian is married to Ziba Arshi, an anthropologist who accompanies him on his expeditions and collaborates with him in the publication of his works. They have three daughters and live in Tehran.

Photography career

Kasraian travels around Iran taking pictures of all ethnic groups and publishes them in photobooks often dedicated to specific ethnicities. He recounts having used more than 28 cars during the years due to his extensive trips to remote areas of the country.[7] The pictures are typically supplemented by detailed texts about everyday life, culture and history of the ethnic group, often written by Kasraian's wife Ziba Arshi, whose view as an anthropologist has had a strong impact on his work. Kasraian's aim is to depict the entire ethnological diversity of Iran, an endeavor generally applauded by Iranian population but not uncontroversial amongst more conservative elements of Iranian society.[8]

Kasraian cites the publication of his photobook L'iran rurale by the renowned French publisher Doublepage as a turning point in his career.[9][7]

A further milestone was the publication of The nomadic people of Iran by Richard Tapper and Jon Thompson with hundreds of photos by Kasraian , whose work has stimulated some of the essays on the tribal peoples of Iran by a dozen anthropologists in the book.

The book Tehran, which includes works by Hamideh Zolfaqari, winner of the Prix de la Photographie Paris, displays the shift from traditionalism to modernity in the Iranian capital.[10][11]

Kasraian's work has been exhibited in various countries, with his first U.S. photography exhibit hosted in 2017 at the University of Maryland.[12]

His autobiography was published in 2015 by artebox,[13] an extensive interview in Persian with the artist about his life and work.[8]

Besides his work as a photographer, Kasraian has also translated books such as Andreas Feininger's The Complete Photographer into Persian.[3]

Published photo books
  • Damavand, 1992, ISBN 964-6194-70-2
  • Isfahan, 1999, ISBN 964-6728-08-1
  • Persepolis, 5.Auflage: 1998, ISBN 964-416-167-X
  • Nomads of Iran, 2001, ISBN 964-416-184-X
  • Our Homeland Iran, 2001, ISBN 964-416-170-X
  • Tehran, 1990, ASIN B001BTIJYI
  • Isfahan, 1990, ASIN 9646728081
  • Turkmans of Iran, 1991, ASIN B000MFMJMA
  • Masouleh, 2001, ISBN 978-9644161827
  • Nature of Iran, 2001, ASIN B00186YSEO
  • Balechustan, 2002, ISBN 978-9644162039
  • Kurdistan, 1990, ISBN 978-9644162039
  • L'iran rurale, 1984, ASIN B0037H8D0W
gollark: I was going to say, though: with human eyes - the light-sensitive bit is behind some other stuff, and while a goal-directed human engineer would probably go "I'll just rotate this thing then", if you don't have a convenient series of changes which still leave everything working in each intermediate state, you can't really get it evolving into the new version.
gollark: I... don't really know a massive amount about this, to be honest.
gollark: Or it got stuck in a local maximum, which happens a lot.
gollark: For biology, it's just really complicated, because of being run through ruthless optimization processes for billions of years.
gollark: For encryption you run your data through a transform which makes it basically impossible to get the original data back out again without some other data (the key).

References
  1. https://www.quarterlywest.com/issue-94/the-photographers-notes
  2. https://search.alexanderstreet.com/preview/work/bibliographic_entity%7Cvideo_work%7C1689332
  3. https://kasraian.org/pages/about
  4. https://www.amazon.de/Die-Reise-Roman-Unionsverlag-Taschenb%C3%BCcher-ebook/dp/B0182BB6MY/ref=sr_1_fkmrnull_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&keywords=die+reise+doulatabadi&qid=1552199720&s=gateway&sr=8-1-fkmrnull
  5. https://www.welt.de/print-welt/article677974/Eigene-Welten-der-Zurueckgezogenheit.html
  6. https://lens.blogs.nytimes.com/2012/02/28/not-one-moment-but-years/
  7. http://www.jadidonline.com/images/stories/flash_multimedia/Kasraiian_test/kasraiian_eng_high.html
  8. http://artebox.ir/v1/%D9%87%D9%86%D8%B1%D9%85%D9%86%D8%AF%D8%A7%D9%86/%D9%87%D9%86%D8%B1%D9%87%D8%A7%DB%8C-%D8%AA%D8%AC%D8%B3%D9%85%DB%8C/43-nasroallah-kasrayan.html
  9. https://www.amazon.com/Iran-Rural-Photos-Double-Page/dp/B0037H8D0W/ref=sr_1_6?keywords=kasraian&qid=1552203586&s=gateway&sr=8-6
  10. http://old.iran-daily.com/1391/5/10/MainPaper/4294/Page/12/MainPaper_4294_12.pdf
  11. https://www.amazon.com/Tehran-Nasrollah-Zolfaghari-Hamideh-Kasraian/dp/B001BTIJYI/ref=sr_1_1?keywords=tehran+kasraian&qid=1552200918&s=gateway&sr=8-1-spell
  12. http://www.dbknews.com/2017/11/13/umd-roshan-institute-iran-photographer-showcase-photos/
  13. https://www.amazon.com/Leaves-Life-N-Kasraian/dp/B073RWBMYF/ref=sr_1_14?keywords=kasraian&qid=1552201354&s=gateway&sr=8-14
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