Nancy Laird Chance

Nancy Laird Chance (born 19 March 1931) is an American pianist and composer. She studied at Bryn Mawr College from 1949–50 and Columbia University from 1959-67 with Vladimir Ussachevsky, Otto Luening and Chou Wen-chung.[1][2]

After completing her studies, Chance worked as a piano teacher, composer and arts administrator. She received the ASCAP/Nissim prize for orchestral composition in 1981 for Liturgy and in 1984 for Odysseus. She also received two awards from the NEA, and fellowships from the MacDowell Colony and Sundance Film for composition in 1988.[3]

Works

Selected works include:

  • Liturgy, for orchestra, 1979
  • Odysseus, suite for orchestra, 1983
  • Planasthai, for orchestra, 1991
  • Darksong, for chamber ensemble, 1972
  • Edensong, for chamber ensemble, 1973
  • Daysongs, for chamber ensemble, 1974
  • Ritual Sounds, for chamber ensemble, 1975
  • Ceremonial, for chamber ensemble, 1976
  • Declamation and Song, for chamber ensemble, 1977
  • Duos II, oboe, English horn, 1978
  • Duos III, violin, violincello, 1980
  • Exultation and Lament, sax, timpany, 1980
  • Solemnities, 1981
  • Woodwind Quintet, 1983
  • Rhapsodia, 1984
  • String Quartet, no.1, 1984–5
  • Elegy, string orchestra, 1986
  • Heat and Silence, 1989
  • Domine, Dominus, motet, double chorus unaccompanied, 1964
  • Odysseus, chorus and orchestra, 1981–3
  • In Paradisium, 1986–7, chorus and chamber ensemble, 1987
  • Pie Jesu, Libera me, Hosanna and Benedictus, chorus and chamber ensemble, 1990
  • 3 Rilke Songs, Soprano, flute, English horn, violincello, 1966
  • Duos I, Soprano, flute, 1975
  • Say the Good Words, violin, synth, 1989
  • Last Images, film, 1988[3]

Her music has been recorded and issued on CD by Opus One.

gollark: CPU design, tooling, compilers, whatever else.
gollark: C influences CPU design though, that's the thing.
gollark: We're stuck on concepts like memory being a giant linear array, programs having one thread of control, and probably other things I can't think of now.
gollark: CPUs are basically just "execute C-like-code really fast" machines instead of, well, something else, like GPUs.
gollark: Kind of a shame stuff is generally just forced to map onto really outdated machines from ye olden C era.

References
  1. Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers (Digitized online by GoogleBooks). Retrieved 20 January 2011.
  2. Boenke, Heidi M. (1988). Flute music by women composers: an annotated catalog.
  3. Libby, Cynthia Green. "Chance, Nancy Laird". Retrieved 20 January 2011.
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