Nadia Sibirskaïa
Nadia Sibirskaïa (born Germaine Marie Josèphe Lebas, 11 September 1901 – 14 July 1980) was a French film actress.[1] She was married to the Russian-born director Dimitri Kirsanoff and appeared in several of his early films.
Nadia Sibirskaïa | |
|---|---|
| Born | Germaine Marie Josèphe Lebas 11 September 1901 |
| Died | 14 July 1980 (aged 78) |
| Occupation | Actress |
| Years active | 1923–1945 |
| Spouse(s) | Dimitri Kirsanoff (divorced) |
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1923 | L'ironie du destin | ||
| 1926 | Ménilmontant | Younger Sister | Short |
| 1927 | Blighty | The Little Refugee | |
| 1927 | Destiny | Liliane | |
| 1929 | Sables | ||
| 1930 | Au bonheur des dames | Geneviève Baudu | |
| 1930 | Little Lise | Lise Berthier | |
| 1931 | Les vagabonds magnifiques | Édith | |
| 1932 | Nights in Port Said | ||
| 1934 | L'empreinte sanglante | ||
| 1934 | Sapho | La fille | |
| 1934 | The Kidnapping | Jeanne | |
| 1934 | Jeanne | La jeune fille | |
| 1934 | Dédé | La môme | |
| 1935 | Mysteries of Paris | Madame Mont Saint-Jean | |
| 1936 | The Crime of Monsieur Lange | Estelle | |
| 1936 | Life Belongs to Us | Ninette - l'amie de René | |
| 1936 | Girls of Paris | Andrée Maubert | |
| 1937 | Franco de port | Nana | |
| 1938 | La Marseillaise | Louison | |
| 1938 | La plus belle fille du monde | Une fille | |
| 1939 | Quartier sans soleil | La mère du bébé |
gollark: Er. Hmm. Rincewind?
gollark: Imagine: someone tells you "yes I really like [CHARACTER] or [EVENT]". If you have no idea what book they're from or any idea about it, you may have to embarrass yourself and say you don't know! But with a way to search all books ever (okay, you can't do that with just public domain ones however bees) you can have vague surface level knowledge of something on demand!
gollark: I'm aware of that, but they don't have a convenient search thing.
gollark: Idea: download all public domain books and index them for search such that people can conveniently look up things on demand and appear to have read and know about them, for pretension purposes
gollark: I mean, Poland is... more "developed" than a lot of other countries? Which isn't a high bar.
References
- Sultanik p.263
Bibliography
- Aaron Sultanik. Film, a Modern Art. Associated University Presses, 1986.
External links
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