My Seawoman

My Seawoman (Russian: Моя морячка) is a 1990 Soviet comedy film written and directed by Anatoly Eiramdzhan.[1][2][3]

My Seawoman
Russian: Моя морячка
Directed byAnatoly Eyramdzhan
Produced bySerzh Allakhverdov
Written byAnatoly Eyramdzhan
Starring
Music byLyudmila Gurchenko
CinematographyVadim Alisov
Edited byIrina Kolotikova
CountrySoviet Union
LanguageRussian

Plot

The film takes place in a resort town in the Crimea (the shooting took place in Koktebel), where the competition Where are you, talents? takes place every day. Suddenly a man comes from Murmansk, sings the song My Seawoman and demands the main prize.[4]

Cast

accorging to kino-teatr.ru[5]

  • Lyudmila Gurchenko as Lyudmila Pashkova, master of ceremonies
  • Tatyana Vasileva as Tatyana Ptashuk, accompanist
  • Mikhail Derzhavin as Mikhail Gudkov
  • Lyubov Polishchuk as lambada dancer
  • Roman Ryazantsev as Kolya, son of Pashkova
  • Anastasiya Nemolyaeva as Masha, girlfriend of Kolya
  • Georgiy Martirosyan as Suzdalev, actor and friend of Pashkova
  • Roksana Babayan as musical instrument rental employee
  • Sergey Tsigal as man in the audience
  • Yekaterina Zinchenko as Gudkov's colleague in Moscow
  • Anatoly Eiramdzhan as Gudkov's colleague in Moscow (uncredited)
gollark: Yes, since if you try and talk about nuance or tradeoffs that's interpreted as "you do not agree and therefore must be part of the outgroup". Sometimes.
gollark: There are arguments both ways. On the one hand you're trying to make sure that the people you have match the population, but on the other you're going about hiring people based on factors other than how well they can do the job (though that was... probably going to happen anyway, considering), and people may worry that they got in only because of being some race/gender.
gollark: Also, more than that, political polarization generally.
gollark: Sadly, yes, first-past-the-post is awful that way.
gollark: Yes, I agree (except possibly not with the "you need to choose a side" bit); my point is that people often *do act as if* the other side is always wrong, regardless of whether they actually *are*.

References

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