Mutilation Makes Identification Difficult

Mutilation Makes Identification Difficult is the first studio album by the self-described "acid punk" band Brutal Juice.[2] It was released in June 1995 on Interscope Records. The album features "Nationwide" and "The Vaginals," two tracks which received airplay (primarily on college radio stations).

Mutilation Makes Identification Difficult
Studio album by
Brutal Juice
ReleasedJune 13, 1995
RecordedArlyn Studios, Austin, TX
GenreAcid punk
Length67:50
LabelInterscope
ProducerBrutal Juice, Stuart Sullivan
Brutal Juice chronology
I Love the Way They Scream When They Die
(1994)		 Mutilation Makes Identification Difficult
(1995)
Professional ratings
Review scores
SourceRating
AllMusic[1]

"The Vaginals" was retitled "Ugly on the Inside" (after the song's chorus) due to the label's choice to promote it as the album's single. Later pressings of the album (as well as the music video) bear the latter title for track #3.

A working title for this album was Everything's Coming Up Toilets.[2] The final title was chosen when the band found decaying human remains in the woods near the recording studio and later read "Mutilation Makes Identification Difficult" as a headline in the local newspaper.[3]

Critical reception

The Washington Post wrote that "those of the band's lyrics that can be discerned do indeed seem brutal, but they're tempered by a surprising pop savvy. Aside from the 15 minutes of ambient indulgence that close the album, these songs are cannily structured and sometimes even catchy."[4] Stylus Magazine called it a "bitingly funny record in spots."[3]

Track listing
  1. "Kentucky Fuck Daddy" – 3:51
  2. "Burpgun" – 3:59
  3. "The Vaginals" – 2:13
  4. "Nationwide" – 5:14
  5. "Lashings of the Ultra-violent" – 2:36
  6. "Kathy Rigby" – 4:23
  7. "Galaxy" – 4:02
  8. "Curbjob" – 2:51
  9. "Humus Tahini" – 5:13
  10. "Character Assassination Attempt" – 3:22
  11. "Cannibal Holocaust" – 4:21
  12. "Doorman" – 5:44
  13. "Whorehouse of Screams" – 20:01

Personnel
  • Craig Welch - lead vocals, guitar, boom
  • Gordon Gibson - lead vocals, guitar, keyboard, toilets (the album artwork features several photographs of what appear to be bloody toilets)
  • Ted Wood - guitar, vocals
  • Ben Burt - drums, percussion, vocals
  • Sam McCall - bass, guitar, vocals, pre-production
  • Emma Gibson - additional keyboards
  • Joey Gibson - additional vocals (on "Kathy Rigby")
  • Commander Adama - additional weirdness
  • Dwayne Smith - road guru
  • Adam Katz - executive producer, management
  • Stuart Sullivan - producer
  • Sylvia Massy - mixer (at Pedernales Studio, except "The Vaginals")
  • Boo McLeod - second engineer
  • Steve Starnes - second engineer
  • Unleashed - art direction+design
  • David Quadrini - paintings
  • Vanessa Carlson - band photos
  • Mariah Aguiar - band photos
  • Dylan Griffin - toilets
gollark: Didn't old unix have `compress` or something using LZW?
gollark: Oh, so you mean this `hdr` goes at the start and the `dofs` thing tells you where the bit appended to the end is?
gollark: Perhaps the headers should also store the location of the last header, in case of [DATA EXPUNGED].
gollark: There are some important considerations here: it should be able to deal with damaged/partial files, encryption would be nice to have (it would probably work to just run it through authenticated AES-whatever when writing), adding new files shouldn't require tons of seeking, and it might be necessary to store backups on FAT32 disks so maybe it needs to be able of using multiple files somehow.
gollark: Hmm, so, designoidal idea:- files have the following metadata: filename, last modified time, maybe permissions (I may not actually need this), size, checksum, flags (in case I need this later; probably just compression format?)- each version of a file in an archive has this metadata in front of it- when all the files in some set of data are archived, a header gets written to the end with all the file metadata plus positions- when backup is rerun, the system™ just checks the last modified time of everything and sees if its local copies are newer, and if so appends them to the end; when it is done a new header is added containing all the files- when a backup needs to be extracted, it just reads the end and decompresses stuff at the right offset

References
  1. AllMusic Review by Patrick Kennedy. "Mutilation Makes Identification Difficult - Brutal Juice | Songs, Reviews, Credits". AllMusic. Retrieved 2020-05-31.
  2. "Brutal Juice". Trouser Press. Retrieved 2020-05-31.
  3. "Brutal Juice - Mutilation Makes Identification Difficult - On Second Thought". Stylus Magazine. Retrieved 2020-05-31.
  4. Jenkins, Mark (1995-12-08). "Flimsy Gwar". The Washington Post. Retrieved 2020-05-31.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.