Muneeza Shamsie

Muneeza Shamsie is a Pakistani writer, critic, literary journalist, bibliographer and editor. She is author of a literary history Hybrid Tapestries: The Development of Pakistani English Literature (Oxford University Press) and is the Bibliographic Representative of The Journal of Commonwealth Literature .[1]

Muneeza Shamsie
BornMuneeza Habibullah
OccupationWriter, columnist, biographer
SpouseSyed Saleem Shamsie
Children2 (including Kamila Shamsie)

Shamsie is a regular contributor to the Dawn newspaper, as well as the Herald and Newsline magazines mostly on literary affairs; and also for the online Literary Encyclopedia.[2]

She is on the International Advisory Board of Journal of Postcolonial Writing [3] and has guest edited two of its Special Issue Volume 47 Issue 2, 2011: Beyond Geography: Literature, Politics and Violence in Pakistan; and Volume 52 Issue 2, 2016: Al-Andalus.

She is on the Advisory Committee of the DSC Prize for South Asian Literature [4] and served as a 2013 jury member. From 2009-2011 she served as regional chair (Eurasia) for The Commonwealth Writers Prize [5]

She is editor of three pioneering anthologies of Pakistani English literature, of which the US edition of And the World Changed Contemporary Stories by Pakistani Women received the Gold IPPY award and the Bronze Foreword Award in the United States.[6]

Her memoir essays have appeared in 50 Shades of Feminism edited by Lisa Appignanesi, Rachel Holmes and Susie Orbach (Virago, 2013),[7] Moving Worlds: 13.2 Postcolonial South Asian Cities [8] and The Critical Muslim.,[9] The Journal of Postcolonial and Commonwealth Studies: Special Pakistan Issue .[10]

Life and career

Shamsie was born in Lahore, British India (now Pakistan).[11] Her family migrated to Karachi, Pakistan at partition in 1947. Her Oxford-educated father, Isha'at Habibullah (1911-1991), a company executive in a British firm, played a leading role in developing the corporate sector in the newly created Pakistan and became the first Pakistani to head a multi-national in the country.[12] Her mother, Jahanara Habibullah (1915-2003) is the author of a memoir, first published as an English translation and later, in the original Urdu as Zindagi ki Yadein: Riyasat Rampur ka Nawabi Daur [13]

Shamsie, a voracious reader since childhood, grew up in a home where books and the written word were a part of family life. Her aunt was the noted feminist and writer Attia Hosain (1913-1998)[14] and Shamsie's grandmother in Lucknow, feminist and activist Begum Inam Fatima Habibullah was the author of a travelogue Tassiraat-e-Safar-Europe about her journey to Britain in 1924 with her husband, Sheikh Mohammed Habibullah, OBE, a Taluqdar of Oudh to visit their sons, who were boarders at a public school there, Clifton College. Shamsie, who was also sent away to school in England at 9, has written a memoir essay 'A Tale of Two Childhoods: Colonial and Post-colonial' in The Journal of Postcolonial and Commonwealth Studies 16.1 edited by Waqas Khwaja and Ghazala Hashmi, in which she juxtaposes her father's experience of England with her own, a generation later, and their respective adjustment to their homelands on their return.[15] In the essay, she writes of being a boarder at Wispers School in Sussex which near Midhurst when she joined and moved to West Dean near Chichester in 1958. She took Chemistry, Biology and History in her "A" Levels and wanted to be pursue a career in science - then discovered there were no careers for women scientists in Pakistan - in fact Pakistan had few career opportunities for women at all, except education and medicine.

All this while, in England Shamsie had become very aware of the acutely limited and stereotyped images of the sub-continent in English literature, culture and film. On her return to Pakistan, she realized how little she knew or understood about her country and she started to look for answers in the genre she loved best: fiction. V.S. Naipaul, Khuswant Singh, Ahmed Ali, Mumtaz Shahnawaz, Zulfikar Ghose - and of course Attia Hosain - were among the early post-independence writers she read. Soon she came to know, and attended readings by, a new young generation of English language poets in Pakistan who were forging a new contemporary Pakistani English literature. In the introduction to her literary history Hybrid Tapestries she describes how her interest in writing and books, developed from the personal to the professional when she started to write freelance for the Dawn Magazine Supplement in 1982.[16] This enabled her to keep track of new developments in creative and critical writings which were given further context when she was sent by the British Council to attend the 1999 Cambridge Seminar on the Contemporary British Writer. All these influences emerge in the three anthologies that she has compiled and edited and ultimately her literary history, Hybrid Tapestries: The Development of Pakistani Literature in English which marks her out as the leading authority on Pakistani English literature today. As a freelance journalist however, she has also written on a wide range of subjects including archaeology, art, architecture, development, environment and women's issues. She is a founding member of a Karachi hospital, The Kidney Centre and Life Member of The Association of Children With Emotional and Learning Problems (ACELP) and did voluntary work teaching music and mime at ACELP's school in the 1970s.[17] In 1968, Muneeza Shamsie married Syed Saleem Shamsie, a company executive, and they have two daughters, the novelist Kamila Shamsie.[18] and the children's writer, Saman Shamsie [19][20]

Books
  • Hybrid Tapestries: The Development of Pakistani Literature in English (2017) ISBN 978-0-19-940353-0

Books edited
  • A Dragonfly in the Sun: An Anthology of Pakistani Writing in English (1997) ISBN 0-19-577784-0
  • Leaving Home: Towards A New Millennium: A Collection of English Prose by Pakistani Writers (2001) ISBN 0-19-579529-6
  • And The World Changed: Contemporary Stories by Pakistani Women (2005) ISBN 81-88965-23-5
  • And The World Changed: Contemporary Stories by Pakistani Women (2008) (US edition) ISBN 978-1-55861-580-9
gollark: Consider the set of all real numbers which are ethical.
gollark: Many people are alive.
gollark: o stands for l, l stands for r, a stands for good and r stands for l.
gollark: Like I said, G™.
gollark: Or h, sometimes.

See also

References
  1. "Journal of Commonwealth Literature". 27 October 2015.
  2. "Literary Encyclopedia".
  3. "Journal of Postcolonial Writing".
  4. "DSC Prize Advisory Board". Archived from the original on 16 February 2016. Retrieved 29 February 2016.
  5. "Commonwealth Prize".
  6. "Gold IPPY Award".
  7. Appignanesi, Lisa (6 May 2014). Fifty Shades of Feminism. ISBN 978-1844089451.
  8. "Postcolonial SouthAsian Cities".
  9. "The Critical Muslim". 6 January 2015.
  10. "Journal of Postcolonial and Commonwealth Studies".
  11. Waqas Khwaja; Ghazala Hameed, eds. (2009). "Special Pakistan Issue". Journal of Postcolonial and Commonwealth Studies. 16 (1).
  12. "Investing in Pakistan's future". dawn.com. 8 February 2011.
  13. Zindagi ki Yadayn - Riyasat Rampur ka Nawabi Daur. ISBN 9780195798869.
  14. Kamila Shamsie (May 2009). "A long, loving literary line". The Guardian.
  15. Waqas Khwaja; Ghazala Hameed, eds. (2009). "Special Pakistan Issue". Journal of Postcolonial and Commonwealth Studies. 16 (1).
  16. Hybrid Tapestries: The Development of Pakistani Literature in English.
  17. "Muneeza Shamsie". bengal lights books.
  18. A long, loving literary line by Kamila Shamsie The Guardian May 2009. Retrieved 7 February 2016
  19. The Magical Woods. ISBN 978-9621301062.
  20. It's Story Time: The Adventures of the Slothful Slough-off. ISBN 978-9634327707.
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