Monique Harvey

Monique "Mo" Harvey (1950–2001) was a Québécoise painter who lived and worked in Montreal, Quebec.

Monique "Mo" Harvey
Born(1950-10-04)4 October 1950
Montreal, Quebec, Canada
Died8 November 2001(2001-11-08) (aged 51)
Montréal
NationalityCanadian
OccupationPainter

Biography

Monique Harvey was born in a popular neighbourhood on Notre-Dame Street in Montréal.[1] She was pursuing photography when, at the age of 28, a simple painting class intended to relax her work led to her true vocation.[1] Harvey then took drawing and painting classes, which led toward a Certificate of Fine Arts from the University of Sherbrooke in 1980.[1][2] Nevertheless, Harvey considered that her approach was largely self-taught.[1]

In 1983 Harvey participated in a first group exhibition at the Old Port of Montréal, where she stood out as a talented and charismatic artist. In 1984 her work was exhibited at the International Arts Festival held at the Palais des congrès de Montréal, at an exhibition of seven painters at the Old Presbytery of Saint-Bruno, and an exhibition at the Mont-Tremblant Festival of Colours where Harvey won the Montréal Businessmen's Award.[2] In 1986 she had a solo exhibition at the Maison d'art Saint-Laurent and in a duo at the Galerie Bernard Larocque in Rimouski. In 1987, she exhibited as a group at the L'Heureux Gallery in Trois-Rivières and then as a solo artist at the Galerie L'Autre Equivoque in Ottawa. In October 1987 she held a major solo exhibition at the Minigal Gallery in Montréal. In 1989 Harvey exhibited at the Whitten Gallery, at the Hollander York Gallery in Toronto, and contributed to the exhibition Les Femmes peintres au Québec (English: Women Painters in Quebec) at the Marc-Aurèle-Fortin Museum (closed 2007) in Montréal (June to September). This museum then invited Harvey to present a retrospective of her works of the past four years.[1]

Harvey continued solo and group shows through the 1990s. This included frequent exhibitions at the Lydia Monaro Art Galleries in Montréal,[3] St-Laurent+Hill in Ottawa, Hollander York Gallery in Toronto, Masters Gallery in Calgary, and Loch & Mayberry in Winnipeg. Group exhibitions included SNBA/MAGAZIN'ART Biennale at the Grand Palais in Paris in 1993, Old Palais Exhibition Center in Saint-Jérôme in 1992–1994, Bali at the Canadian Embassy in Jakarta in 1994, Musée Marc-Aurèle Fortin in Montréal in 1995, the group exhibition Les Femmeuses at Longueuil in 1996, and Entre deux chaises (Between Two Chairs) at the Montréal Museum of Fine Arts in 1998.[4]

Monique Harvey fell ill with cancer and died 8 November 2001 at the age of 51. She left behind a vibrant pictorial heritage, abundant in colour and form, showing great sensitivity.[5]

Works

Monique Harvey was an artist bubbling with ideas, who ended up finding her own style. Always with new subjects, she gave free rein to her imagination and worked in a very impulsive way.

Je commence par faire un fond coloré, puis je disperse des taches de couleur un peu partout sur la toile et, soudainement, des formes apparaissent et je les complète, selon l'inspiration du moment. Sans rien corriger, une table peut avoir huit pattes, une chaise trois... c'est mon petit côté irrationnel [Cependant, pour elle, ce qui comptait réellement, c'est] de surprendre, de réveiller quelque chose qui fait vibrer. Chaque tableau est un état d'âme. Pour créer, il ne faut pas avoir peur de prendre des risques, de sortir des règles établies, de l'académisme...

I start by making a coloured background, then I scatter coloured spots everywhere on the canvas and, suddenly, forms appear and I complete them, according to the inspiration of the moment. Without correcting anything, a table can have eight legs, a chair three ... it's my little irrational side [However, for her, what really mattered is] to surprise, to awaken something that makes you vibrate. Each painting is a state of mind. To create, do not be afraid to take risks, to get out of established rules, academism...

—Monique Harvey[1]

For Harvey, subjects matter little: she improvises each painting as a space built through distortions and disproportions that create their own harmony, creating order in the apparent mess that often furnishes her compositions.[2]

Guy Robert (1933–2000), founder in 1964 of the Museum of Contemporary Art of Montréal and author of several monographs on the painters who marked Quebec, said of her in 1987 that "la relève la plus dynamique et la plus solide devrait ressembler à cela" ("the most dynamic and the most dynamic succession should look like this").[6]

gollark: It comes with many features like:- account on the osmarks.tk RSS reader and wiki thing- you can get random bits of the SQL dumps if you want- access to some of the osmarks.tk™ media library and memeCLOUD™- priority support - maximum turnaround time of 10^36 years
gollark: You could also buy an osmarks.tk™ premium subscription and support osmarks.tk.
gollark: <@151391317740486657> I considered it for Chorus City, but it would have been pointless.
gollark: Nobody made one. That is why.
gollark: Alternate solution: switch to FULL COMMUNISM and don't have a shop.

References
  1. "Biographie Monique Harvey" [Monique Harvey biography] (in French). Montréal: Michelangelo Gallery. Archived from the original on 18 November 2017. Retrieved 30 October 2017.
  2. "Recherche par artiste" [Search by artist] (in French). Éditions Galerie l'Imagerie. Archived from the original on 20 August 2009. Retrieved 30 October 2017.
  3. Guex, Catherine (1991). "Lydia Monaro". MAGAZIN'ART (in French). Magazinart. 4 (1): 56–58.
  4. "Monique Harvey" (in French). Art-doise. Archived from the original on 30 August 2001. Retrieved 31 October 2017.
  5. "Financement" [Funding] (in French). Théâtre du Gros Mécano. Archived from the original on 3 April 2010. Retrieved 30 October 2017.
  6. Robert, Guy (October 1987). "Monique Harvey et la relève" [Monique Harvey and the Succession]. Le Collectionneur (in French). Le Collectionneur. 6 (21): 30.

Sources
  • "Biographie de Monique Harvey" [Biography of Monique Harvey] (in French). Montréal: Michelangelo Gallery.
  • Harvey, Monique (2000). Répertoire Biennal des Artistes Canadiens en Galerie 2000–2001 [Biennial Directory of Canadian Artists in Gallery 2000–2001] (in French). Montréal: MAGAZIN'ART. p. 464.
  • Le Guide Vallée [The Valley Guide] (in French) (3rd ed.). 1993. p. 591.

Bibliography
  • De Montreuil, Louis-Philippe (1991). "Monique Harvey en lancée internationale" [Monique Harvey in international launch]. MAGAZIN'ART (in French). 4 (2): 61–62.
  • "Monique Harvey à la conquête de l'Ouest" [Monique Harvey to conquer the West]. MAGAZIN'ART (in French). 13 (3): 49. 2001.
  • Bernier, Robert (2000). "Monique Harvey : si j'avais les ailes d'un ange" [Monique Harvey: if I had the wings of an angel]. Parcours (in French). 6 (2): 15–33.
  • Kozinska, Dorota (2001). "Monique Harvey Silent Tumult". MAGAZIN'ART. 13 (2): 85–87.
  • Robert, Guy (1987). "Monique Harvey et la relève" [Monique Harvey and the Succession]. Le Collectionneur (in French). 6 (21): 28–30.
  • Robert, Guy (1989). "Hommage à Monique Harvey au Musée Marc-Aurèle Fortin" [Homage to Monique Harvey at the Marc-Aurèle Fortin Museum]. Le Collectionneur (in French). 7 (25): 48.
  • Biondi et Cie. Radio-Québec. February 1988.
  • Le Guide Vallée. 1989.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.