Mon Schjelderup

Mon Schjelderup (16 June 1870 – 21 November 1934) was a Norwegian composer and pianist.

Mon Schjelderup

Biography

Maria Gustava Schjelderup was born in Fredrikshald (now Halden), Østfold, of parents Captain Christian Bernhard Koren Schjelderup (1819–1889) and Anne Sofie Preus Berg (1831–1898). She was also the cousin of composer Gerhard Schjelderup (1859–1933).

Schjelderup grew up in a musical home, and wrote her first composition at age 14. She studied piano with Agathe Backer Grøndahl. Later she continued her studies in piano and theory at the Royal College of Music in Berlin, and in composition at the Conservatory in Paris with Jules Massenet. In 1894 she made her public debut as pianist and composer in Christiania. She continued her study with Massenet and began working as a composer and a piano teacher at the Music Conservatory in Christiania.[1]

Mon Schjelderup never married and retired at the age of 34 due to disabling mental illness. She died in 1934 in Asker, Akershus.[2]

Works

Schjelderup composed about forty songs, piano pieces, violin pieces, a sonata for violin and piano and orchestral works. Selected compositions include:

For Orchestra:

  • Prelude to 5 Act II of The Wild Duck by Henrik Ibsen
  • Fest March, Op. 30, 1900 (arranged for orchestra by Jules Massenet)
  • For Violin and Piano: Berceuse, Op. 1, 1893
  • Ballade, Op. 2
  • 2 Romances, Op. 6, 1894
  • Sonata in B minor, Op. 12, 1896

For cello and piano:

  • Tungsind, op. 18, 1899

For voice and piano:

  • 2 Songs, Op. 10, 1899 (text W. Krag)
  • 2 West View, op. 16, 1899 (text W. Krag)
  • Huldre Song, Op. 21, 1899 (text A. Garborg)
  • Nocturne, Scherzo, Op. 23, 1900 (text V. Krag)
  • Birch trees in Bridal Veil, op. 24 (text T. Caspari)
  • Jokes Mother To view and Fish Cutting, op. 33, 1902 (text A. Winge)
  • A loss, Op. 33, 1902 (text H. Christensen)
  • Poppy red, Op. 48, 1905 (text F. Docker-Smith)
  • Maria Nøklebånd, op. 61 (text F. Docker-Smith)
  • My love no soul on earth to be wide, Op. 63 (text S. Lagerlöf)
  • My Beloved dancer in Sale, op. 64(text L.C. Nielsen)
  • Nursery Rhymes, 1902
  • Songs (text W. Krag)

For piano:

  • Au Printemps
  • 3 Morceaux, Op. 3
  • 2 Piano Pieces, Op. 13, 1898 (lullaby, Song without Words)
  • Trifles, 4 light piano pieces, 1903
gollark: I, for one, generally prefer automating the boring whatever to people having to do it manually, except if there is unmitigable unemployment (nobody seems very sure about whether this is the case) things aren't really set up to deal with it.
gollark: Greetings, mortal.
gollark: Using it for evil would be mean, and thus impossible.
gollark: You should publish your SSH private key here, so that people can fix it.
gollark: They don't make them *that* lethally radioactive, and plutonium ones only require about 3 reactors to make.

References
  1. Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers (Digitized online by GoogleBooks). Retrieved 4 October 2010.
  2. Dahm, Cecilie. "Mon Schjelderup". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 7 November 2010.
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