Mixed (album)

Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks form the "Gil Evans album" (i.e. Evans was not meaningfully involved but Impulse had printed the album covers) teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.

Mixed
Compilation album by
Cecil Taylor/Roswell Rudd
Released1998
RecordedOctober 10, 1961 & July 8, 1966
GenreJazz
Length69:56
LabelImpulse!
ProducerCreed Taylor
Cecil Taylor chronology
New York City R&B
(1961)		 Mixed
(1998)		 Nefertiti, the Beautiful One Has Come
(1962)
Roswell Rudd chronology
Roswell Rudd
(1965)		 Everywhere
(1966)		 Numatik Swing Band
(1973)
Professional ratings
Review scores
SourceRating
Allmusic[1]

Reception

The Allmusic review by Scott Yanow states "Although not Roswell Rudd's greatest album, there are enough fascinating ensembles on this set for it to nearly hold its own with Cecil Taylor's more essential session".[2]

Track listing
  1. "Bulbs" (Cecil Taylor) – 6:49
  2. "Pots" (Taylor) – 5:44
  3. "Mixed" (Taylor) – 10:08
  4. "Everywhere" (Beaver Harris) – 11:32
  5. "Yankee No-How" (Roswell Rudd) – 12:03
  6. "Respects" (Rudd) – 11:39
  7. "Satan's Dance" (Giuseppi Logan) – 12:01
  • Recorded in New York City on October 10, 1961 (tracks 1–3) & San Francisco on February 1, 1966 (tracks 4–7)

Personnel
gollark: As a temporary solution it all got fed to one of our negative frequency trader machines, which will apply it to all financial markets simultaneously and thus keep it out of the way for a few years.
gollark: We tried feeding the capital into excess letters from the language models but then ran into Unicode concerns.
gollark: By some estimates, 3% of our processing power is spent on accounting.
gollark: No.
gollark: I tripped on one of the power cables and accidentally sent a few of them into ideatic apiospace.

References
  1. Allmusic Review
  2. Yanow, S. Allmusic Review accessed 9 July 2009
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.