Missing (opera)

Missing is a 2017 chamber opera with a libretto by Marie Clements and music by Brian Current. Co-commissioned by Pacific Opera Victoria and City Opera Vancouver, its topic is missing and murdered Indigenous women.[1]

Development

The libretto for the work was developed by Marie Clements prior to the selection of the composer. Four different composers were asked to set a portion of this libretto, and their settings were anonymized and sung before a jury to select the work's ultimate composer (Brian Current).[2]

The compositional style is spare, reminiscent of a "chamber music suite".[3] It "eschews familiar operatic conventions such as showy arias, huge choruses and a linear plot".[4] The opera is in English and Gitxsan, an indigenous language spoken in the traditional territory along much of the Highway of Tears.[5][6]

Performance history

The opera's unofficial premiere in November 2017 was before the "community of the missing" in the Downtown Eastside of Vancouver, one of the opera's two settings. This was followed by a five-night run in each of Vancouver and Victoria later in the month.[7]. The show was directed by renowned Canadian director Peter Hinton.

Synopsis

The opera presents a dual narrative. The primary narrative focuses on Ava, a young white woman who is thrown into a tree during a car crash and sees the body of an indigenous woman known as "Native Girl". This experience makes such an impression on Ava that she adopts many elements of Gitxsan culture, and later sees the murder of Native Girl in her dreams. The secondary narrative focuses on the grief of Native Girl's brother and mother.[3]

Reception

A review in Vancouver Magazine states that Missing "lays the foundation for a bridge between two cultural solitudes that must work together... to give birth to a new Canada".[8] According to Opera Canada, "As an opera, Missing is under-written. As an important piece of theatre that builds over its short 80 minutes to a shatteringly emotional conclusion... [it] is something every Canadian should see".[3]

gollark: So you can just have lots of things generating hashes in parallel.
gollark: Bitcoin mining works by randomly generating data until it hashes to a value with many leading zeros, basically.
gollark: Well, the specific way bitcoin uses it.
gollark: It can be parallelized, yes.
gollark: Bitcoin ASICs just have all the logic for SHA256, directly burned (well, magically siliconed) into hardware.

References
  1. Sarah Petrescu (21 November 2017), Power of opera gives story of missing Indigenous women emotional depth, Times Colonist
  2. Missing – background information, City Opera of Vancouver
  3. Another take; Review: Missing, Pacific Opera Victoria, Nov. 19, 2017 (23 November 2017), Opera Canada
  4. Review: Missing, City Opera Vancouver, Nov. 3, 2017 (6 November 2017), Opera Canada
  5. Alexander Varty (31 October 2017), Missing straddles the realms of disturbing reality and dreams, The Georgia Straight
  6. Andrea Smith (12 October 2017), Missing, Marie Clements' first-ever opera libretto, premieres Nov. 3, Windspeaker
  7. Missing, City Opera of Vancouver
  8. Roberta Staley (1 November 2017), 'Missing' Turns Tragedy Into Art, Vancouver Magazine
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.