Miss Angie

Miss Angie is a Christian music artist who released two albums on Myrrh Records, the final one in 1999. Her music was based in aggressive hard rock and pop sound[1] with a feel that was described as "retro-eclectic",[2] and vocals likened to those of Cyndi Lauper.[1] Her portrayed image, one of the strong female rock star, was unusual in Christian music,[3][4] but was offset by overtly Christian lyrics.

Miss Angie
Born1977
GenresContemporary Christian music
Years active1997–2000, 2008–present
LabelsMyrrh, Transform
Associated actsJohnny Q. Public, Flick
Websitewww.missangie.net

She signed with the Transform Music Group and released a new album, Time & Space, on July 26, 2011.[5]

The name Miss Angie was a compromise; at the time of recording her first album she knew that she was getting married, and so chose a name that was neutral with regard to that event.[4] Her given name was Angie Turner, sister of Shawn Turner, who played guitar in Johnny Q. Public. The family had a background in Christian music ministry, and the siblings had grown up traveling with their father's Christian rock bands in a situation she later described as being "sort of like The Partridge Family."[6] She married Oran Thornton, also from Johnny Q. Public, in 1998. Oran went on to join the band Flick. They are no longer married. In a 2012 interview Miss Angie references her new husband Dave Darr who co-produced her single 'Restore'.[7]

In October 2009, she re-appeared with a new website, http://www.missangie.net/, and some new songs. The website claims she will be putting out an album in late 2010 or early 2011.[8]

On June 14, 2011, Miss Angie released a single off her tentative release with Transform Music Group called "Kick Drum". On April 10, 2012 she released a new single, "Restore", accompanied with a music video.[9]

Background

Miss Angie began her solo career doing praise and worship sets after Johnny Q. Public concerts.[4] She started writing songs at the age of 16,[10] and while on tour Oran Thornton encouraged her make a career out of music.[6] These efforts eventually lead to a demo produced with David Zaffiro[4] and a contract with Myrrh Records.

Her lyrics were influenced by artists whom she describes as being "out-front praising Jesus and plainly talking about the Word."[4] She names the influence of as Keith Green, Crystal Lewis, and Second Chapter of Acts. Her debut contains a cover of the latter's "Which Way the Wind Blows".[11]

100 Million Eyeballs, released in 1997, takes its name from a creature described in the prophetic books of Revelation and Isaiah.[12][13] Its lyrics have a simple though thought-provoking structure, aimed at the junior-high market.[1] Several reviewers found that its songs tend to pose questions to the listener, but end up coming off as praise music.[13][14] Musically, the album centered around "big guitars, heavy beats," and a "warm yet still girlish, voice."[15]

Overall, Miss Angie portrayed the image of a "polished, yet glaring 'teenie-bopper',"[16] a sentiment that others reflected as well. More than one critic expressed the thought that the portrayal of the strong female lead rocker was unusual in Christian music,[4] and this probably enhanced the albums appeal. The dichotomy between the sweet and the aggressive images are what made the album worth listening to.[3]

On Triumphantine the band's sound changed considerably, dropping the emphasis on guitar in favor of keyboard synthesizers.[17] One reviewer described the sound as Fleming and John meets His Name Is Alive.[18] Another likened it to pre-comeback Blondie or Plumb,[19] and a third to The Doors.[20] The overall effect was that the album contained a greater variety of sounds than the debut.[2] One major complaint was the short length of the album[20] as well as the individual tracks, which one commented didn't allow the songs to fully develop musically.[18]

During 2012 and 2013 Miss Angie began releasing a series of singles and an independently released EP, The Casting Down of Demonic Angels.

On April 24, 2019 Miss Angie posted a video announcing she will be recording an album with music producer Gabriel Wilson.

Discography

  • 1997: 100 Million Eyeballs
  • 1999: Triumphantine
  • 2011: Kick Drum - Single
  • 2011: Time and Space
  • 2012: Restore - Single
  • 2013: Stay Afloat - Single
  • 2013: The Casting Down of Demonic Angels - EP
  • 2020: Desert Flags - EP
gollark: I expect it's just an old rule which may have made sense when people talked about multiscrolling but which nobody bothered to change.
gollark: I'm sure some things are justified, but some are *not* so much.
gollark: Er...- holiday limits, too
gollark: Oh, also- zombies/kill limits- freeze limits
gollark: - cave hunting- 5-hour cooldown- egg/hatchling limits- bouncingAll these encourage multiscrolling.

References

  1. Parker, Mike (September–October 1997). "Reviews: 100 Million Eyeballs". 7ball (14): 46. ISSN 1082-3980.
  2. Dietor-Hartley, Shannon (April 2000). "Album Advice / Triumphantine". Church Musician Today. 3 (8): 32. ISSN 1550-5294.
  3. Thompson, John J. (Winter 1998). "Reviews / 100 Million Eyeballs". True Tunes News: 27.
  4. Parks, J. Robert (November 16, 1997). "Miss Angie Interview".
  5. "Transform Music Group Signs Female Rock Artist Miss Angie". February 9, 2011. Archived from the original on May 26, 2011.
  6. Aderholdt, Danielle Lee (September–October 1997). "Bankshots: Miss Angie". 7ball (14): 35. ISSN 1082-3980.
  7. "Miss Angie Interview". February 21, 2012. Archived from the original on May 14, 2012.
  8. Turner, Angie (2009). "October 1, 2009", missangie.net, accessed August 4, 2010.
  9. "Miss Angie Single and Video". April 17, 2012. Archived from the original on April 19, 2012.
  10. Ewald, Dan (February 1998). "Miss Angie and Mancy A'lan Kane". BRIO. Focus on the Family. ISSN 1048-2873. OCLC 20909575.
  11. Powell, Mark Allan (2002). "Miss Angie". Encyclopedia of Contemporary Christian Music (First printing ed.). Peabody, Massachusetts: Hendrickson Publishers. p. 600. ISBN 1-56563-679-1.
  12. Cummings, Tony (October 1997). "Miss Angie - 100 Million Eyeballs". Cross Rhythms (41).
  13. Dietor-Hartley, Shannon (February 1998). "Album Advice: 100 Million Eyeballs". Church Musician Today. 1 (6): 29. ISSN 1550-5294.
  14. Griffin, Kyle L. (November–December 1997). "Tools / Music / Miss Angie 100 Million Eyeballs". YouthWorker Journal. XIV (2): 65. ISSN 0747-3486.
  15. Stonehocker, Linda; Lloyd, Shari. "Reviews / 100 Million Eyeballs". The Phantom Tollbooth.
  16. DiBase, John (1997). "Reviews / 100 Million Eyeballs". Jesus Freak Hideout.
  17. Wiitala, Christopher (1999). "Miss Angie - Triumphantine". Cornerstone. 28 (117): 62. ISSN 0275-2743.
  18. Stewart, James (October 21, 1999). "Reviews / Triumphantine". The Phantom Tollbooth.
  19. McGovern, Brian Vincent (September–October 1999). "Miss Angie - Triumphantine". HM Magazine (79). ISSN 1066-6923.
  20. Rimmer, Mike (August 1999). "Miss Angie - Triumphantine". Cross Rhythms (52).
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