Mirko Ludwig

Mirko Ludwig is a German tenor who is mostly active in concert, especially in historically informed performance. He is a member of the vocal quartet Quartonal.

Mirko Ludwig
Born
Hamburg
EducationHochschule für Künste Bremen
Occupation
OrganizationQuartonal
Websitemirkoludwig.com/vita

Career

Born in Hamburg, Ludwig was from grade three a member of the boys' choir Chorknaben Uetersen.[1] He studied voice at the University of the Arts Bremen from 1980 with Thomas Mohr and Krisztina Laki, with a focus on historically informed performance.[1][2]

In 2012, Ludwig appeared at the Laeiszhalle in Hamburg with the Franz-Schubert-Chor in a program combining Schubert's Mass No. 2 in G major with Dona nobis pacem by Pēteris Vasks and Martín Palmeri's Misa a Buenos Aires (or Misatango).[3] He has performed the tenor part in Bach's St John Passion, both Evangelist and arias, for example at St. Nikolai in 2016, conducted by Volkmar Zehner. A review noted that he used his bright and agile tenor voice for an intense dramatic narration.[4] He appeared in the opening concert of the Elbphilharmonie in Hamburg in 2017 with a vocal quintet called Ensemble Praetorius, founded for the occasion.[1][5] In 2019, he appeared as a soloist with the Balthasar-Neumann-Chor und -Ensemble conducted by Thomas Hengelbrock at the Kölner Philharmonie, performing Schumann's Missa Sacra.[2] He performed the first tenor solo part in Monteverdi's Vespro della Beata Vergine at St. Martin, Idstein, conducted by Franz Fink, alongside soprano Elisabeth Scholl and bass Johannes Hill. A reviewer credited the six soloists with perfect technique and harmony among their voices in the ensembles.[6]

Ludwig is a member of the vocal quartet Quartonal. Founded in 2006, they won first prize at the 2010 Deutscher Chorwettbewerb.[7]

gollark: Aren't there reasons for that existing?
gollark: Automating racism would free up humans from having to be racist manually.
gollark: Heterochromia iridum, apparently.
gollark: Heterochromia?
gollark: Which thing? Automated racism?

References
  1. Nickmann, Elvira (7 February 2017). "Ein Tenor auf dem Weg nach oben". Abendblatt (in German). Retrieved 15 October 2019.
  2. "Baroque ... Classique 4" (PDF). koelner-philharmonie.de (in German). 3 February 2019. pp. 4, 15–16. Retrieved 15 October 2019.
  3. Franz Schubert Chor / KlassikPhilharmonie Hamburg / Christiane Hrasky Elbphilharmonie
  4. Stenzel, Oliver (22 March 2016). "Bachs Johannes-Passion in Kiel / Aus dem Geist der Präsenz". Kieler Nachrichten (in German). Retrieved 15 October 2019.
  5. "Ensemble Praetorius" (PDF). Elbphilharmonie Hamburg / ERÖFFNUNG 11. & 12. Januar 2017 (in German). Elbphilharmonie. 11 January 2017. pp. 4, 15–16. Retrieved 28 October 2019.
  6. Heeren-Pradt, Beke (3 September 2019). "Claudio Monteverdis "Marienvesper" beeindruckt in Idstein / Unter der Leitung von Kantor Franz Fink erhalten der Chor St. Martin und die Martinis stehende Ovationen für die Aufführung von Monteverdis "Marienvesper" in Idstein". Wiesbadener Tagblatt (in German). Retrieved 3 September 2019.
  7. Julian Carlo Betz: Vogelhochzeit im Prunksaal Süddeutsche Zeitung, 24 March 2019
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.