Milan Petrović

Milan Petrović (Serbian Cyrillic: Милан Петровић, born September 23, 1976, in Belgrade, SFR Yugoslavia) is a Serbian keyboard player, songwriter and composer.

Milan Petrović
Birth nameMilan Petrović
Born (1976-09-23) 23 September 1976
Belgrade, SFR Yugoslavia
OriginBelgrade, Serbia
GenresJazz, Blues, Blues rock, jazz-funk, funk, reggae, Pop, Pop rock,
Occupation(s)keyboard player, songwriter, composer, film producer
Years active1993–present
LabelsSKCNS,
WebsiteOfficial Site

Discography

Solo / Milan Petrovic Quartet

  • Emotions
    • Year:2018
  • Orient
    • Year:2017
  • Lady's touch
    • Year:2017
  • Dates
    • Year:2016
  • Live @ Nišville Jazz festival 2014
    • Year:2015
  • High Voltage Studio Sessions Vol.2 Milan Petrović Quartet Live
    • Year:2014
  • Favorites
    • Year: 2013
  • Excursion

with Del Arno Band

  • Retrospective
    • Year: 2001
    • Label: Automatik Records
  • Vreme Vode
    • Year: 2005
    • Label: Automatic Records

Guest appearances

  • Strah od petenja, Sabanoti (1995)
  • Dog Life, Eyesburn (1998)
  • Prekidi Stvarnosti, Kanda, Kodža i Nebojša (2005)
  • Feeling Groovy, Blue Family (2009)
  • Homebound, Ventolin (2011)
  • Saw Friendly, Sonja Kalajić (2016)
  • Aftershock, Mario Rasic & Nebojša Buhin (2018)
  • Aja Sofija, Branko Isakovic (2018)
  • Otrovan, Elektromattik (2019)


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gollark: Or, well, the obvious alternative.
gollark: Maybe. On the one hand I at least like to think I'm vaguely better than average at actually paying attention to explanations for things and won't just immediately consign them to "outgroup → bad" or "not convention → bad". On the other hand probably most people think that since people are bad at comparing things. On the third hand, which I totally have, the alternative is to just assume people doing things are probably right, which seems wrong.
gollark: No, which is why I said I didn't care that much.
gollark: > that might be valid but itS' also an easy to abuse excuse to dislike almost anything> because you can always say that you don't see the pointThis is typically why people explain things.
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