Midnight Shadow

Midnight Shadow is a 1939 film with an all African-American cast. It was directed and produced by George Randol, who was also African American.

Midnight Shadow
Directed byGeorge Randol
Produced byGeorge Randol
Alfred N. Sack
Screenplay byArthur Reed
StarringFrances Redd
Ollie Ann Robinson
Clinton Rosemond
Laurence Criner
Music byJohnny Lange
Lew Porter
CinematographyArthur Reed
Edited byRobert Jahns
Production
company
George Randol Productions
Distributed bySack Amusement Enterprises
Release date
1939
Running time
54 min
CountryUnited States
LanguageEnglish

Plot

The mind-reading Prince Alihabad courts a girl from Oklahoma played by Frances E. Redd. Her parents want to make her happy, but they do not like that Alihabad worships Allah. A killer is on the loose and locals fear that it might be Alihabad.

Cast

  • Frances Redd as Margaret Wilson
  • Buck Woods as Lightfoot
  • Richard Bates as Jr. Lingley
  • Clinton Rosemond as Mr. Dan Wilson
  • Jesse Lee Brooks as Sergeant Ramsey
  • Edward Brandon as Buster Barnett
  • Ollie Ann Robinson as Mrs. Emma Wilson
  • Laurence Criner (billed as John Criner) as Prince Alihabad
  • Pete Webster (actor) as John Mason
  • Ruby Dandridge as Mrs. Lingley
  • Napoleon Simpson as Mr. Ernest Lingley

Book coverage

The film was briefly discussed in terms of plot and as an African-American production in the books Hollywood Be Thy Name: African American Religion in American Film, 1929-1949[1] and Whispered Consolations: Law and Narrative in African American Life.[2]

gollark: It made some sense in the past as some kind of crystallized "no promiscuity" law when we didn't have contraception and stuff.
gollark: In what way?
gollark: 5 is just elder-worship, which I do *not* agree with, no murdering is reasonable but narrow in scope, the adultery one doesn't seem very important or fundamental-law-y, stealing is bad I guess, bearing false witness is somewhat bad too I guess, the coveting ones seem unnecessary.
gollark: I like to hope I would be better than to demand obedience/worship/belief on pain of eternal torture.
gollark: Just looking up the ten commandments quickly, fully two fifths of these are just bizarre narcissistic stuff about God.

References

  1. Weisenfeld, Judith (January 8, 2007). Hollywood Be Thy Name: African American Religion in American Film, 1929-1949. University of California Press. Retrieved November 26, 2011.
  2. Christian Suggs, Jon (February 15, 2000). Whispered Consolations: Law and Narrative in African American Life. University of Michigan Press. Retrieved November 26, 2011.


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