Michaël Borremans

Michaël Borremans (born 1963) is a Belgian painter and filmmaker who lives and works in Ghent. His painting technique draws on 18th-century art as well as the works of Édouard Manet and Degas. The artist also cites the Spanish court painter Diego Velázquez as an important influence. In recent years, he has been using photographs he has made himself or made-to-order sculptures as the basis for his paintings.[1]

Michaël Borremans
Michaël Borremans, portrayed by Filip Naudts
Born1963 (age 56–57)
Geraardsbergen, Belgium
Known forPainting

Biography

Borremans studied at the Sint-Lucas Hogeschool voor Wetenschap en Kunst (College of Arts and Sciences St. Lucas) in Ghent, receiving his M.F.A. in 1996. Originally trained as a photographer, he turned his attention to drawing and painting in the mid-nineties. He uses old photographs of people and landscapes as inspiration for his work.

Until his break-through, he was a teacher at the Stedelijk Secundair Kunstinstituut Gent (Secondary Municipal Art Institute of Ghent). Another painter Jan Van Imschoot had seen and bought many pieces of his work when it was exhibited in his local pub in Kalken. He put him in touch with Jan Hoet, the founder of the S.M.A.K. (Stedelijk Museum voor Actuele Kunst) (City Museum for Contemporary Art) in Ghent, Belgium. This led to an introduction to Frank Demaegd, owner of Zeno X Gallery in Antwerp, where he had his first major exhibition.

Exhibitions and projects

In 2011, Borremans' work was the subject of a solo exhibition, titled Eating the Beard, which was first on view at Württembergischer Kunstverein Stuttgart in Germany and traveled to Műcsarnok Kunsthalle, Budapest, and Kunsthalle Helsinki in Finland. In 2010, he had a solo exhibition at the Kunstnernes Hus in Oslo, and in 2009, he had a solo show at the Kestnergesellschaft in Hanover, Germany[2] In 2007, he had a solo show at gallery De Appel in Amsterdam, focusing on his cinematic works.[3] In 2005, he had a one-person exhibition of paintings and drawings at the Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent. The paintings then traveled to Parasol unit foundation for contemporary art, London, and The Royal Hibernian Academy, Dublin, while the drawings traveled to the Cleveland Museum of Art in Ohio. Other solo exhibitions include La maison rouge, Paris (2006); Kunsthalle Bremerhaven, Bremerhaven, Germany; and the Museum für Gegenwartskunst, Basel, Switzerland (both 2004). In 2004, he participated in Manifesta 5, The European Biennial of Contemporary Art.[4]

Most recently, Michaël Borremans: Fixture, was presented at the Centro de Arte Contemporáneo de Málaga in 2015–2016. A major museum survey, Michaël Borremans: As sweet as it gets, which included one hundred works from the past two decades, was on view at the Palais des Beaux-Arts in Brussels in 2014. The exhibition traveled later in the year to the Tel Aviv Museum of Art, followed by the Dallas Museum of Art in 2015. Michaël Borremans: The Advantage, the artist's first museum solo show in Japan, was also on view in 2014 at the Hara Museum of Contemporary Art, Tokyo.[5]

Collections

Borremans' work is held in the following public collection:

gollark: In case of spontaneous implosions of all my computers, I think I would just have to find a working computer with Linux on it, decrypt my USB thing, and use the SSH keys on it to access osmarkscloud™.
gollark: Doubtful.
gollark: I don't think both I and all my computers will be struck by lightning simultaneously.
gollark: I have backups of critical things on a USB stick I carry with me.
gollark: No, I also use MultiMC. I just use an older version which does not seem to force me to migrate.

References
  1. Nieuw werk van Michaël Borremans in Antwerp Archived 28 October 2010 at the Wayback Machine
  2. Michaël Borremans' 2009 exhibition at Kestnergesellschaft
  3. Borremans' 2007 exhibition at De Appel Archived 3 January 2015 at Archive.today
  4. M A N I F E S T A Flash detection
  5. "Michaël Borremans biography | David Zwirner". David Zwirner. Retrieved 25 January 2018.
  6. moma.org
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