McKenna Mendelson Mainline
McKenna Mendelson Mainline is a Canadian blues band that has released four albums.[1] In the spring of 1969, the band was signed to Liberty Records (United Artists).[2]
McKenna Mendelson Mainline | |
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| Origin | Toronto, Ontario, Canada |
| Genres | Blues |
| Years active | 1968–1975 |
| Labels | Liberty |
| Past members |
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History
In the summer of 1968, in May, Toronto, Ontario, Canada blues guitarist Mike McKenna (born April 15, 1946 in Toronto), formerly of Luke & The Apostles, placed an ad in The Toronto Star seeking musicians for a new project. In replying to the ad, acoustic blues artist Joe Mendelson (born July 30, 1944 in Toronto) suggested to McKenna that the idea of searching for blues musicians through the want ad milieu was an exercise in naïveté. Nevertheless, the two worked well creatively and the basis of McKenna Mendelson Mainline's dynasty was formed.
Original band members
Former The Paupers bassist Denny Gerrard (born February 27, 1948 in Scarborough, Ontario) was invited to join, and The Spassticks' Tony Nolasco (born July 9, 1950 in Sudbury, Ontario) completed the quartet on drums. The band debuted at the Night Owl club in Toronto's Yorkville Village from August 5–10 and the following month recorded demos which later became the basis of a bootleg album, McKenna Mendelson Blues. Gerrard left the band in early October (immediately after a show at Massey Hall supporting The Fugs) because of artistic differences and was replaced by Mike Harrison (born November 1, 1948 in Brampton, Ontario), bassist from popular Canadian R&B band Grant Smith & The Power.
In November 1968, MMM opened for The Jeff Beck Group at the Grande Ballroom in Detroit, United States, and garnered several standing ovations.
Early success in the UK
In December 1968, MMM reversed the trend of English bands coming to North America, and proceeded to England to gig and hopefully to pursue a major record deal. The band hit the stage almost immediately, their first show being at the Utrecht Pop Festival on December 27/28, 1968, filling a prime timeslot just vacated by Jimi Hendrix and his duo (Noel Redding and Mitch Mitchell). MMM started soon thereafter gigging on an English club circuit which included such notables as The Bonzo Dog Doo-Dah Band, Family, The Keef Hartley Band, Gun, and the newly formed Led Zeppelin.
After several false starts, they signed with Liberty/United Artists in the spring of 1969, and in April 1969 recorded a best-selling album, Stink.[3] It was subsequently reissued on CD.[4]
Back to Canada
Homesickness, dissension in the ranks, and the vagaries of youth facilitated a return to Canada in June 1969. Shortly after the July 1969 release of Stink, Allied Records released the demos recorded in September 1968 as McKenna Mendelson Blues. MMM thus became Canada's first "major label" act to be the victim of a bootlegged album. However, while in Europe and England selections from the Stink album appeared on various blues samplers and compilations, notably Liberty's Gutbucket (1969), subtitled 'An Underworld Eruption', and Son of Gutbucket (1969).
GRT Signing and 1971 Album
Following "Stink", and a brief hiatus resulting from the internal dissension, the band reformed with Zeke Sheppard on bass and was signed in Canada by GRT Records. In 1971 Mainline recorded a second studio album, "Canada Our Home and Native Land" in San Francisco. The album featured horn arrangements on some tracks and was engineered by Fred Catero, who worked on many albums by top artists, including Bob Dylan, Al Kooper and Santana. The album had more of a production sheen than the "Stink" album, owing perhaps to the California influence and that of its producer Adam Mitchell, formerly of the Paupers. The subsequent supporting tour included dates in Australia.
The Mainline Bump n Grind Revue
In late 1971, Zeke Sheppard moved on to other things and the band, again by newspaper advertisement, hired Ted Purdy to take over the mantle of bass player for the otherwise intact band. In February 1972, the band recorded a live album featuring striptease artists at the run-down Victory Theatre, a vintage Toronto burlesque venue. The resulting album, "The Mainline Bump and Grind Review" was mixed at Moses Znaimer's Thunder Sound studios, long before Znaimer gained notoriety as the founder of CITY-TV. The album was recorded by Jay Messina and Jack Douglas on the Record Plant mobile studio out of New York City. Messina and Douglas later engineered the likes of John Lennon, Aerosmith and Lou Reed. The Record Plant mobile encountered difficulties crossing the border due to customs officers' unfamiliarity with high-tech equipment of such nature being packed into a truck, with the result that there were only a couple of hours to do a complete sound check prior to the performance. This difficulty was compounded by the fact that the band was in an advanced state of inebriation from drugs and alcohol, and consequently played at much higher volume during the performance than they had during the sound check. As a result, most of the individual instrument and vocal tracks were too distorted to be useful, which left only the house stereo pair for mixing. The mixing sessions at Thunder Sound were therefore quite protracted, and studio back-up vocal and horn tracks were added to buttress the live tracks. Mick Jagger dropped in one afternoon and enjoyed a convivial visit with the band while listening to the tracks. Despite the technical shortcomings of the recording, the concert became the stuff of minor legend with its combination of hard-driving covers of blues classics and the estimable performances of talented striptease performers. The tribute to vaudevillian burlesque form was completed by the use of a comedian as opening act and MC and the formal dinner-jacketed, tuxedoed attire of the band members. The critical acclaim that the "Mainline Bump n' Grind Revue" garnered was unfortunately not followed by commercial success. The 1972 Bump n Grind Revue is sometimes confused with a later burlesque show that the band performed at the Victory Theatre on New Year's Eve, 1974. That concert was recorded on video by TV Ontario, a public broadcaster, but was not the subject of a major label album release. The other main distinguishing feature of that show was that band members appeared in drag.
Mendelson Exits
By June 1972 Mendelson's continuing differences with McKenna led to his departure from the band. Mendelson's place was taken by the up-and-coming talent of Rick James, who would go on to great fame with multiple platinum albums for Motown and singles such as "Superfreak". The funk/R&B stage presence of James seemed a mismatch for the sittin' down heavy blues signature of the band, but the formula worked, with large receptive crowds in venues such as Carleton and Dalhousie Universities. Eventually, however, the reconstituted band fell apart when James left the band and Nolasco pursued a record deal for what he viewed as a super-talented performer in Rick James—a goal that Nolasco would ultimately achieve in 1978 with the release of James' debut album, "Come Get It!".
McKenna and Mendelson--The Last Hurrah
After Mendelson left the band he pursued a solo career. In 1975, Mendelson was signed by Taurus Records and reunited with producer Mitchell and bassist Purdy to record a studio album, "Sophisto". The album was not a commercial success, so the label instead pursued a project in which Mendelson would reunite with McKenna and record a Mainline reunion album. This led to the album "No Substitute" released the same year featuring Mendelson, McKenna, and Purdy and with Jorn Anderson (from the "Sophisto" album) on drums. The sessions were rancorous with Mendelson at his dictatorial best and the album was, unsurprisingly, a failure. This was to be the last recording featuring Mendelson and McKenna as bandmates. With the exception of "No Substitute", Mainline's albums today remain available on music streaming services such as Apple Music and Spotify.
Mainline Today
The Mainline reunion of the late 1990s gave rise to their best known "recent" gig at Toronto's El Mocambo Tavern. A reformed Mainline, without Mendelson, but with Mike McKenna (guitar, slide guitar, vocals), Tony Nolasco (drums, lead vocals), Mike Harrison (bass, vocals), Ted Purdy (acoustic guitar, vocals), and Bob Adams (harmonica) played to a sold-out crowd at The Elmo. A CD, Last Show @ The Elmo, was subsequently released by Bullseye Records.
Discography
Albums
- 1969 Stink (Liberty/United Artists)[4]
- 1969 McKenna Mendelson Mainline Blues (Paragon/Allied); 1996 CD re-issue (Pacemaker)[5]
- 1971 Canada Our Home & Native Land (GRT Records) [6]
- 1972 Mainline Bump 'n Grind Revue - Live at the Victory Theatre (GRT Records) [7]
- 1975 No Substitute (Taurus Records)
- 2001 Last Show @ The Elmo
Singles
- A: One Way Ticket / B: Beltmaker Liberty 1969
- A: Better Watch Out / B: She's Alright Liberty 5 Jul 1969
- A: She's Alright / B: Mainline Liberty 1969
- A: Don't Give Me No Goose For Christmas Grandma / B: Beltmaker Liberty Dec 1969
- A: Think I'm Losing My Marbles / B: Drive You Liberty May 1970
- A: Get Down To / B: Pedalictus Rag GRT 1971
- A: Ezmeralda / B: Game of Love GRT 1972
References
- "McKenna Mendelson Mainline interview". thestrangebrew.co.uk. Retrieved 2016-10-12.
- Jam! The Canadian Pop Encyclopedia. "Adam & the Amethysts". Quebecor (Sun Media). Retrieved 21 January 2011.
- Billboard (magazine). "Canada Our Home & Native Land Album Info". Retrieved 21 January 2011.
- Discogs. "McKenna Mendelson Mainline - Stink". Retrieved 21 January 2011.
- Library and Archives Canada. "AMICUS No. 23886464". Retrieved 21 January 2011.
- Billboard (magazine). "McKenna Mendelson Mainline Biography". Retrieved 21 January 2011.
- Discogs. "McKenna Mendelson Mainline - Bump 'n Grind Revue". Retrieved 28 April 2014.
Notes
- "Why can't Toronto grasp Soul or, for that matter, anything else that's really good in today's sound?". Article by Peter Goddard, Toronto Telegram 's "After Four" section, August 17, 1968, page 50
- "Denny Gerrard returns with the MMM", Toronto Daily Star, August 10, 1968, page 26
External links
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