May Mukle

May Henrietta Mukle FRAM (14 May 1880 – 20 February 1963) was a British cellist and composer.[2] She has been described as a "noted feminist cellist",[3] who encouraged other women cellists.[2]

May Mukle
May Mukle, from an advertisement published in 1919.
Born14 May 1880
London
Died20 February 1963
Cuckfield, Sussex
NationalityBritish
OccupationCellist
May Mukle with cello, from a 1919 publication.[1]

Early life

Mukle was born in London, the daughter of Leopold Mukle.[4][5] Her father was an immigrant from Hungary, trained as a clockmaker, but best known as an organ builder in London, part of the partnership Imhof & Mukle.[6] Her sisters Anne and Lillian were also musicians. She studied cello at the Royal Academy of Music with Alessandro Pezze.[7]

Career

Mukle was a working musician for over fifty years, including concert tours in Australia, Africa, and Asia.[4] Her instrument was built by Montagnana and bought for her by an anonymous donor.[8] Mukle was also a composer of works for cello and piano.[9]

She performed as a soloist, and in chamber ensembles.[10] She was a member of the all-women English Ensemble, with violinist Marjorie Hayward, violist Rebecca Clarke, and pianist Kathleen Long.[4] In 1925, Mukle played at New York's Aeolian Hall with Percy Grainger and Lionel Tertis.[11] With her pianist sister, Anne Mukle, she was a member of the Maud Powell Trio. Also with Anne, she gave the first performance of Ralph Vaughan Williams' Six Studies in English Folk Song in London in 1926.[5]

Mukle's apartment near Wigmore Hall was convenient for hosting visiting musicians; she also convinced the landlords to rent other apartments to musicians, so there would be fewer conflicts about noise. She founded the Mainly Musicians Club in a basement in London; during World War II, she converted it into a air raid shelter.[12] She was an original member of the Society of Women Musicians, present at the organization's first meeting in 1911.[7][13]

Mukle was described in The Times as "in the very front rank of living violoncellists",[2] and her obituary in The Times says of her: "by the turn of the century she was fully recognized not only as an outstanding musician but as one of the most remarkable cellists this country had produced."[14]

Personal life and legacy

Mukle broke her wrist in a car accident in 1959, at age 79, but resumed playing after it healed,[5] performing in North Carolina in 1960.[15] She died at Cuckfield, Sussex, in 1963, at the age of 82.[8] Her portrait, painted by John Mansfield Crealock, is held in the museum of the Royal Academy of Music.[16] The May Mukle Prize was founded in 1964 in her honour and is awarded each year to a cello student of the college.[2][4]

gollark: Unfortunately, this might be one of the temporary universes created while we converge on an optimum one.
gollark: This can be prevented via closed timelike curves.
gollark: Anyway, the general strategy is to induce moderately high turnover in esolangs staff/ownership in order to increase my eventual chances of becoming owner.
gollark: SERIOUSLY? You rescheduled that from 2026?
gollark: This is all part of the GLITTERING MORTICIAN 4-year plan.

References
  1. "May Mukle Recital Wins London Praise" Musical Courier (11 September 1919): 38.
  2. Campbell, Margaret (2011). The Great Cellists. Faber & Faber. ISBN 9780571278015. Retrieved 27 January 2016.
  3. McVeigh, Simon (2010). "Women violinists in London's concert life around 1900". In Hornby, Emma; Maw, David Nicholas (eds.). Essays on the History of English Music in Honour of John Caldwell. Boydell & Brewer. p. 251. ISBN 9781843835356. Retrieved 27 January 2016.
  4. Stevenson, Joseph. "May Mukle | Biography & History". AllMusic. Retrieved 2020-03-05.
  5. "May Mukle, Cellist". Historical Cellists. Retrieved 2020-03-05.
  6. Smith, Kenny (2019-08-30). "Bid to raise £60,000 to save castle's rare instrument". Scottish Field. Retrieved 2020-03-05.
  7. Who's who in Music: A Biographical Record of Contemporary Musicians. Pitman. 1915. p. 193.
  8. Campbell, Margaret. "Mukle, May (Henrietta)". Grove Music Online. Retrieved 27 January 2016.
  9. Mukle, May. "The Light Wind". Wise Music Classical. Retrieved 2020-03-05.
  10. Seddon, Laura (2016-04-15). British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Routledge. ISBN 978-1-317-17134-8.
  11. Downes, Olin (1925-02-10). "MUSIC; The Beethoven Concert". The New York Times. ISSN 0362-4331. Retrieved 2020-03-05.
  12. Horvath, Janet (2018-05-04). "Meet May Mukle, One of Britain's First Great Female Cellists". Interlude. Retrieved 2020-03-05.
  13. "The Society of Women Musicians". The British Library. Retrieved 2020-03-05.
  14. "Obituaries: Miss May Mukle". The Times (55638). 1 March 1963. p. 14. Retrieved 28 January 2016.
  15. "May Mukle, cellist, Mrs. Sutherland Ideler, pianist". UNCG University Archives. 13 October 1960. Retrieved 2020-03-05.
  16. "Portrait of May Mukle. By John Mansfield Crealock. Oil on canvas, 1930". Royal Academy of Music. Retrieved 27 January 2016.
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