Max Thedy

Max Thedy (16 October 1858, Munich - 13 August 1924, Polling[1]) was a German painter, designer and engraver. He is sometimes erroneously referred to as Marc Thedy.

Max Thedy; portrait by Carl Frithjof Smith (1893, detail)
Parlor in Überlingen on Lake Constance

Biography

He was the youngest of twelve children born to Johann Valentin Thedy, a Verwaltungsaktuar (administrative assistant in the community government) and his wife, Theresia.[1] After his parents' premature deaths, he was taken in by the family of the Hamburg painter, Georg Friedrich Louis Reinhardt (1819–1905) and encouraged to pursue a career in art.[2]

After 1875, he was a student at the Academy of Fine Arts, Munich. In 1882, aged only twenty-four, he was called to be a Professor at the Grand-Ducal Saxon Art School, Weimar. [1] Among his best known students were Elisabeth Thiermann, Christian Rohlfs, Ernest Biedermann and Rudolf Schmidt-Dethloff. In 1919, he became an instructor at the Bauhaus[1] and, in 1921, was named a Professor there.[1]

His works have been shown throughout Europe and the United States; most recently at exhibitions in Weimar (2002), Überlingen and Frankfurt am Main (2005).

gollark: But not everything can easily be broken into parallelisable chunks, so CPUs are more widely used.
gollark: Basically, GPUs are faster, given that they have several thousand cores at 1-2GHz vs the 2-8 cores at 3-5GHz on CPUs.
gollark: ^
gollark: You should *only* use GPU miners.
gollark: π = π!

References
  1. Peter Stapf: Der Maler Max Thedy (1858–1924). Leben und Werk. Böhlau, Cologne 2014.
  2. Max Thedy in the Matrikelbuch 1841–1884 of the Academy of Fine Arts, Munich.

Further reading
  • Peter Stapf: Der Maler Max Thedy (1858–1924). Leben und Werk. Böhlau, Köln 2014, ISBN 978-3-412-22264-2. Substantial preview @ Google Books
  • Siegfried Herrmann (Ed.): Max Thedy 1858–1924. Gemälde und Zeichnungen. Stadtmuseum, Weimar 2002, ISBN 3-910053-34-3 (Exhibition catalog) Stadtmuseum Weimar
  • Volker Caesar: "Überlingens letzte Renaissancefenster als Motive der Malerei des späten 19. Jahrhunderts. Gemälde von Max Thedy dokumentieren seltene Fenster." In: Denkmalpflege in Baden-Württemberg, 36. 2007, pgs. 55–61 (Online)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.