Max Reichmann
Max Reichmann (1884-1958) was a German film director active during the silent and early sound eras. Before making his own films, Reichmann worked as an assistant director on several E.A. Dupont productions. After graduating to directing, he directed the tenor Richard Tauber in several films following the introduction of sound in the late 1920s.[1]
Max Reichmann | |
|---|---|
| Born | 29 November 1884 |
| Died | 3 February 1958 |
| Occupation | Film director |
| Years active | 1921 - 1933 |
Reichmann was Jewish, and was therefore forced to go into exile in France when the Nazi Party took power in Germany in 1933. He later emigrated to the United States, where he died in 1958.
Selected filmography
Director
- The Battle Against Berlin (1926)
- Derby (1926)
- The Strange Case of Captain Ramper (1927)
- Knights of the Night (1928)
- Life's Circus (1928)
- Weib in Flammen (1928)
- Der Herzensphotograph (1928)
- Never Trust a Woman (1930)
- End of the Rainbow (1930)
- How Do I Become Rich and Happy? (1930)
- You'll Be in My Heart (1930)
- The Land of Smiles (1930)
- The Big Attraction (1931)
- Transit Camp (1932)
Screenwriter
- The Flower Girl of Potsdam Square (1925)
gollark: No, it has a limit imposed by mekanism itself.
gollark: I believe you'll hit the limit of "how many induction whatevers can I cram in" before "how is this storing energy".
gollark: The limit is likely to be their maximum size.
gollark: I don't think so.
gollark: 3008 ways.
References
- Bock & Bergfelder p.467
Bibliography
- Bock, Hans-Michael & Bergfelder, Tim. The Concise CineGraph. Encyclopedia of German Cinema. Berghahn Books, 2009.
External links
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