Maurice Froyez
Alexandre Casimir Maurice Froyez (15 July 1860[1] · [2] 1942)[3] was a French actor, author and journalist, mostly remembered as show organiser and playwright as well as for his friendly bonds with Edmond Rostand.
Maurice Froyez | |
---|---|
Born | Alexandre Casimir Maurice Froyez 15 July 1860 |
Died | 1942 |
Occupation | Actor, dramatist, journalist |
Spouse(s) | Louise Amélie Chevalier |
Theatre and shows
- À qui la pomme ? revue in 3 acts, with Edmond Rostand and Jules Oudot, 1888
- Les Coulisses de Paris, revue in 3 acts and 5 tableaux, with Jules Oudot, Émile Duret and Henry de Gorsse, Paris, Nouveautés, 26 January 1891
- La Commère apprivoisée, revue in three acts, with Alexandre Michel, Paris, théâtre d'Application, 24 January 1892
- Pour un baiser, comédie lyrique in 1 act, Paris, théâtre d'Application, 26 May 1892
- La Belle Tunisienne, opera in 1 act, with Gaston Lemaire, Étretat, 26 August 1892
- Un baiser en diligence, opéra-comique in one act, Paris, Menus-Plaisirs, 5 December 1893
- Y... T..., rue des Dames, comedy in 3 acts, with Louis Artus, Paris, théâtre Déjazet, 10 February 1894
- Un voyage à Venise, folie-vaudeville in 3 acts, with G. Lainé, Paris, théâtre Déjazet, 21 February 1896
- Une altesse à la mer, fantaisie in 2 acts, with Georges Berr, Paris, Théâtre-Salon, 28 January 1897
- Les Mystères de Montmartre, fantaisie d'actualité, with Jean Mongerolles, Paris, théâtre de la Gaîté-Rochechouart, October 1897
- La Dame de trèfle, operetta in 3 acts, with Charles Clairville, Paris, Bouffes-Parisiens, 13 May 1898
- Le Grand duc Moleskine, fantaisie in 1 act, with Georges Berr, Paris, La Cigale, 11 November 1898
- Enfin, seuls ! ou la Chasteté du vicomte, fantaisie-revue in one act, with Jean Mongerolles, Paris, Théâtre de la Bodinière, 20 December 1898
- C'est demain la première, fantaisie in 1 act, Paris, La Roulotte, 10 February 1899
- Joli Sport, vaudeville in 3 acts, with Paul Dehère, Paris, théâtre Déjazet, 26 April 1899
- Plaisir d'amour, comédie-bouffe in 3 acts, with Georges Berr, Paris, Paris, théâtre de Cluny, 10 October 1899
- Conte de fée, ballet in 1 act, in verses, Paris, théâtre Sarah Bernhardt, 12 June 1901
- La Pucelle de Mexico, fantaisie à grand spectacle, in 2 acts and 8 tableaux, with Henry de Gorsse, Paris, La Cigale, 1 February 1902
- Les Marraines du siècle, féerie à grand spectacle, with Henry de Gorsse, Paris, La Cigale, 8 June 1902
- Second Ménage, comedy in three acts, with André Sylvane, Paris, Odéon, 27 May 1902
- Le Dragon de Pichenette, operetta in 1 act, with Charles Carpentier, Paris, théâtre des Deux-Masques, 30 March 1906
- Dette de femme, comedy in 1 act, Paris, théâtre des Capucines, 14 February 1907
- À quoi tient l'amour ! comedy in 1 act, Paris, Tréteau-Royal, 11 May 1907
- Vive la Parisienne, fantaisie-opérette à grand spectacle in 2 acts and 5 tableaux, Paris, Parisiana, 20 January 1907
- L'Écrasé, comedy in 1 act, Paris, Olympia, 15 September 1909
- Les Yeux qui changent, play in four acts, with Victor Cyril, Paris, théâtre des Arts, 10 April 1910
- The Musical Duke, sketch musical in 1 act, with Joseph Coudurier de Chassaigne, London, London Palladium, 10 June 1912
- Plantons les capucines, revuette, with Dominique Bonnard and Gina Palerme, London, Ambassadors Theatre, 11 May 1914
gollark: Here you go, `b(d(e(e(io|oi)|i(eo|oe)|o(ei|ie))|i(e(eo|oe)|oe{2})|o(e(ei|ie)|ie{2}))|e(d(e(io|oi)|i(eo|oe)|o(ei|ie))|e(d(io|oi)|i(do|od)|o(di|id))|i(d(eo|oe)|e(do|od)|o(de|ed))|o(d(ei|ie)|e(di|id)|i(de|ed)))|i(d(e(eo|oe)|oe{2})|e(d(eo|oe)|e(do|od)|o(de|ed))|o(de{2}|e(de|ed)))|o(d(e(ei|ie)|ie{2})|e(d(ei|ie)|e(di|id)|i(de|ed))|i(de{2}|e(de|ed))))|d(b(e(e(io|oi)|i(eo|oe)|o(ei|ie))|i(e(eo|oe)|oe{2})|o(e(ei|ie)|ie{2}))|e(b(e(io|oi)|i(eo|oe)|o(ei|ie))|e(b(io|oi)|i(bo|ob)|o(bi|ib))|i(b(eo|oe)|e(bo|ob)|o(be|eb))|o(b(ei|ie)|e(bi|ib)|i(be|eb)))|i(b(e(eo|oe)|oe{2})|e(b(eo|oe)|e(bo|ob)|o(be|eb))|o(be{2}|e(be|eb)))|o(b(e(ei|ie)|ie{2})|e(b(ei|ie)|e(bi|ib)|i(be|eb))|i(be{2}|e(be|eb))))|e(b(d(e(io|oi)|i(eo|oe)|o(ei|ie))|e(d(io|oi)|i(do|od)|o(di|id))|i(d(eo|oe)|e(do|od)|o(de|ed))|o(d(ei|ie)|e(di|id)|i(de|ed)))|d(b(e(io|oi)|i(eo|oe)|o(ei|ie))|e(b(io|oi)|i(bo|ob)|o(bi|ib))|i(b(eo|oe)|e(bo|ob)|o(be|eb))|o(b(ei|ie)|e(bi|ib)|i(be|eb)))|e(b(d(io|oi)|i(do|od)|o(di|id))|d(b(io|oi)|i(bo|ob)|o(bi|ib))|i(b(do|od)|d(bo|ob)|o(bd|db))|o(b(di|id)|d(bi|ib)|i(bd|db)))|i(b(d(eo|oe)|e(do|od)|o(de|ed))|d(b(eo|oe)|e(bo|ob)|o(be|eb))|e(b(do|od)|d(bo|ob)|o(bd|db))|o(b(de|ed)|d(be|eb)|e(bd|db)))|o(b(d(ei|ie)|e(di|id)|i(de|ed))|d(b(ei|ie)|e(bi|ib)|i(be|eb))|e(b(di|id)|d(bi|ib)|i(bd|db))|i(b(de|ed)|d(be|eb)|e(bd|db))))|i(b(d(e(eo|oe)|oe{2})|e(d(eo|oe)|e(do|od)|o(de|ed))|o(de{2}|e(de|ed)))|d(b(e(eo|oe)|oe{2})|e(b(eo|oe)|e(bo|ob)|o(be|eb))|o(be{2}|e(be|eb)))|e(b(d(eo|oe)|e(do|od)|o(de|ed))|d(b(eo|oe)|e(bo|ob)|o(be|eb))|e(b(do|od)|d(bo|ob)|o(bd|db))|o(b(de|ed)|d(be|eb)|e(bd|db)))|o(b(de{2}|e(de|ed))|d(be{2}|e(be|eb))|e(b(de|ed)|d(be|eb)|e(bd|db))))|o(b(d(e(ei|ie)|ie{2})|e(d(ei|ie)|e(di|id)|i(de|ed))|i(de{2}|e(de|ed)))|d(b(e(ei|ie)|ie{2})|e(b(ei|ie)|e(bi|ib)|i(be|eb))|i(be{2}|e(be|eb)))|e(b(d(ei|ie)|e(di|id)|i(de|ed))|d(b(ei|ie)|e(bi|ib)|i(be|eb))|e(b(di|id)|d(bi|ib)|i(bd|db))|i(b(de|ed)|d(be|eb)|e(bd|db)))|i(b(de{2}|e(de|ed))|d(be{2}|e(be|eb))|e(b(de|ed)|d(be|eb)|e(bd|db))))` matches all anagrams of `beeoid`.
gollark: I'll run that test later™, I have to test my new `beeoid` anagram regex.
gollark: I don't think it's an optimal regex, but it's generated from the FSM.
gollark: On the plus side, apparently `b(e(es|se)|se{2})|e(b(es|se)|e(bs|sb)|s(be|eb))|s(be{2}|e(be|eb))` matches all anagrams of `bees`.
gollark: I reduced it to just 651 states and ran it with pypy, yet it STILL runs slowly?!
References
- Archives de Paris 10e, acte de naissance numéro 2559, année 1860 (sans mention marginale de décès)
- Archives de Paris 9e, acte de mariage numéro 420, année 1891
- "Geneanet.org". Archived from the original on 2013-12-08. Retrieved 2016-04-20.
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