Matthew Shlomowitz

Matthew Shlomowitz (born 7 February 1975) is a composer of contemporary classical music and Associate Professor in Composition at the University of Southampton.

Biography

He was raised in Adelaide, Australia, and studied with Božidar Kos at the Sydney Conservatorium of Music and with Brian Ferneyhough at Stanford University. He also studied privately with Michael Finnissy in the United Kingdom.

Since 2002 he has lived in London[1] where he lectured at the Royal College of Music and for the Syracuse University London Program. He taught composition at Durham University during the 2008/09 academic year and was a Programme Collaborator for the Borealis Festival in Norway.

Music

He is co-director of Plus minus ensemble and the performance series Rational Rec and is a member of InterInterInter, a group that creates events mixing performance and audience activity. He was also a co-founder of Ensemble Offspring.[2] He has been represented by the New Voices scheme at the British Music Information Centre and by the Australian Music Centre.

The bulk of his compositions are for chamber ensembles and often involve unusual instrumental combinations. Free Square Jazz, for instance, is for recorder, electric guitar, double bass and drum kit and Line and Length[3] is scored for soprano saxophone, oboe, clarinet, bass clarinet & bassoon.

A number of his works are interdisciplinary such as the music-video pieces Train Travel[4] and Six Aspects of the Body in Image and Sound (co-created with Rees Archibald) and an ongoing series of works for visual performer and musician called Letter Pieces. Certain works fall more comfortably into the genre of "performance pieces" such as Northern Cities and When is a Door Not a Door? Other works blur the boundaries between concert music and performance piece such as Five Monuments of Our Time, an orchestral work that requires the conductor to perform a series of choreographed gestures often ludicrously unrelated to the music being played. Such apparent absurdity and humor is not unintended; it has been said that,[5]

... he seems to have a special feeling for those inadvertently comical situations in which we all sometimes find ourselves: a peculiar kind of miscommunication where we don’t so much get our wires crossed ... as get entangled in them

— musicuratum.com

Some of his music shows the structural constraints analogous to the rules of Oulipo;[5] familiar sounds from popular and everyday culture are also a regular feature of his music palette.[6]

Musical Style

He has described his own music as being "something like the bastard love child of Brian Ferneyhough and Philip Glass."[7]

Musical works

Selected musical works, including commissions and major works, are:[8]

CategoryTitleYearOrchestrationCommissioned by
Vocal musicInstrumental Music20118 voicesEXAUDI
Performance piecesLetter Pieces2007+Open-score pieces for performer and musician-
OrchestraMusic and Actions for strings, keyboard and conductor2015Conductor, keyboard and string orchestraNederlands Strijkers Gilde
"Listening Styles2013orchestra with drum kitThe Adelaide Festival
7+ playersPopular Contexts, Volume 3: The Music of Theatre Making2011Conductor, flute, oboe, bass clarinet, drum-kit (with glockenspiel), guitar, mandolin, violin, viola, cello, double bass and sampler keyboardNieuw Ensemble
"Avant Muzak2010Flute, soprano saxophone, drum kit, electric guitar, harp, violin, cello and samplerCentre Henri Pousseur for Ensemble bESIdES
"Joy Time Ride for Ives2009Flute, oboe, bass clarinet, bassoon, drum-kit, electric organ, 2 violins, cello and double bassIves Ensemble
2-6 playersPopular Contexts, Volume 7: Public domain music2014Clarinet, electric guitar, synthesizer and sampler, drum-kit and celloasamisimasa
"The Major Sevenths Medley20144 electric guitarsTRANSIT Festival for Zwerm
"Popular Contexts, Volume 62013Trio for vibraphone, drum-kit and sampler keyboardMaerzMusik, Speak Percussion with support from Julian Burnside
"Logic Rock2013Guitar and drum kitbESIdES
"Songs about words and about the pleasure of misery2012Soprano and pianoThe Britten-Pears Foundation
"Popular Contexts, Volume 4: Rhythm Section2012midi guitar and 3 drum kitsDrumming Grupo da percussao
"Theme Street Parade2009String quartetBBC for Quatuor Diotima
"Earth Breeze Smoke20082 recordersThe Bruges Concertgebouw
"Line and Length2007Soprano saxophone, oboe, clarinet, bass clarinet & bassoonThe 2007 Spitalfields Festival for Calefax
"Slow Flipping Harmony2006Four melodic instruments and one auxiliary playerThe Australia Council for the Arts for Ensemble Offspring
"Free Square Jazz2005Soprano/tenor recorder, electric guitar, double bass and drum kitThe Orpheus Institute for Champ D'Action
SolosPopular Contexts, Volume 22010For piano, sampler, voice and physical actions (one person)Centre Henri Pousseur for Stephane Ginsburgh
"Serious and Sincere Sentiments About Something (or "Thought Rhythms")1999GuitarThe Australia Council for the Arts
Works with videoA Documentary Saga of the OULIPO2006-7Video work with Rees Archibald & Andrew Infanti-
"Six Aspects of the Body in Image and Sound2004Clarinet, piano, violin, viola, cello and video (by Rees Archibald)The Bath International Festival of Music for The Tate Ensemble

Operas
  • Electric Dreams (2017)[9]

Prizes and awards
  • 7th Johann-Joseph-Fux Competition for Opera Composition[10]
gollark: The kMarx thing is... kind of OK-ish-er now? I still think that routing Krist through a closed-source shop backend is a bit silly though.
gollark: I'm a ranty person.
gollark: You know what would be cool if utterly pointless and impractical? A Krist/Clusterio/Factorio thing - trade items between (Factorio) servers with Krist.
gollark: Just a display.
gollark: It would be, except you don't really have a full GUI in a shop.

References
  1. "Group's strengths play more to contemporary than older music". The Sydney Morning Herald. 26 January 2010. Retrieved 23 March 2011.
  2. "No divas, just sparkling team effort". The Sydney Morning Herald. 4 November 2003. Retrieved 23 March 2011.
  3. "Calefax". The Times. 20 December 2007. Retrieved 23 March 2011.
  4. "Beauty of the spitting image". The Sydney Morning Herald. 8 August 2006. Retrieved 23 March 2011.
  5. "Matthew Shlomowitz". 20 September 2012. Retrieved 25 August 2015.
  6. "Matthew Shlomowitz, what one hears in Popular Contexts". Music Electronique / Musique Mixte. Centre Henri Pousseur. Retrieved 25 August 2015.
  7. GAIDA 2016 programme notes, cited in Makem in the Baltic (26 October 2016). "Baltic Musical Gems". balticgems.blogspot.com.au. Retrieved 17 September 2017.
  8. Shlomowitz, Matthew. "Works". Shloms.com. Retrieved 25 August 2015.
  9. "Matthew Shlomowitz (AU) | Electric Dreams". steirischerherbst (in German). Retrieved 21 October 2017.
  10. "Prize winners". University of Music and Performing Arts, Graz (in German). Retrieved 21 October 2017.

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