Matsumi Kanemitsu

Matsumi "Mike" Kanemitsu (May 28, 1922- May 11, 1992) was a Japanese-American painter who was also proficient in Japanese style sumi and lithography.[1]

Landscape by Matsumi Kanemitsu, 1967, Honolulu Museum of Art

Kanemitsu was born to Japanese parents in Ogden, Utah on May 28, 1922. At age three, he was taken to Japan and grew up in a suburb of Hiroshima with his grandparents.[2][3] He returned to the United States in 1940 and enlisted in the United States Army in 1941 at Fort Douglas, at which point he renounced his Japanese citizenship and became solely an American citizen.[3][4] He was arrested after the attack on Pearl Harbor, and interned. While interned, he began drawing with supplies provided by the American Red Cross. After his release, Kanemitsu enlisted in the Army and served as a hospital assistant in Europe. In 1946, he was discharged from the Army and undertook formal art education with Fernand Léger in Paris, with Karl Metzler in Baltimore, and with Yasuo Kuniyoshi at the Art Students League of New York beginning in 1951.[4][5][6] Among the jobs he took to support himself while in art school was a position as director of entertainment in a Baltimore gambling hall, where he oversaw the striptease dancers.[6] While at the Art Students League he associated with artists such as Paul Jenkins, Warren Brandt, Jackson Pollock, Lee Krasner, Robert Motherwell, Willem and Elaine de Kooning, and others.[6] By 1958 he was firmly entrenched in abstract expressionism and was close with Norman Bluhm.[6] In the 1950s and early 60s he received two Longview Foundation awards and a Ford Foundation Fellowship to practice lithography at the Tamarind Lithography Workshop in Los Angeles.[4] He moved to Los Angeles in 1961,[7] in part due to his dislike of the rise of Pop Art in New York,[4] and was on the faculty of Chouinard Art Institute from 1965 to 1970 and the Otis College of Art and Design from 1971 to 1983. In 1990, along with fellow artist Nancy Uyemura and two dealers from Japan, he opened Gallery IV, which showed both local Los Angeles artists and Japanese artists.[8] Kanemitsu died of lung cancer at his home in Los Angeles on May 11, 1992.[9][8]

In 2018, Kanemitsu's former home at 800 Traction Avenue in Los Angeles was set to be landmarked by the city, but controversy erupted over the erasure of its history as the home of a number of Japanese-American artists, including Kanemitsu.[10]

Though he painted representational works in the early 1950s, Kanemitsu is generally considered a second-generation abstract expressionist.[3][11] Later in the 1950s, with the support of Frank O'Hara and Harold Rosenberg, he was able to show his work at the Museum of Modern Art, the Whitney Museum, and the Radich Gallery.[3] He is best known for his non-objective paintings, which are often hard-edge, such as Landscape, from 1967, in the collection of the Honolulu Museum of Art.


Public Collections
gollark: !pingwhen online @join.liftA2(<>)inits tails
gollark: !pingwhen online @join.liftA2(<>)inits tails
gollark: !pingwhen online @join.liftA2(<>)inits tails
gollark: ++exec```haskellwithIndices :: [a] -> [(Int, a)]withIndices = zip [1..]doStuff :: String -> [(Int, Int, Char)]doStuff s = (\(lineIx, l) -> fmap (\(charIx, char) -> (lineIx, charIx, char)) $ withIndices l) `concatMap` withIndices (lines s)main = print . doStuff $ "abcd"```
gollark: >eval 1 + 9

References
  • Brown, Michael D., Views from Asian California 1920–1965, An Illustrated History, San Francisco, Michael D. Brown, 1992
  • Yamaki Art Gallery, Matsumi Kanemitsu Lithographs 1961–1990, Osaka, Yamaki Art Gallery, 1990
  • Japanese American Cultural and Community Center, Matsumi Kanemitsu, Works in Black and White, 1958–1988, Los Angeles, Japanese American Cultural and Community Center, 1988
  • Nordland, Gerald, Matsumi Kanemitsu (1922-1992) A Retrospective, Beverly Hills Louis Newman Galleries, 1993
  • Uyemura, Nancy, "Portrait of an Artist", Tozai Times, issue 51, December 1988

Footnotes
  1. New York Times obituary, May 16, 1992
  2. Rogers, Marjorie J. (2011). "Los Angeles Art Community: Group Portrait". Calisphere.
  3. カネミツマツミ・金光松美 : 1950-90年 : 二つの祖国, 戦後アメリカ画壇に生きた日系人画家 /. Ōsaka-fu. 1998.
  4. Nordland, Gerald. "Matsumi Kanemitsu: The Man and His Work." In Kanemitsu, Matsumi, ed. Osaka Prefectural Government, 176-180. Osaka: Osaka-fu, 1998
  5. Yau, John, "Kanemitsu in California during the 1960s and 1970s", The Brooklyn Rail, May 6, 2008
  6. Slivka, Rose C.S. "Matsumi Kanemitsu: A Memoir, A History, and A Tribute." In Kanemitsu, Matsumi, ed. Osaka Prefectural Government, 181-184. Osaka: Osaka-fu, 1998.
  7. "Artists | Drawing the Line | Japanese American National Museum". www.janm.org. Retrieved 2019-09-13.
  8. Uyemura, Nancy. "Kanemitsu: An Artist's Artist." In Kanemitsu, Matsumi, ed. Osaka Prefectural Government, 185-186. Osaka: Osaka-fu, 1998.
  9. New York Times obituary, May 16, 1992
  10. Swann, Jennifer (2018-02-21). "Landmarking Arts District lofts ignores Japanese American history, artists say". Curbed. Retrieved 2019-09-13.
  11. Matsumi Kanemitsu on ArtNet
  12. David Richard Gallery, Santa Fe, New Mexico
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.