Matadero Madrid

Matadero Madrid is a former slaughterhouse in the Arganzuela district of Madrid, which has been converted to an arts centre. Matadero Madrid is a lively, constantly changing space at the service of creative processes, participatory artistic training and dialogue between the arts. It was set up to help reflect on the contemporary sociocultural environment and support processes to build the culture of today and tomorrow. A lab for experimentation and promoting new cross-disciplinary formulae. This complex also served as the inspiration for the 1999 film, Chicken Run.

Architecture

On 21 June 1911, construction began on the slaughterhouse (“matadero”) and livestock market, one of the most singular industrial establishments of 20th-century Madrid architecture. The project by Luis Bellido was structured around a complex of pavilions characterised by functionality, constructive rationality and conceptual simplicity. There is however a historicist element to the architecture, which incorporates Neo-Mudéjar features, such as tiles with abstract designs.

The buildings were in use as a slaughterhouse until 1996. At the turn of the 21st century, Madrid City Council decided to turn this space into a great laboratory for contemporary artistic creation. In keeping with its experimental vocation, all the restoration work has been developed through a newly added, flexible and reversible architecture that uses industrial materials that go with the premises’ character. Thus, Matadero has become an opportunity to experiment with Madrid's new architecture.

Management

Matadero Madrid is a project promoted by Madrid City Council's Department of the Arts and managed by the Directorate General for Cultural Projects through Matadero Madrid's coordination team, in collaboration with other public and private organizations.

Matadero Madrid has taken up the challenge of combining restoration work with cultural activity and public access in a commitment to involving the public in its development. This commitment has been maintained and expanded, while hewing to the main lines of the project, including artistic production and experimentation, dissemination and exhibition and training and research. Matadero Madrid undertakes this work with the respect for the inherited industrial legacy and with its attention focused on the surrounding neighbourhoods and the city of Madrid without losing sight of the international scene. The stimulus of contemporary artistic creation is an essential part of Matadero Madrid's mission, and this always comes with a multi-disciplinary, hybrid and groundbreaking perspective which leaves room for all forms of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning and landscaping. From this point of view, the involvement of the city's main agents and institutions that work in various fields of cultural creation has been, and continues to be, fundamental. This commitment has helped us to create a model of institutional, public and private cooperation that facilitates society's participation in the project and guarantees the project's plurality, independence and viability.

Facilities

Abierto X Obras

The refurbished refrigeration room in the former slaughterhouse is a unique space for “site-specific” artistic work. The installation programme includes well-known artists with a commitment to young ideas.

Archivo Matadero

Archivo Matadero is a space for consultation and research for accessing physical and online documentation in the four archives that compose it: Archivo de Creadores de Madrid, artea, FreshMadrid and Madrid Abierto. This is a point of access to a wide array of documents on the different disciplines in which each of the archives works: the visual arts, the performing arts, architecture and urban planning and public art.

El Taller

Devoted to thought and discussion, is designed especially for meetings between artists and the public. All kinds of workshops (Taller is the Spanish word for workshop), discussions and lectures are held here.

Extensión Avam

Through its satellite office, the Associated Visual Artists of Madrid (AVAM) will offer specialised services to professionals in the contemporary art sector, operating in a network with the AVAM Workshops in Pradolongo.

Calle y Plaza Matadero

Both individually and together, these spaces are used to accommodate large art events: dance, theatrical and circus performances, concerts and big art interventions in the open air. They are also the complex's main area for meeting and socialising.

Cineteca

The Cineteca aims to become the Mecca of the documentary film genre in Madrid. In addition to the RafaelAzcona Theatre, which will be open to exploring all kinds of visual content for all types of audiences, other spaces will be coordinated to take in a wide array of screenings in different formats and styles while always committed to formal and narrative risks. Aside from screenings, its other lines of work also deal with artistic creation thanks to the film set, training and memory conservation open to all through the Archivo Documenta. It is the permanent headquarters of the Documenta Madrid film festival

Depósito de Especies

The water tank of the old Legazpi slaughterhouse has been turned into a plant memorial and archive, a “Noah’s Ark” of the species found in the vicinity of Matadero Madrid today. A public garden that can be visited through the new access point at the Legazpi roundabout.

Avant Garden

Designed by the French-German group atelier le balto offers ecological and participatory activities.

Intermediæ

Intermediæ is a public, experimental programme. Conceived as a laboratory, not a museum, Intermediæ operates with creation as a means of exploration, research and experimentation. Process and participation are the formulas for its development. It works with the community; ecology, art and activism; games as a form of exploration; visual culture; archival processes and memory; and the Creative Arts Grants programme, as a way to collectively define the institution. La nave, the Terrario and Avant Garden, different exhibit and activity formats, invite visitors to inhabit a space in transformation.

Artistic creation focused on the performing arts has an important resource in Matadero Madrid: the Naves del Español, one of the cornerstones of the project. This great staging centre is managed by Teatro Español. It is composed of three buildings joined together with a main hall, which can be configured as needed and is unique in Madrid due to its formal characteristics and technical features; a theatre-café, which also functions as a foyer or lobby to the performance space; and Room 2, for small-format shows, next to spaces for rehearsal and training.

Central de Diseño

A space given over entirely to design, at the service of Madrid and its inhabitants, where all kinds of different projects are created in connection to graphic, industrial and interior design. Madrid's benchmark space for promoting design was planned as equidistant between economics and culture: graphic design, product design and space design, all understood from the perspective of crosscutting culture able to introduce creative values into economic activity. The centre is promoted by the Association of Designers from Madrid (DIMAD) and is run by its own foundation (Fundación DIMAD).

With an expository space covering more than four thousand square metres, Nave 16 is the heart of visual arts at Matadero. Due to its singularity and size, Nave 16 is a unique space in the city of Madrid that can also host all kinds of events thanks to the versatility of its architecture: presentations, major exhibitions, concerts, work production workshops, performances and social activities. It also allows the institutions that make up Matadero Madrid, as well as other national and international ones, to carry out more ambitious projects.

Nave de Música. It is a space occupied by the Red Bull Music Academy until November 2011 and that now hosts the centre's entire musical programme. With a radio studio and a recording studio, a small stage for concerts, nine rehearsal rooms and other facilities, the Nave de Música is a true musical village. Another one of the highlights of the place will be the public call that will be made soon and through which emerging musicians and artists will be able to rent several of the studios for rehearsal and experimentation. Also through a call, one of these studios will be dedicated for use by artists whose career is not limited to music but who develop projects linked with sound, thereby attaining one of Matadero Madrid's main objectives: dialogue and hybridisation between different artistic disciplines. In addition, the old RBMA Radio studio will host Radio Matadero over the next few months, an online radio project open to the public and artists related with Matadero Madrid, which will be used as a channel of expression for what happens at the cultural centre as well as its immediate surroundings. Covering over 4,000 m2, this space is probably the best known example in Madrid of the new architecture that works with recycled and pre-existing elements, using limited resources but bringing exquisite attention to detail. It was designed by the young architects Langarita and Navarro in collaboration with Mexican designer Jerónimo Hagerman.

Casa del Lector

La Casa del Lector

This large cultural space is an initiative of the Germán Sánchez Ruipérez Foundation, which mainly focuses on readers and books. This is a place for experiencing reading, its new forms, its promotion and training, along with its intermediaries. It is a place for both the general public and professionals. Exhibitions, conferences, workshops, music and film series, together with applied research, will help to shape readers who understand, evaluate, assimilate, share and interpret the world, society and their times because they read.

gollark: If you just need to protect a camera sensor maybe you could use an LCD or something, it could probably respond quicker than a mechanical thing.
gollark: I don't think you could have that deploy fast enough.
gollark: Well, you could blind their sensors too, although those are more replaceable than human eyes.
gollark: Or advanced "blindfold" technology.
gollark: I'm not sure how you could make a video about it other than to say "permanently damaging people's eyes bad", and nobody would actually listen to that.

References

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