Masamu Yanase

Masamu Yanase
Masamu Yanase
	Self reflection: a self portrait by Masamu Yanase, collection of the Musashino Art University Museum & Library
Born	Yanase Shoroku; January 12, 1900; Ehime, Japan
Died	May 25, 1945
Nationality	Japanese
Known for	Painting, graphic design, manga

Masamu Yanase (柳瀬正夢著) (1900-1945) (born Yanase Shoroku) was a Japanese visual artist.[1]

Early life

Masamu Yanase was born January 12, 1900[2] in Ehime, Japan,[3] and his family relocated to Fukuoka where he spent his childhood until age 14. During his teenage years he changed his given name, Shoroku, to Masamu, and included the kanji character for “dream” into his chosen name. At the age of 14, he left his parents home in Kyushu, arriving Tokyo. Due to lack of income, he traveled between his home and Tokyo to be able to survive. He had a innate talent for art, yet had no art-school training. His abilities allowed him to find patrons for his work, and this in turn enabled him to continue making art.[1]

Career

His early work was in oil painting.[4] In the early 1920s he became interested in the Japanese Futurist movement, and joined the Miraiha-Bijutsu Kyokai（Futurist Art Society).[3] He became interested in political issues, and became intrigued with Constructivist movement, it was at that time that he joined the avant garde radical art collective, Mavo.[1][5]

Yanase Masamu: A Morning in May and Me before Breakfast, 1923. Musashino Art University Museum

After the Great Kanto Earthquake in 1923, Masamu was arrested during a round-up of radicals, which inspired him to become even more political. In response to this new radical political spirit, he discontinued painting, which he viewed as a bourgeois activity, to begin working on posters, graphics and other forms of mass communication and popular art forms such as comics and cartoons.[6][7] His social commentary cartoons were published in the Yomiuri Shimbun newspaper.[1] Some of Yananse's manga drawings were inspired by the German artist, George Grosz, as in the 1924 manga, The Face of the Bourgeoise Composed out of (the works of) Grosz.[8][9]

Yanase Masamu: The Length of a Capitalist's Drool, 1924. Lost photograph.

Yanase had a comprehensive one person retrospective exhibition entitled “Yanase Masamu: A Retrospective 1900-1945” at The Museum of Modern Art, Hayama that included over 500 of his works.[1][10]

Collections

Masamu's work is held in the permanent collection of the National Museum of Art in Japan.[11] The Ohio State University has several of his works held in their Manga Collection.[12] Several of his posters are held in the Tokyo Mushashinoa Art University Collection.[13] His work is held in the permanent collection of The Museum of Modern Art, Kamakura & Hayama.[14] Two books with illustrations by Masamu are in the Museum of Fine Arts, Boston permanent collection.[15]

Death

While he was an anarchist who believed in the abolishment of the nation-state, he was pressured into joining the military fight for Japan during World War II. Masamu died on May 25, 1945[2] in the war.[1]

gollark: Oh, the thing in the 802.1x menu I think. That's probably fine maybe.

gollark: You should really not trust their network for anything at all given what you said about them requiring you to disable certificate verification (!!!!).

gollark: Oxford is a big historic place. Their authoritative DNS probably predates much of the commercial internet.

gollark: There are plenty of managed authoritative DNS services which I think most people use.

gollark: You seem to be confusing different kinds of DNS server.

References

Hammond, Jeff Michael (12 March 2014). "The many reinventions of Masamu Yanase". The Japan Times. Retrieved 1 August 2020.
"Yanase, Masamu, 1900-1945". Library of Congress. Retrieved 1 August 2020.
"Yanase Masamu 1900–1945, A Retrospective: The Museum of Modern Art, Hayama". MoMA, Hayama. Retrieved 1 August 2020.
"Yanase Masabu Zenshū = Masamu Yanase / Yanase Masamu ; Yanase Masamu Zenshū Kankō Iinkai hen". Retrieved 1 August 2020.
"Yanase Masamu : 1900-1945 / henshū Kitakyūshū Shiritsu Bijutsukan". Smithsonian Libraries. Retrieved 1 August 2020.
"Nejikugi no gaka : botsugo shijūgonen Yanase Masamu ten / (henshū Yanase Masamu Sakuhin Seiri Iinkai}". Manga Collection. Ohio State University. Retrieved 1 August 2020.
"Musan kaikyū no gaka georuge gurossu / Yanase Masamu 無産階級の画家ゲオルゲ。グロッス / 柳瀬正夢著". Ohio State University Manga Collection. Ohio State University. Retrieved 1 August 2020.
Bevan, Paul. ‘Intoxicating Shanghai’ – An Urban Montage: Art and Literature in Pictorial Magazines during Shanghai’s Jazz Age. Leiden: Brill. pp. 121–123. ISBN 9789004428737. Retrieved 1 August 2020.
Keiko, Ishida; Lee-Kalisch, Jeong-hee; Bergmann, Annegret (2018). The Reception of George Grosz in Japan During the 1920s and 1930s, in the book, Transcultural Intertwinements in East Asian Art and Culture, 1920s–1950s (PDF). Berlin, Germany: Freie Universität. ISBN 978-3-89739-904-4. Retrieved 1 August 2020.
"Masamu Yanse 1900–1945: Drawing the Light and Shadow of an Era". Tokyo Art Beat. Retrieved 1 August 2020.
"YANASE, Masamu 1900 - 1945; The Port of Moji, 1919". Retrieved 1 August 2020.
"Yanase, Masamu, 1900-1945 (16 works held in the Manga Collection". Ohio State University. Retrieved 1 August 2020.
"Yanase Masamu 1900-1945 (Japanese) Poster for a Proletarian Newspaper 1927". Retrieved 1 August 2020.
"Yanase, Masamu: Still Life Lily". Museum of Modern Art, Kamakura & Hayama. Retrieved 1 August 2020.
"Shikei senkoku (Death Sentence)". Museum of Fine Arts Collection. Retrieved 1 August 2020.