Martin Rendel

Martin Rendel (born 1968 in Limburg an der Lahn) is a German cultural manager and university professor. Innovation through intercultural and interdisciplinary cooperation is the main focus of his work.

Speech at the Smart City Conference 2019, Frankfurt

Biography

Rendel studied industrial design at the Darmstadt University of Applied Sciences (h_da), Germany, and communication design at Art Center College in La Tour-de-Peilz, Switzerland. During his studies he worked in the design studios of Aldo Cibic (Milan), Matteo Thun (Milan) and Dieter Sieger (Harkotten Castle, Sassenberg). His final work, a water-closet, attracted a great deal of media interest after AP photographer Karsten Thielker became aware of the project during a private stay in Darmstadt in 1992 and had the photos distributed via Associated Press. TV presenter Roger Willemsen then invited Rendel to his talk show "0137" [1] while Sueddeutsche Zeitung celebrated the work as a "cultural revolution".[2]

Testing the "K26 Film Award" with Ai Weiwei, 2015

As winner of an international design competition, Rendel was invited to France after his studies on a Moulinex scholarship, which led to an encounter with the architect Isabelle Galzin. Both opened a studio for design and communication, first in Hamburg (1994) and then in Paris (1996). They collaborated with Federico Restrepo and clients such as Yves Saint Laurent, Gucci Parfum, Fred Joaillier and others.

From 1996 to 1999, Rendel was also involved as Art Director in an art project on rails initiated by the Italian sculptor Gianpaolo d'Andrea Moravecchia and the Amsterdam artists' association "Stichting de Blinde Schilders", which took a train as a rolling exhibition through Europe (Denmark, Greece, Yugoslavia, Hungary, Austria, Poland and Holland).

"Beyond Bauhaus" lecture at the Beijing Institute of Technology Zhuhai 2019
Opening of "Invisible Things" at TCDC Museum Bangkok with the German Ambassador to Thailand Georg Schmidt, 2019

In 1998 Rendel founded the advertising agency rendel & spitz together with the communications consultant René Spitz, which in 2006 became a consultancy for strategic brand management. From 2001 to 2006, the office building (architects: b&k+ / Arno Brandlhuber, Bernd Kniess), Cologne's narrowest building on Eigelstein 115, offered space for installations during the Cologne furniture fair IMM as part of the so-called Passagen programme. Designers and architects like Konstantin Grcic (Munich), Johanna Grawunder (San Francisco), Timo Salli (Helsinki), Ross Lovegrove (London), Greg Lynn (Los Angeles), Tokujin Yoshioka (Tokyo), Andrea Branzi (Milan), Ronan & Erwan Bouroullec (Paris) and Stefan Ytterborn (Stockholm) took part in this programme. The Pinakothek der Moderne in Munich has included Greg Lynn's spatial sculpture from the 2002 installation in its permanent collection.

From 2008 to 2014, together with Spitz, he was curating exhibitions at Haus der Gegenwart (Munich), Neues Museum (Nuremberg), Museum of Applied Arts (Cologne), Dortmunder U, Museum of Ethnology (Hamburg) and Today Art Museum (Beijing). Exhibitions followed under his own direction in Shanghai, Tianjin, Tianshui, Chiang Mai and Bangkok.

In 2015 Rendel and the Chinese artist Li Xue founded the art association K29 in Düsseldorf, which advocated freedom of expression in art. Personal differences in the founding phase led to the refounding under the name K26. One of K26's first major projects in the same year was the performance of the Beijing Independent Film Festival (BIFF) during Filmfest Hamburg, which director Albert Wiederspiel made possible as a festival within the festival.[3] The project found renowned supporters such as Alexander Kluge, Michael Kahn-Ackermann and Ai Wei Wei. However, it created diplomatic tensions between Germany and China. The Chinese festival director Li Xianting and his team had to be uninvited and the cooperation ended with immediate effect. The festival nevertheless took place and the winners of the "K26 Film Award" [4] received their prizes at the opening ceremony in Hamburg.[5] Since then the activities of K26 focus on the field of photography.[6][7]

At the end of 2018, there was cooperation with Germany - Land of Ideas, a joint initiative of the Federal Government and German industry, represented by the Federation of German Industries (BDI). As part of the international Beyond Bauhaus - Prototyping the Future competition, Rendel initiated a cooperation with the Zhuhai campus of Beijing Institute of Technology, which co-organized the competition in the People's Republic of China. This was followed by a guest professorship and the appointment as honorary professor (Prof. h.c. P.R. of China).[8] The managing director of "Germany - Land of Ideas", Ute E. Weiland, appointed Rendel as Ambassador to "Germany - Land of Ideas" in China.

In addition to Zhuhai, Rendel has also been a visiting professor at King Mongkut's Institute of Technology Ladkrabang [9] in Bangkok since 2019. Numerous guest lectures and lectures have led him to Peter Behrens School of Arts (Düsseldorf), Tianjin Academy of Fine Arts (Tianjin), Communication University of China (Beijing), Sichuan Fine Arts Institute (Chongqing), RFH University of Applied Sciences (Cologne), College of Arts, Media and Technology (Chiang Mai).

Exhibitions & Festivals (selection)
  • 2019 "Invisible Things" TCDC Museum, Bangkok, curated with Philip Cornwel-Smith and Piboon Amornjiraporn [10][11]
  • 2018 "Invisible Things", TCDC Museum, Chiang Mai, curated with Philip Cornwel-Smith and Piboon Amornjiraporn [12]
  • 2018 "The Second Image of Silk Road", Tianshui Photography Biennale, guest curator [13][14]
  • 2016 "Parabiosis", Changjiang Museum of Contemporary Art, Chongqing, guest curator [15]
  • 2015 "Chinese Independent Cinema", EthnoFilmFest Munich, curated with Stefan Eisenhofer [16]
  • 2015 "Beijing Independent Film Festival", Filmfest Hamburg, curated with Jens Geiger
  • 2015 "Jiang Jian", Gallery Julian Sander, curated with Julian Sander and Catherine Cheng [17]
  • 2014 "August Sander & Jiang Jian", Photo Shanghai, curated with Julian Sander and Catherine Cheng [18]
  • 2014 "Purple.Blue.", A tribute to Kong Qian No. 6 Zone Museum of Art, Tianjin, curated with Catherine Cheng
  • 2014 "Jiang Jian – Archives" PhotoBookMuseum, Cologne, curated with Markus Schaden and Catherine Cheng
  • 2014 "Invisible Things" Museum am Rothenbaum - Cultures and Arts of the World, Hamburg, curated with Wu Xuefu and René Spitz [19]
  • 2013 "Invisible Things", Today Art Museum, Beijing, curated with Wu Xuefu and René Spitz [20][21]
  • 2011 "Reihenhausmannskost", MAKK - Museum of Applied Arts Cologne, curated with René Spitz [22][23]
  • 2010 "Neighbourhood", Neues Museum, Nuremberg, curated with René Spitz [24]
  • 2008 "In German Terraced Houses", MAKK - Museum of Applied Arts Cologne, curated with René Spitz [25]
  • 2007 "Cabinet Pieces", Excelsior Hotel Ernst, Cologne, during RheinDesign Festival, curated with René Spitz
  • 2006 "Dear Diary", Eigelstein 115, Cologne, curated with René Spitz
  • 2004 "Not identified", Eigelstein 115, Cologne, curated with René Spitz [26]
  • 2003 "Blossoming Gap", Eigelstein 115, Cologne, curated with René Spitz
  • 2002 "Expanding the Gap", Eigelstein 115, Cologne, curated with René Spitz
  • 2001 "Daring the Gap", Eigelstein 115, Cologne, curated with René Spitz

Awards (selection)
  • core design award, Stockholm 2001
  • iF Design Award, Hannover 2002
  • red dot award: best of the best Communication Design, Essen 2001
  • red dot award Communication Design, Essen 2001 and 2002
  • DDC award, Frankfurt am Main 2001
  • Berliner Type, Berlin 2001
  • German Design Award (officially nominated), Frankfurt am Main 2002 and 2004

Publications (selection)

Published with K26 Sino-German Art Association by Kettler:

  • 2016 "Archives on Orphans", photographs by Jiang Jian, ISBN 978-3-86206-500-4
  • 2015 "Negatives",[27] photographs by Xu Yong, ISBN 978-3-86206-529-5

Edited with Daniel Arnold and René Spitz at Callwey, Munich:

  • 2013 "Wir bauen Deutschland – We are building Germany", ISBN 978-3868591811
  • 2011 "Reihenhausmannskost – Home cooking in terraced houses", ISBN 978-3766718938
  • 2010 "Ein Schloss in der Stadt – A castle in the city", ISBN 978-3766718730
  • 2009 "Nachbarschaft – Neighbourhood", ISBN 978-3766718174
  • 2008 "In deutschen Reihenhäusern – In German terraced houses",[28] ISBN 978-3766717900

Edited with René Spitz at Axel Menges, Stuttgart / London:

  • 2006 "Dear Diary", ISBN 3-936681-09-0
  • 2005 "Unfilled gap", ISBN 3-932565-51-7
  • 2004 "Not identified", ISBN 3-932565-40-1
  • 2003 "Blossoming gap", ISBN 3-932565-22-3
  • 2002 "Expanding the gap", ISBN 3-932565-28-2
  • 2001 "Daring the gap", ISBN 3-932565-22-3

Edited with "De Blinde Schilders" Foundation, Amsterdam:

  • 1999 "De Valigia in Austria"
  • 1998 "De Valigia in Hungary"
  • 1997 "De Valigia in Yugoslavia"
  • 1996 "De Valigia in Greece"
  • 1996 "De Valigia in Denmark"
gollark: CONTAIN erbium, then.
gollark: There are 117 other elements.
gollark: Why iridium?
gollark: Why are you only doing integers?
gollark: It has actually been very good for me despite the ongoing global pandemic, cascading supply chain problems, and failure of institutions to act remotely sanely.

References
  1. Roger Willemsen interviewing Martin Rendel
    broadcast 20 February 1993
  2. published 6 February 1993
  3. Piehler, Moritz. ""Forbidden images"". Spiegel online. Retrieved 30 September 2015.
  4. K26 Film Award for Independent Film
  5. Kunze, Martin (2 October 2015). "This Worldly Life & K26 Award". Fimfest Hamburg.
  6. Häusler, Heide. "Portfolio Review". International Photoscene Cologne. Retrieved 21 September 2018.
  7. Ziehn, Sascha (5 January 2016). Radio interview with Martin Rendel. WDR 3 Resonanzen.
  8. College of Art and Design (5 March 2019). "Beyond Bauhaus – Prototyping the Future". Beijing Institute of Technology Zhuhai.
  9. Adminarch (7 October 2019). "Beyond Bauhaus: Myth & Misconception". King Mongkut's Institute of Technology.
  10. Mahavongtrakul, Melanin (17 July 2019). "The sacred and the mundane" (Life & Entertainment). Bangkok Post.
  11. "Invisible Things are coming to Bangkok". Goethe-Institut Thailand. 3 June 2019.
  12. "Invisible Things at TCDC" (Social life). City Life Magazine. 24 November 2018.
  13. Su, Yuezhuo (21 June 2018). ""The 2nd Image of Silk Road - Tianshui Photography Biennial "". Photoint.
  14. Tianshui International Photography Biennale, 2018
  15. "Parabiosis International Contemporary Art Exhibition". Changjiang Art Museum. 22 October 2016.
  16. Institut of Ethnology (20 November 2015). "Munich EthnoFilmFest 2015". Ludwig-Maximilians-University Munich.
  17. "Jiang Jian - Archives on Orphans". Julian Sander Gallery. 22 August 2015.
  18. Photo Shanghai 2014
  19. Thiedig, Stefanie (5 May 2014). ""The Invisible Things are coming to Hamburg"". Kulturgut.
  20. Wang, Ran. ""Invisible Things": Getting to know China and Germany". German.China.org.
  21. "Invisible Things" exhibition poster at Today Art Museum, 2013
  22. "Reihenhausmannskost". MAKK - Museum of Applied Arts Cologne. 16 September 2011.
  23. "Reihenhausmannskost". Vimeo. 2012.
  24. "Neighbourhood". Vimeo. 2012.
  25. "In German terraced houses". Vimeo. 2012.
  26. Schlei, Barbara. ""Design bestimmt das Sein"". koelnarchitektur.de. Retrieved 29 January 2004.
  27. Siemons, Mark (13 May 2016). "Black sky over Tiananmen". Frankfurter Allgemeine Zeitung.
  28. Lahmann-Lammert, Silke (26 June 2011). "In German terraced houses". NDR.
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