Martin Davorin-Jagodić

Martin Davorin Jagodić (16 December 1935 – 8 March 2020) was a Croatian contemporary music composer and educator born in Pag in 1935. His work includes theatre music, graphic scores, instructions for performances, multimedia installation art, radio art, electroacoustic music on tape as well as experimental film soundtracks.

Martin Davorin Jagodić
Background information
Birth nameDavorin Jagodić
Born16 December 1935
Pag, Yugoslavia
Died8 March 2020
Auxerre, France
Genreselectroacoustic, Installation, Intermedia, Performance art
Occupation(s)composer, educator

Biography

Davorin Jagodić studied music in Zagreb (Croatia) and Ljubljana (Slovenia), under Croatian composer Milko Kelemen, among others. He relocated to France in 1960 to study under Olivier Messiaen at Conservatoire de Paris and work at Pierre Schaeffer's Groupe de Recherches Musicales from 1967 to 1969.[1] His career as an educator started in 1969 as assistant and then lecturer at the music department of Université de Vincennes Paris 8, later also teaching stage design and scenography at Ecole Nationale Supérieure des Arts Décoratifs from 1974 to 1988. In the 1990s, he taught musicology at Université de Saint-Denis, after the Université de Vincennes Paris 8 had relocated there in 1980.[2] He died on 8 March 2020 in Auxerre, France.[3]

Graphic scores

Often relying on highly stylized, abstract graphic scores hardly offering any kind of musical clue in terms of instrumentation, actual notes to play or pitch, Davorin Jagodić's work of the 1960s and 1970s encompasses Conceptual art and Fluxus performance art, for which the interpreter is more like a collaborator or co-composer of the work. Graphic scores like Uberklavier, 1970 and Variations sur l'Opus 16, 1971,[4] make sure that, if performed, they will sound like nothing the composer has anticipated, thus welcoming aleatoricism and freeing the interpreter from the tyranny of a score, in the John Cage tradition.

Performances of the 1970s

An emblematic work of the 1970s is Body Music, 1971, in which a pianist plays in an adjacent room, remote from the audience, with electric sensors fixed on his body around chest, arms and mouth. The P.A. system on stage amplifies the pianist's movements, bodily sounds and breath but not the actual music played – as an option, a camera may reproduce the image of the pianist's movements.[1]

In the 1970s, Davorin Jagodić often performed in former Yugoslavia, including a personal exhibition at Galerija Studentskog Centra, Zagreb, Croatia, in 1971,[5] a performance during the Muzički Biennale Zagreb (Music Biennale Zagreb, directed by Milko Kelemen) in 1973, or his participation in the Aprilski Susret festival in Belgrade, Serbia,[6] in 1972 and 1974.[1]

In 1975, Davorin Jagodić released a long-playing record in the avant-garde music series Nova Musicha of Italian label Cramps Records. Titled Tempo Furioso (Tolles Wetter) and produced by Walter Marchetti in Milan, the music is a collage of electronic and found sounds.[7]

Film and multimedia

Davorin Jagodić composed music for several experimental films, starting with Environment in 1969, a film by Belgian directors L. Peire et J. Mil, for which he recorded an electroacoustic soundtrack at the IPEM - Institute for Psychoacoustics and Electronic Music, in Ghent, Belgium.[8][9] He also created music for According to... by French film director Yann Beauvais in 1981.[10]

Since the 1990s, Davorin Jagodić collaborates with former student, developer, electronic and installation artist Elisabeth Son on multimedia installations, like their installation during the Media-Scape Symposium in 1999[2] or the interactive, immersive sound installation Orchestre Virtuel in 2003.[11]

Notes
  1. Caux 1974, pp. 30.
  2. Media-Scape Symposium 1999.
  3. "In memoriam: Martin Davorin Jagodić". www.hds.hr. Retrieved 12 March 2020.
  4. VH 101 1971.
  5. Galerija Studentskog Centra 1971.
  6. Festival organized by Studentski kulturni centar (Belgrade) (Student Cultural Centre), since 1971
  7. Tempo Furioso (Tolles Wetter) 1975.
  8. Hein & Seelig 1996, pp. 158.
  9. See IPEM official website
  10. Beauvais 1981.
  11. Orchestre Virtuel 2003.
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gollark: I didn't destroy *any* mob farms.

References
  • Caux, Daniel (1974). "A la lisière de l'écoute". Chroniques de l'Art Vivant (in French). Paris, France: published by Aimé Maeght (51): 30.
  • "Graphies de Davorin Jagodić". VH 101 (in French). Paris, France: Editions Esselier (4). 1971.
  • Hein, Folkmar; Seelig, Thomas (1996). Internationale Dokumentation elektroakustischer Music (in German). Saarbrücken, Germany: PFAU Verlag. p. 158. ISBN 3930735598.
  • "Galerija Studentskog Centra". solo exhibition. Zagreb, Croatia. 1971. Archived from the original (online archive) on 17 February 2013. Retrieved 3 January 2013.
  • "Media-Scape Symposium". Zagreb, Croatia. 1999. Retrieved 3 January 2013.
  • Tempo Furioso (Tolles Wetter) (long playing record). Martin Davorin Jagodić. Italy: Cramps Records (Nova Musicha series #8). 1975.CS1 maint: others (link)
  • Beauvais, Yann. "According to..." (in French). Archived from the original on 14 November 2008. Retrieved 3 January 2013.
  • "Orchestre Virtuel" (in French). Issy-les-Moulineaux, near Paris: Le Cube, center for digital arts. Archived from the original on 4 March 2016. Retrieved 3 January 2013.
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