Martha Visser't Hooft

Martha Visser't Hooft (née Hamlin) was an American painter and teacher. She was known for her modernist paintings, as well as contributions to artists societies in Buffalo, NY.

Martha Visser't Hooft
Born1906
Buffalo, New York, U.S.
Died1994 (aged 87–88)
Buffalo, New York, U.S.
NationalityAmerican
EducationAcadémie Julian
Known forPainting
MovementModernism

Early life

Visser't Hooft (née Hamiln) was born in Buffalo, NY, to a family of wealthy intellectuals. Deeply involved in all aspects of civic life, her parents, Chauncey J. Hamlin and Emily Gray Hamlin, had interests and involvements including the arts and sciences as well as activism and community service.[1]

Education

Visser't Hooft left for Paris in 1920 to study art at the Académie Julian. She left for New York in 1926 to study at the Parsons School of Design, shortly after switching to the John Murray Anderson School of Theater Design.[2] During this time, she had an affair with the Russian artist Boris Grigoriev, although there are conflicting reports of whether this happened in New York or Paris.[1][3]

Early career

Following her schooling, Visser't Hooft travelled with her parents and sister, Mary Hamlin Goodwin, to Taos, New Mexico in 1928. Ultimately, her sister would settle in Taos with her family, where she would become a member of the Taos Art Colony.[3] Visser't Hooft subsequently returned on several occasions to visit her, meeting artists such as Georgia O'Keeffe, Andrew Dasburg, and Frieda Lawrence.[2] At this time, she also made several paintings of the landscape.

Mid-career

In 1933, Visser’t Hooft co-founded the Patteran Society, created as a progressive arts society in Buffalo.[2]

Through the late 1940s and 1950s, her work exhibited internationally through the Contemporary Arts Gallery in New York.[2]

From 1956-58 she taught at the University of Buffalo.[3]

Late career

A solo retrospective of Visser't Hooft's paintings and drawings was held in 1973 at the Charles Burchfield Center. Her work was later exhibited in the same venue as part of a Patteran Society group show in 1975.[2]

In 1991, a major retrospective of her works was held at the David Anderson Gallery in Buffalo. For this show an illustrated catalogue was produced by The Poetry/Rare Books Collection and The State University of New York at Buffalo. Essays were contributed by Robert J. Bertholf and Albert L. Michaels, and included commentary by the artist.[2]

Collections

Visser't Hooft's paintings are collected across the United States. Public collections include the Albright Knox Art Gallery, the Whitney Museum of American Art, the Burchfield Penney Art Center, and the Columbia Museum of Art.

Personal life

Visser't Hooft married Franciscus Visser’t Hooft, a Dutch chemist, in 1928. They had three children.[2]

Legacy

Her archives are held by the Burchfield Penney Art Center in Buffalo, NY.[2]

gollark: They're not really as cool as self-replicating uranium RTG machines, though.
gollark: It is?
gollark: A good* idea: instead of nonsense like "reactors", build a production plant capable of automatically making new uranium RTGs and building facilities for them.
gollark: Is off by default.
gollark: Ah, but you need infrastructure for that.

References
  1. Brownrout, Dean (July 2007). "Homecomings The life-changing legacy of Martha Visser't Hooft". www.buffalospree.com. Buffalo Spree Magazine. Retrieved 23 June 2018.
  2. "Martha Visser't Hooft". www.burchfieldpenney.org. Burchfield Penney Art Center. Retrieved 23 June 2018.
  3. "Martha Hamlin Visser't Hooft" (PDF). Bio Visser't Hooft. Peyton Wright. Retrieved 23 June 2018.
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