Martha Copeland

Martha Copeland (born c. 1891–1894; date of death unknown)[2] was an American classic female blues singer. She recorded 34 songs between 1923 and 1928. She was promoted by Columbia Records as "Everybody's Mammy",[3] but her records did not sell in the quantities achieved by the Columbia recording artists Bessie Smith and Clara Smith.[4] Apart from her recording career, little is known of her life.[5]

This article is about the blues singer. For the actress, see Martha Cope.
Martha Copeland
Birth nameMartha Williams (possible)
Also known asEverybody's Mammy
Bornc. 1891–1894 (possible)
Portsmouth, Virginia, United States
DiedUnknown
GenresClassic female blues, gospel[1]
Occupation(s)Singer
InstrumentsVocals
Years active1923–1928
LabelsColumbia, Okeh, Victor

Biography

Copeland's birth date is unknown. Paul Oliver, in his record sleeve notes to The Story of the Blues, Vol. 2, suggested that she was in her forties when Victoria Spivey (born 1906) was in her teens.[6] However, the researchers Bob Eagle and Eric LeBlanc suggest that Copeland was born Martha Williams in Portsmouth, Virginia, around 1891–1894.[2]

Copeland started her recording career with Okeh in 1923 and appeared in a vaudeville revue, Shuffle Along. Her output included blues standards, mirror images of current popular tracks ("Soul and Body," in response to Coleman Hawkins's "Body and Soul"), and comedic numbers ("I Ain't Your Hen, Mr. Fly Rooster" and "When the Wind Make Connection with Your Dry Goods").[1] According to Eagle and LeBlanc, she may be the Martha Copeland who appeared in the musical comedy Woof, Woof in New York in 1929–1930.[2]

Her more notable accompanists on various recordings included Rube Bloom, Eddie Heywood, Sr., Lou Hooper, Cliff Jackson, James P. Johnson, and Louis Metcalf (all on piano), Bob Fuller (clarinet), and Bubber Miley (trumpet).[5]

Her complete recordings are available on Complete Recorded Works, Vol. 1 (1923–1927) and Complete Recorded Works, Vol. 2 (1927–1928), issued by Document Records.[7] Various compilation albums also contain examples of her work.[1]

gollark: You need a way to attach metadata to the ASTs for this to make sense.
gollark: I feel like this is actually bad.
gollark: Attributes are functions of macron to AST.
gollark: Icecast/MPD/YMPD.
gollark: Macron is a compiled, memetic language composed of significant amounts of bees in apiaryspace.

See also

Listen to

References
  1. Chadbourne, Eugene. "Martha Copeland: Biography". AllMusic.com. Retrieved 2014-01-27.
  2. Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 525. ISBN 978-0313344237.
  3. Stewart-Baxter, Derrick (1970). Ma Rainey and the Classic Blues Singers. London: Studio Vista. p. 77. OCLC 250212516.
  4. "Martha Copeland / Irene Scruggs Biography". Oldies.com. Retrieved 2014-01-27.
  5. "Martha Copeland". Redhotjazz.com. Retrieved 2014-01-27.
  6. Album notes to The Story of the Blues, Vol. 2, supporting Oliver's book The Story of the Blues. Barrie and Rockliff, Cresset Press.
  7. "Martha Copeland: Discography". AllMusic.com. 1995-11-21. Retrieved 2014-01-27.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.