Mark Poster

Mark Poster (July 5, 1941 – October 10, 2012)[1] was Professor Emeritus of History and Film and Media Studies at UC Irvine, where he also taught in the Critical Theory Emphasis. He was pivotal to "bringing French critical theory to the U.S., and went on to analyse contemporary media."[2]

Mark S. Poster
Born(1941-07-05)July 5, 1941
DiedOctober 10, 2012(2012-10-10) (aged 71)[1]
Era20th / 21st-century philosophy
RegionWestern Philosophy
SchoolPost-Structuralism · Marxism · Post-Marxism · Critical Theory · Media Studies
Main interests
Intellectual History · Mass Media · New Media
Notable ideas
Mode of information

Early life

Poster was born in New York on 5 July 1941, studied at the University of Pennsylvania Wharton School and completed a PhD in history at New York University in 1968.[2] His research interests included European Intellectual and Cultural History,[3] Existentialism, Marxism, Critical Theory, and Media Studies.

Career

He was known for surveying the work of Henri Lefebvre, Jean-Paul Sartre and Michel Foucault. He applied the ideas of these and other French theorists (including Jean Baudrillard, Louis Althusser, Gilles Deleuze and Jacques Derrida) to digital new media of the late 20th and early 21st century (including television, databases, hypertext and the internet).

Poster sought to politicize the issue of the use and development of the internet by emphasizing its possibilities for liberatory political change, while acknowledging the existence of a deep digital divide, as well as the interests of transnational corporations and national governments.[4]

Poster was also co-editor of the "Electronic Mediations" book series at the University of Minnesota Press, which includes almost 40 titles which explore the humanistic and social implications of the internet, virtual reality technologies, video games, literary hypertexts, and new media art forms.[5]

Death

Poster died on 10 October 2012 of pneumonia and is survived by his wife, Annette Schlichter, and two daughters.[2]

Books
  • The Utopian Thought of Restif de la Bretonne (1971)
  • Existential Marxism in Postwar France: From Sartre to Althusser (1975)
  • Critical Theory of the Family (1978)
  • Sartre's Marxism (1982)
  • Foucault, Marxism, and History: Mode of Production Versus Mode of Information (1985)
  • Critical Theory and Poststructuralism: In Search of a Context (1989)
  • The Mode of Information: Post-structuralism and Social Contexts (1990)
  • The Second Media Age (1995). Chapter 2 available as Postmodern Virtualities
  • What's the Matter with the Internet? (Electronic Mediations series) (2001)
  • The Information Subject (2001)
  • Information Please: Culture and Politics in the Age of Digital Machines (2006)
  • Deleuze and New Technology (2009)

Notes
  1. "In Memoriam: Mark Poster". Hnet.uci.edu. Archived from the original on 2012-10-24. Retrieved 2012-10-11.
  2. "Mark Poster 1941-2012 obituary," article 8 November 2012 by Matthew Reisz in Times Higher Education magazine, UK
  3. See reader's review of Existential Marxism in Postwar France by Nate Holdren June 24, 2000 on Amazon.com in External Links, below
  4. Review of "Information Please" by Diana Bossio with response by Mark Poster Archived 2010-06-22 at the Wayback Machine
  5. Series Editors: Mark Poster and Samuel Weber. "Electronic Mediations — University of Minnesota Press". Upress.umn.edu. Retrieved 2012-10-11.
gollark: - Higher bandwidth is achievable due to higher frequency. Probably.- Cooler name than "microwaves".- More available channels than microwaves because higher frequency.- Less regulation, I think.- Can also keep your house warm if the emitters are set to insanely high power.
gollark: imagine connecting to wifi but it's infraredthis post made by infrared gangbecause infrared is actually sort of better in a lot of areas
gollark: Of course, no company is offering options for between 300m/s and 300000000m/s, which is a problem.
gollark: They're called sound waves™.
gollark: Well, since my laptop screen doesn't support VSync, *it's* always 60Hz.

Archival collections

Other
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.