Marisela Treviño Orta

Marisela Treviño Orta is a third-generation Mexican-American playwright and poet from Lockhart, Texas.[1] She attended the University of San Francisco where she received an MFA in Writing.[2] While she was trained in poetry, Treviño Orta began writing plays after becoming the resident poet for El Teatro Jornalero!, a Latino theatre company which focuses on social justice issues.[3]

Marisela Treviño Orta
EducationSouthwestern University (BA)
University of San Francisco (MFA)
University of Iowa (MFA)

Career

Marisela Treviño Orta was first attracted to theatre and playwriting during her time as the resident poet at El Teatro Jornalero!. She was attracted to the theatre community, as she found poetry was often a lonely craft.[3] Additionally, she found it was easier to explore political and social justice themes in playwriting, which she could not do in her poetry.[3]

The playwright found immediate success with her first play Braided Sorrow, which won the 2006 Chicano/Latino Literary Prize in Drama, and the 2009 Pen Center USA Literary Award in Drama.[4] This play was accepted into the 2005 Bay Area Playwrights Festival and officially premiered at Su Teatro in Denver, CO. Since then, she has written other successful plays including Heart Shaped Nebula (2012 O’Neill Playwrights Conference Semi-Finalist, 2013 Aurora Theatre Global Age Project Finalist), American Triage (2012 MetLife Nuestras Voces National Playwriting Runner-Up), which was a commissioned by Marin Theatre Company, and Woman on Fire, which was commissioned by the Latino Playwrights Initiative.[4][5] Treviño Orta was awarded the 2013 National Latino Playwriting Award for The River Bride, and most recently was a 2018/2019 Kendeda Finalist (Alliance Theatre) for Shoe[6][7]. She is a 2011 alumna of the Playwright Foundation’s Resident Playwright’s Initiative and a graduate of the University of Iowa’s Playwrights Workshop.[8]

Most recently Treviño Orta authored a trilogy of plays inspired by Latinx mythology[9] and the Brothers Grimm fairy tales.[3] The River Bride, the first of the three, is set in Brazil and is inspired by Amazonian folklore and premiered February 21, 2016 at the Oregon Shakespeare Festival.[10] The second, Wolf at the Door, which is currently featured in National New Play Network's Rolling World Premieres program, is set in Mexico and focus on a Mesoamerican belief[11]. Alcira, the trilogy's conclusion, is set in San Francisco and based on Aztec mythology.

Involvement in the theatre community

Treviño Orta is currently a member of the Dramatists Guild, the Latinx Theatre Commons, and is a founding member of the Bay Area Latino Theatre Artists Network. [12]

Works
  • Braided Sorrow[13]
  • Heart Shaped Nebula[14]
  • The River Bride[15]
  • American Triage[16]
  • Woman on Fire
  • Wolf at the Door[17]
  • Alcira[18]
  • Ghost Limb[19]

Awards and recognition
Year Award Category Work Result
2006 Chicano/a Literary Prize Drama Braided Sorrow Won
2009 Pen Center USA Literary Award Drama Braided Sorrow Won
2012 Repertorio Español MetLife Nuestras Voces National Playwriting Competition N/A American Triage Runner-up
2012 O'Neill Playwrights Conference N/A Heart Shaped Nebula Semi-finalist
2013 Aurora Theatre Global Age Project N/A Heart Shaped Nebula Finalist
2013 National Latino Playwriting Award N/A The River Bride
2017 50 Playwrights Project[20]'s Best Unproduced Latin@ Plays 2017 N/A Wolf at the Door Finalist
gollark: Interesting. I wonder why that is.
gollark: How do they break it more than every other language?
gollark: If you want maximum efficiency and have no concern for practical human use, just take English, run it through a good compression algorithm, and encode it as syllables somehow.
gollark: It wouldn't be very good to *speak* that, because of low noise resistance.
gollark: It annoys me that nobody unironically uses machine-parseable languages, so you have to use either horrible regices or giant machine learning models to do natural language processing.

References
  1. Treviño Orta, Marisela. "I Interview Playwrights Part 310: Marisela Treviño Orta." Interview by Adam Szymkowicz. Aszym. Blogger, 28 Jan. 2011. Web. 10 Dec. 2015.
  2. "Marisela Treviño Orta." HowlRound. Emerson College, n.d. Web. 02 Dec. 2015.
  3. Treviño Orta, Marisela. "Coffee and Chat: Marisela Treviño Orta." Interview by Abel Muñoz. HowlRound. Emerson College, 27 Oct. 2015. Web. 02 Dec. 2015.
  4. Marisela Treviño Orta." New Play Exchange. National New Play Network, n.d. Web. 02 Dec. 2015
  5. "Marisela Treviño Orta". Brava for Women in the Arts. Retrieved 2019-09-28.
  6. "Marisela Treviño Orta". Brava for Women in the Arts. Retrieved 2019-09-28.
  7. "Winners & Finalists | Alliance Theatre". alliancetheatre.org. Retrieved 2019-09-28.
  8. "Marisela Treviño Orta." Dramatists Guild. Dramatists Guild of America, n.d. Web. 02 Dec. 2015.
  9. trevorboffone (2016-04-07). "Marisela Treviño Orta". Retrieved 2017-09-09.
  10. "The River Bride". Retrieved September 9, 2017.
  11. "Rolling World Premieres | National New Play Network". nnpn.org. Retrieved 2019-09-28.
  12. "Marisela Treviño Orta | Goodman Theatre". www.goodmantheatre.org. Retrieved 2019-09-28.
  13. https://newplayexchange.org/plays/623/braided-sorrow
  14. https://shotgunplayers.org/Online/heartshapednebula
  15. https://www.osfashland.org/productions/2016-plays/the-river-bride.aspx
  16. https://newplayexchange.org/plays/644/american-triage
  17. http://events.uiowa.edu/event/wolf_at_the_door_-_iowa_new_play_festival_2016#.WTNjOTO-LR0
  18. https://events.uiowa.edu/event/alcira_-_iowa_new_play_festival_2017#.WTNjBjO-LR0
  19. https://www.brava.org/all-events/2017/7/6/ghost-limb
  20. "50PP's Best Unproduced Latin@ Plays 2017". 2017-03-19. Retrieved 2017-09-09.
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