Marion Manville Pope
Marion Manville Pope (July 13, 1859 – ?) was an American author of poetry and juvenile literature. After marriage, she traveled to Cuba and Mexico.[1][2]
Marion Manville Pope | |
---|---|
"A woman of the century" | |
Born | Marion Manville July 13, 1859 La Crosse, Wisconsin, U.S. |
Occupation | author |
Language | English |
Nationality | American |
Genre | poetry, juvenile literature |
Notable works | Up the matterhorn in a boat |
Spouse | Charles A. Pope ( m. 1891) |
Relatives | Helen Adelia Manville |
Early years and education
Marion Manville was born in La Crosse, Wisconsin, July 13, 1859. She was the daughter of Marvin Madison Monroe Manville and Helen Adelia Manville. Pope was an active, intelligent and precocious child. In her early childhood, she wrote verses in great numbers, and most of her work was surprisingly good for someone of her age.[3]
Pope was a woman of liberal education and varied talents and accomplishments. She was a pupil of the Lyceum School in New York City.[4]
Career
Some of her earlier productions were included with later ones in Pope's first published book, Over the Divide (Philadelphia, 1888). The volume passed through several editions, and the critics received it favorably. Many of the poems contained in the book were read by dramatic readers.[3] Her poems found wide currency, but she believed that her best work was her prose fiction. Her love for children led her to write for them, and in their behalf, she contributed both prose and verse to St. Nicholas Magazine, Wide Awake, Our Little Ones, The Nursery, Babyhood, and other periodicals devoted to the young. Her work showed not only true poetic gifts, but also careful thinking and proper attention to form. Her poems were clear-cut and finely polished.[4]
On September 22, 1891, she married Charles Alvan Pope, F. R. G. S., author,[2] of Valparaiso, Chile, and she made that city her permanent home. She traveled after marriage in Cuba and Mexico.[4]
She was a dramatic reader, and an artist of merit. Her work included crayon, oils, and pen and ink. She modeled well, and some of her heads were genuinely artistic. She was a social favorite in society.[4] Pope's writings inspired the allegorical sculpture, The End of the Trail by James Earle Fraser (1915).[5]
Up the matterhorn in a boat
Of Up the matterhorn in a boat, the Harford Post review in Book News: An Illustrated Magazine of Literature and Books (1897), said of it:—
"Mrs. Marion Manville Pope has solved the problem of flying machines which has recently attracted so much attention from inventors all over the world. She has constructed a boat, “The Cloud Queen,” in which she takes two typical Americans up the Matterhorn. She does not reveal the full secret of her contrivance, but she tells enough to show that it can be depended upon to carry its passengers through most amazing experiences. The story is an extravaganza of a thoroughly up-to-date character, and is full of rollicking humor. But the author has written in a realistic vein, so that her readers are almost beguiled into believing the truth of the narrative. The two Americans and their dog, which is quite a character in the book, meet with surprising adventures, including perils from avalanches, precipices and storms; and they succeed in rescuing a stolid Englishman from the snow, and he furnishes a foil for the humor of the Americans. Mr. Wright's pictures are in full accord with the spirit of the text." [6]
The Delineator (1898) provided a review as well, saying:—
"Up the Matterhorn in a Boat is a grotesque and amusingly incredible tale, possibly intended to prepare our minds for the upward and downward flights that within the next fifty years may possibly come to seem very prosaic and quite every-day affairs. There are funny episodes, tragic events, privations by cold and hunger, involuntary ups and downs and much of that sort of slangy epigram in conversation that may have been due to abnormal experiences, but more likely to habits formed while not ascending a mountain in a boat. For comicality and for exercising an untethered imagination as an inspiration to laugh, this tale may be commended. It is droll throughout, and Marion Manville Pope must be a jolly being to have invented it."[7]
Selected works
- Over the divide and other verses, 1888
- Up the matterhorn in a boat, 1897
- A judicial error
- Between two gods : [an allegory], 1917
References
- La Crosse County Historical Society 1942, p. xix.
- Hamersly 1929, p. 1369.
- Willard & Livermore 1893, p. 581.
- Willard & Livermore 1893, p. 582.
- Salmon 2009, p. 66.
- Wanamaker 1897, p. 134.
- Butterick Publishing Company 1898, p. 245.
Attribution
This article incorporates text from a publication now in the public domain: Butterick Publishing Company (1898). The Delineator. 51 (Public domain ed.). Butterick Publishing Company.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Wanamaker, J. (1897). Book News: An Illustrated Magazine of Literature and Books ... 16 (Public domain ed.). J. Wanamaker.CS1 maint: ref=harv (link) This article incorporates text from a publication now in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Moulton. p. 581.CS1 maint: ref=harv (link)
Bibliography
- Hamersly, Lewis Randolph (1929). Who's who in New York City and State. 9. Who's Who Publications.CS1 maint: ref=harv (link)
- La Crosse County Historical Society (1942). La Crosse County Historical Sketches. La Crosse County Historical Society.CS1 maint: ref=harv (link)
- Salmon, Robin R. (2009). Sculpture of Brookgreen Gardens. Arcadia Publishing. ISBN 978-0-7385-6656-6.CS1 maint: ref=harv (link)