Marilyn J. Ziffrin

Marilyn Jane Ziffrin (August 7, 1926 - March 16, 2018)[1] was an American composer and music educator.

Biography

Marilyn Ziffrin was born in Moline, Illinois, to parents Betty S. and Harry B. Ziffrin, (both children of Russian immigrants who emigrated from Belogorodka, Ukraine. Harry, who grew up in the then Tri Cities, of Rock Island & Moline, IL, and Davenport, Iowa, and Betty, who grew up in St. Louis, were first cousins; their fathers were brothers, and they both were first cousins of Lester Ziffren, the famous journalist, and Paul Ziffren, the Democratic Party leader from Los Angeles. Ziffrin, a graduate of Moline, IL public schools, where her father owned a liquor distributorship, began studying piano at age four with Louise Cervin who had studied with Theodor Leschetizky. Ziffrin also studied clarinet and saxophone and soon began composing with a piano piece called "Ode to a Lost Pencil."

Ziffrin graduated from the University of Wisconsin in Madison in 1948, and received a Master of Arts degree from Columbia University in 1949. From 1967 to 1982 she worked as an associate professor at New England College, and she has taught private composition lessons at St. Paul's School in Concord, New Hampshire.[2]

Ziffrin was a member of the National Association of Composers and Conductors. She has received awards, including ASCAP Awards and Honorable Mention in the Music Teachers National Association Shepherd Competition in 1998. She was named New Hampshire Music Teachers Association Composer of the year in 1997, and has received six residencies at the MacDowell Colony.[3]

She was also the author of Carl Ruggles: Composer, Painter, and Storyteller (Urbana: University of Illinois Press, 1994).

Selected works

Ziffrin had written compositions for solo instruments, chamber music, choral works, works for orchestra and band.

  • Cantata for Freedom
  • For Love of Cynthia
  • Two Songs for bass-baritone
  • Piano Sonata
  • Fantasy for 2 pianos
  • New England Epitaphs
  • Music for handbells and organ
  • Two Holiday Songs
  • Yankee Hooray[3]
  • Concerto for viola and woodwind quintet (1977–1978)
  • Haiku, Song Cycle for soprano, viola and harpsichord (or piano) (1971); words by Kathryn Martin
  • Tributum for clarinet, viola and double bass (1992)
gollark: Trump doesn't even cover it up.
gollark: > Earning tons of money through a job that indirectly exploits developing nations and then donating some part of that money to a charity that helps developing nations is probably a net negative for these nations.How do most jobs go around exploiting developing nations? Also, IIRC the figures are something like one life saved per few hundred/thousand $, so I doubt it.
gollark: There seem to be lots of "elites" who are basically *fine*, except you don't hear about them because people only go on about "SOME ELITES DID BAD THINGS".
gollark: > In capitalism, being selfish and ruthless tends to give you more profit and thus economical power. That's why most of the elite are bad, while so many of the poor have good hearts. Though the pressure to survive also ruins and corrupts the poor.Have you never heard of positive-sum stuff? Have you actually *checked* this in any way or are you just pulling in a bunch of stereotypes?
gollark: Newtonian ethics and all.

References
  1. "Obituary for Marilyn J. Ziffrin at Chadwick Funeral and Cremation Service". www.meaningfulfunerals.net. Retrieved May 19, 2018.
  2. Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers (Digitized online by GoogleBooks). ISBN 9780393034875. Retrieved October 4, 2010.
  3. Schantz, Malinda (Spring 1998). "Marilyn J. Ziffrin: A Lifetime of Creating Music". Sonneck Society for American Music. Retrieved September 27, 2010.
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