Marie-Françoise Plissart

Marie-Françoise Plissart (born 13 July 1954) is a Belgian photographer and videoartist.[1]

Marie-Françoise Plissart
Born (1954-07-13) July 13, 1954
Brussels, Belgium
OccupationPhotographer, videoartist

She explored the photo novel format, collaborating with the comic artist Benoît Peeters in several projects.[2][3] Plissart is also known as an architecture photographer. She won a Golden Lion at the 2004 Venice Biennale of Architecture for the exhibition "Kinshasa:The Imaginary City" [4]

Books
  • Fugues (with Benoît Peeters), éditions de Minuit, 1983
  • Droit de regards (after a lecture by Jacques Derrida), éditions de Minuit, 1985 ; nouvelle édition : Les Impressions Nouvelles, 2010. (English edition: Rights of Inspection:Monacelli Press, ISBN 978-1580930185)
  • Prague (en collaboration avec Benoît Peeters), Autrement, 1985
  • Le mauvais œil (in collaboration with Benoît Peeters), éditions de Minuit, 1986
  • Aujourd'hui, éditions Arboris, 1993
  • Bruxelles, horizon vertical, éditions Prisme, 1998
  • Kinshasa, récits de la ville invisible, éditions La Renaissance du Livre/Luc Pire, 2005.
  • Mons (in collaboration with Caroline Lamarche, Les Impressions Nouvelles, 2009.

Expositions

Individual
  • Droit de regards : Vienna (Musée d'Art Moderne, December 1985), Toulouse (Ombres blanches, March 1986), Berlin (Litteraturhaus, October 1986), the Hague(Centre culturel français, January 1987), Amsterdam (Maison Descartes, March 1987)
  • À la recherche du roman-photo : Bruxelles (Palais des Beaux-Arts, June–July 1987), Rotterdam (galerie Perspektief, September 1987), Liège (les Chiroux, January 1989), Geneva (Saint-Gervais, November 1989)
  • Aujourd’hui, Charleroi : Charleroi, Musée de la Photographie, Octobre 1993)
  • Bruxelles brûle-t-il ? : Brussels (KunstenFESTIVALdesArts, Beursschouwburg, May 1994)
  • Martini, Martini, Bxl, Beursschouwburg : Brussels (KunstenFESTIVALdesArts, May 1996)
  • Photo narrative : Eastern Michigan University (Art department, November 1996)
  • Brussel’s architecture : Osaka (International House, October 1997)
  • Bruxelles, Horizon vertical : Bruxelles (Le Botanique, January 1999)
  • Kinshasa, the imaginary city : Venice (Biennale of Architecture , September 2004), Brussels (Bozar, June–September 2005), Johannesburg (june 2006)
  • A World without end, rétrospective personnelle, Musée de la photographie d'Anvers (2008).
gollark: TOML is, in my opinion, nicer for configs. It's basically standardized INI.
gollark: Also, possibly partly due to point 3, many (dynamic) languages actually implement YAML parsing in a way which allows arbitrary code execution by default. I think Python's yaml library does it unsafely by default (EDIT: see here: https://www.arp242.net/yaml-config.html though PyYaml at least appears to be changing this now).
gollark: It's not simple. The standard is extremely complex and there are something like nine ways to do multiline strings.
gollark: You might need to enable WAL mode.
gollark: It can do simultaneous reads fine as far as I know.

References
  1. Libre.be, La. "La Bruxelles de M. F. Plissart" (in French). Retrieved 2017-11-24.
  2. Grishakova, Marina; Ryan, Marie-Laure (2010). Intermediality and Storytelling. Walter de Gruyter. ISBN 9783110237733.
  3. Bramlett, Frank; Cook, Roy; Meskin, Aaron (2016-08-05). The Routledge Companion to Comics. Routledge. ISBN 9781317915386.
  4. http://www.koba.be. "VAI - Vlaams Architectuur Instituut". www.vai.be (in Dutch). Retrieved 2017-11-24.
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