Marie-Anne Horthemels

Marie-Anne-Hyacinthe Horthemels (1682 – 24 March 1727) was a French engraver, wife of the King's engraver Nicolas-Henri Tardieu.

Marie-Anne-Hyacinthe Horthemels
Born1682
Died24 March 1727
Paris, France
NationalityFrench
Known forEngraving
Spouse(s)Germain Le Coq, Nicolas-Henri Tardieu

Biography

Marie-Anne-Hyacinthe Horthemels was one of three daughters of the Dutch bookseller Daniel Horthemels (c. 1650-1691) and his wife Marie Cellier (b. 1656), from Saint-Maurice, to the southeast of Paris. The family converted from Protestantism to Roman Catholicism, and became followers of the theologian Cornelius Jansen. Marie-Anne had at least five siblings. Her sister Louise-Magdeleine Horthemels was an active reproductive engraver who married Charles-Nicolas Cochin, graveur du roi.[1] Marie-Nicole married Alexis Simon Belle, peintre ordinaire du roi.[2] Her brothers Daniel and Denys continued in the bookselling trade, while Frédéric Horthemels was also an engraver.

Marie-Anne's first marriage was to the pastry-maker Germain Le Coq, who had worked for King Louis XIV of France (1638–1715) and for the Duchess of Burgundy.[3] They married around 1705, and Germain died around 1710. They had at least one son, Germain-Jacques Lecocq.[4] At the age of thirty, on 20 April 1712 she married again, to Nicolas-Henri Tardieu. They had five children: Louis-Nicolas, Jacques-Nicolas, Pierre-Denis, Marie-Perrette and Marie Madelaine.[3] Jacques-Nicolas Tardieu was born on 2 September 1716 in Paris. He was also to become a well-known engraver.[5]

Marie-Anne-Hyacinthe Horthemels died on 24 March 1727 at the age of 45.[6]

Work

Marie-Anne had a talent for engraving, and is known for her portraits of Cardinal de Bissy, Cardinal de Rohan and the Regent Philippe II, Duke of Orléans.[6][lower-alpha 1] The British Museum has an engraved portrait of James Francis Edward Stuart, the Old Pretender, after a painting by Alexis Simon Belle, dated 1720. The portrait was engraved by "MM. Horthemels", and is thought to be her work.[7]

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gollark: ... sigh.

References

  1. Her work is usually signed "Marie Horthemels", although her portrait of Cardinal de Bissy is signed "Marie-Hyacinthe Horthemels". There had been some debate over the authorship of the engravings signed only "Marie Horthemels", since they could be the work of her sister Marie-Nicole. However, the location of "rue Saint-Jacques, au Maecenas" is given on pieces signed "Marie" and "Marie-Hyacinthe", indicating that they are all the work of Marie-Anne-Hyacinthe Horthemels.[4]

Sources

  • Bann, Stephen (2001). Parallel Lines: Printmakers, Painters and Photographers in 19th Century France. Yale University Press. p. 173. ISBN 978-0-300-08932-5. Retrieved 2012-11-17.CS1 maint: ref=harv (link)
  • Chavignerie, Émile Bellier de La; Auvray, Louis (1885). Dictionnaire général des artistes de l'école française depuis l'origine des arts du dessin jusqu'à nos jours: Architectes, peintres, sculpteurs, graveurs et lithographes (in French). Renouard. Retrieved 2012-11-17.CS1 maint: ref=harv (link)
  • "Jacques III Pretendent D'Angleterre &c. of Ridder van St. Joris / Het Groote Tafereel der Dwaasheid". British Museum. Retrieved 2012-11-23.
  • Jal, Auguste (1867). Dictionnaire critique de biographie et d'histoire (in French). Plon. Retrieved 2012-11-17.CS1 maint: ref=harv (link)
  • Mariette, Pierre-Jean; Chennevières, Ph de; Montaiglon, Anatole de (1856). Archives de l'art français: recueil de documents inédits relatifs à l'histoire des arts en France (in French). J.-B. Dumoulin. Retrieved 16 November 2012.CS1 maint: ref=harv (link)
  • Montaiglon, Anatole de (1856). Archives de l'art français: recueil de documents inédits relatifs à l'histoire des arts en France. J. B. Dumoulin. p. 53. Retrieved 2012-11-23.CS1 maint: ref=harv (link)
  • Poulson, Elizabeth (Autumn–Winter 1985). "Lousie-Magdeleine Horthemels: Reproductive Engraver". Woman's Art Journal. 6 (2): 20–23. doi:10.2307/1357994. JSTOR 1357994.CS1 maint: ref=harv (link)
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