Maria Wodzińska

Maria Wodzińska primo voto Skarbkowa secundo voto Orpiszewska (7 January 1819 – 7 December 1896) was a Polish artist who was once engaged to composer Frédéric Chopin.

Wodzińska's 1830s self-portrait
Wodzińska's watercolor of Frédéric Chopin, 1835
Wodzińska, by Stanisław Marszałkiewicz, 1840
Anna Emilia Wiesiołowska, née Skarbek (1793-1873), sister of Fryderyk Skarbek and godmother of Frédéric Chopin, by Wodzińska
Maria Orpiszewska, née Wodzińska, in later life

Life

Maria Wodzińska was a daughter of Count Wincenty Wodziński and Countess Teresa Wodzińska, of the Jastrzębiec coat of arms. She had three brothers, Antoni, Feliks, and Kazimierz, and a sister, Józefa.[1] The family moved to Geneva in 1832, where Maria was "the brilliant star of the household... striking in every sense".[2] She studied piano with composer John Field and art at the Geneva Academy. Prince Louis-Napoleon (later Napoleon III) was reportedly among those in love with her, as was poet Juliusz Słowacki, who wrote a poem about her.[2] She was described as having "a touch of the Mediterranean about her": olive-toned skin and dark hair and eyes.[2]

She was the recipient of Chopin's Grand valse brillante, Op. 18 in 1834 and the Farewell Waltz in 1835.[3] She also painted the composer, creating what Tad Szulc called "one of the best portraits of Chopin extant—after that by Delacroix—with the composer looking relaxed, pensive, and at peace".[4] In 1836, with the approval of Maria's mother, Maria and Chopin were engaged to be married, but her father objected to the match because of Chopin's poor health, and their relationship ended in 1837.[5]

On 24 July 1841 she married Józef Skarbek, a son of Fryderyk Skarbek, Frédéric Chopin's godfather after whom Chopin was named. The couple later divorced.[6]

In 1848 she married her first husband's lessee, Władysław Orpiszewski, and they had a son, but the boy died at age four. Her husband died in Florence in 1881, leaving her a widow.[7] She spent the rest of her life in Kłóbka, Poland, at her niece Józefa's.[8] She was interred at Kłóbka, and her artistic and other effects remain at her last home.

Wodzińska's nephew Antoni—not to be confused with his father, Maria's brother Antoni, who was a boarder in the Chopin home during Chopin's childhood and lived in Paris when Chopin was there—wrote a book detailing Chopin's relationship with her: Les trois romans de Frédéric Chopin, published in 1886.[9] Frederick Niecks, Chopin's first exhaustive biographer, said the book was "more of the nature of a novel than of a biography".[10] In 1912 he wrote a biography of his aunt, O Marii Wodzińskiej (About Maria Wodzińska), whose first book edition was published in 2015.

Notes
  1. Szulc 2000, p. 119.
  2. Szulc 2000, p. 120.
  3. Szulc 2000, pp. 121–123.
  4. Szulc 2000, p. 137.
  5. Warszawski 2005.
  6. Szulc 2000, p. 252.
  7. Azoury 1999, p. 106.
  8. "Maria Wodzińska z Wodzina h. Jastrzębiec (M.J. Minakowski, Genealogia potomków Sejmu Wielkiego)" (in Polish). Sejm-wielki.pl. Retrieved 4 April 2013.
  9. Harasowski 1967, p. 86.
  10. Niecks 1888.

Bibliography
  • Azoury, Pierre (1999). Chopin through his contemporaries. Greenwood Press. ISBN 9780313309717.CS1 maint: ref=harv (link)
  • Harasowski, Adam (1967). The Skein of Legends Around Chopin. Da Capo Press 1980. ISBN 0306775255.CS1 maint: ref=harv (link)
  • Niecks, Frederick (1888). "Frederick Chopin As A Man And A Musician". gutenberg.org. Retrieved 28 April 2013.CS1 maint: ref=harv (link)
  • Szulc, Tad (2000). Chopin in Paris: the life and times of the romantic composer. Da Capo Press. ISBN 978-0306809330.CS1 maint: ref=harv (link)
  • Warszawski, Jean-Marc (2005). "Frédéric Chopin" (in French). musicologie.org. Retrieved 4 April 2013.CS1 maint: ref=harv (link)

Further reading
  • Wodziński, Antoni (2015). O Marii Wodzińskiej. Iwonicz-Zdrój. ISBN 978-83-943125-1-0.
gollark: Isn't that *also* kind of bad? I mean, you're subject to departmental politics stuff probably, have "publish or perish" going on, etc.
gollark: "It's only real work if you do manual labour, because that was around longer and is thus evidently the only valid kind, and it looks more difficult to me."
gollark: Yes, that is silly people being silly.
gollark: You're not really paying them for either as much as just the fact that they can do/make the thing you want and you are, presumably, willing to pay the price they ask for. Going around trying to judge someone else's "worth" in some way is problematic.
gollark: The learning time is amortized over all the other programming stuff they do, and it's not like they would somehow unlearn everything if you didn't pay more. Still, it is somewhat complicated and, er, possibly impossible, although if people want to do it (they regularly do complex things anyway if they're interesting) then why not.

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