Maria Faydherbe

Maria Faydherbe, referred to in the French literature as Marie Fayd'herbe (1587–1643)[1] was a Flemish sculptor who lived and worked in Mechelen, then a city in the Southern Netherlands.

Maria Faydherbe
Born1587
Mechelen
Died1643
Mechelen
NationalityFlemish
Known forsculpture
MovementBaroque

Life

Maria Faydherbe was born in Mechelen in 1587 as one of three children of a brewer, who all became sculptors. Her brothers were Hendrik and Antoon Faydherbe. She was the aunt of Hendrik's son, the famous sculptor Lucas Faydherbe.[2]

Conflict with the local Guild

A Maria Faydherbe wrote on 20 December 1632 to the city council of Mechelen with a request to be enrolled in the Guild of Saint Luke. It was claimed that in her letter she extolled her own skills which she deemed not to be inferior to those of the members of the Guild whom she called 'dozijnwerkers' (workers by the dozen). Eight sculptor-members of the Guild reacted to her letter and her statements, which they deemed damaging to their reputation, by letter of 12 January 1633. They declared themselves ready to enter into a competition with Maria Faydherbe. The competition was to be supervised by the aldermen of the city. Whether the competition ever took place and what its outcome was is not known.[3]

As Maria was not able to become a member of the Guild she was forced to work in her family's workshop, without being able to sign her own output, and indeed probably having her work signed by her male relations.[4] The conflict between Maria and the Guild has also been interpreted as a conflict between the Renaissance style and the new Baroque movement rather than solely as a conflict between the sexes.[5]

Known work

The collection of the Victoria and Albert Museum holds an alabaster sculpture of The Virgin and Child that is ascribed to Maria Faydherbe on the basis of a monogram reading MF S, taken to signify "Maria Faydherbe Sculpsit". This discovery of a signed (monogrammed) work seems to indicate Maria did in fact sign (some of) her work.[6]

gollark: However, if you ignore the easy to see reason why the "database" would *not* be small, in favour of randomly assuming it is because they are in general, you are wrong.
gollark: Well, you can if you want.
gollark: (because it's bad, and won't do that automatically)
gollark: (technically it also has some code to force it to respond to an instant-lose/instant-win situation)
gollark: It is funny that people keep losing to a fairly trivial piece of code which just decides how good a move is by playing 100 *entirely random games* starting from it and seeing how many it wins.

References
  1. Dates of birth and death from the Marie Faydherbe entry in the RKD Artists database. These differ from those given by Neeffs in the Biographie Nationale de Belgique, who took the sculptor to be the Maria Faydherbe, daughter of Antoon Faydherbe, baptized in 1611, rather than the sister of Antoon Faydherbe, baptized in 1587.
  2. Emmanuel Neeffs, "Fayd'herbe (Marie)", Biographie Nationale de Belgique, vol. 6 (Brussels, 1878), 920.
  3. "Sculpteurs Malinois du XVIIe siècle. Les Fayd'herbe", Messager des sciences historiques (1857), pp. 172-174
  4. Les Femmes dans les livres scolaires, Editions Mardaga, 1985, p. 192
  5. Jansen, Jaak, "Het geschil van Maria Faydherbe in 1632-1633 of de spanning tussen Renaissance- en Barokbeeldhouwkunst te Mechelen", Bulletin (Koninklijk Instituut voor het Kunstpatrimonium / Institut Royal du Patrimoine Artistique), Vol. 22 (1988), pp. 78-103
  6. Virgin and Child in the V&A online collection

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