Margot Lovejoy

Margot Lovejoy (21 October 1930 – 1 August 2019)[1] was a digital artist and historian of art and technology. She was Professor Emerita of Visual Arts at the State University of New York at Purchase. She was the author of Digital Currents: Art in the Electronic Age. Lovejoy was recipient of a 1987[2] Guggenheim Fellowship and a 1994 Arts International Grant in India.[3][4]

Digital Currents

In her best known historic work, Digital Currents: Art in the Electronic Age,[5] Lovejoy followed on the research of Frank Popper, Jack Burnham and Gene Youngblood by documenting the historical record of the relationship between technology and art as culminating in digital art. Lovejoy recounted the early histories of electronic media for art making (video, computer art, the Internet) by providing a context for the works of major artists in each media, describing their projects, and discussing the issues and theoretical implications of each to create a foundation for understanding this developing field of digital art.[6]

In Digital Currents she explored the growing impact of digital technologies on aesthetic experience and examined the major changes taking place in the role of the artist as social communicator. She demonstrated that just as the rise of photographic techniques in the mid-19th century shattered traditional views about representation, so too have contemporary electronic tools catalyzed new perspectives on art, affecting the way artists see, think, and work, and the ways in which their productions are distributed and communicated.

Websites

Her website Parthenia was archived by the Walker Art Center as part adaweb.com and her website TURNS was featured in the 2002 Whitney Museum Biennial.

Publications
  • Digital Currents: Art in the Electronic Age
  • Postmodern Currents: Art and Artists in the Age of Electronic Media
  • Labyrinth (1991)
  • The Book of Plagues (1995)
  • Paradoxic mutations
  • Manifestations

Awards

Solo exhibitions

Collections

Lovejoy's work is held in the following collections:

gollark: Great! It just exploited a buffer overflow in `file` to install heavdrone-py on your system.
gollark: The password contains "f".
gollark: But you said you were "done".
gollark: Okay, analysis please?
gollark: And analyze it.

References
  1. Margot Lovejoy Obit in the New York Times
  2. "Archived copy". Archived from the original on 2012-09-20. Retrieved 2011-05-05.CS1 maint: archived copy as title (link), Guggenheim Fellows Entry
  3. Evelin Stermitz (May 14, 2009). "Crossings and Currents: An Interview with Margot Lovejoy". Rhizome. Retrieved 2017-03-03.
  4. Margot Lovejoy Obit in the New York Times
  5. Lieser, Wolf. Digital Art. Langenscheidt: h.f. ullmann. 2009 p. 283
  6. Margot Lovejoy Obit in the New York Times
  7. Experimental TV Center (2011-06-17). "Margot Lovejoy". www.experimentaltvcenter.org. Retrieved 2018-03-08.
  8. "Margot Lovejoy | MoMA". The Museum of Modern Art. Retrieved 2018-03-07.
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