Marco Arturo Marelli

Marco Arturo Marelli (born 21 August 1949) is a Swiss set designer and stage director who has worked at European opera houses for opera and ballet. He designed sets for ballets by John Neumeier, and for premieres of the operas Thomas Chatterton by Matthias Pintscher at the Semperoper in Dresden (1998) and Medea by Aribert Reimann at the Vienna State Opera (2010).

Marco Arturo Marelli
Born (1949-08-21) 21 August 1949
Zurich, Switzerland
EducationKunstgewerbeschule Zürich
Occupation
  • Set designer
  • Opera director
OrganizationNationaltheater Mannheim
Awards
Websitemarco-arturo-marelli.de

Career

Born in Zurich on 21 August 1949,[1] Marelli trained at the Kunstgewerbeschule Zürich to be a graphic designer. He assisted several set designers at the Wiener Volksoper and the Vienna State Opera, including Günther Schneider-Siemssen. August Everding engaged him in 1973 as an assistant of Toni Businger the Staatsoper Hamburg. Marelli created there sets for the ballet company of John Neumeier.[1]

From 1974, Marelli worked as a guest at the Theater Hagen, the Staatstheater Darmstadt, and at the Oper Frankfurt for stage directors Alfred Kirchner and Harry Kupfer. He also designed sets for the Komische Oper Berlin and the Theater am Goetheplatz in Bremen. From 1981, he also directed the operas for which he designed the set, beginning with Mozart's Die Zauberflöte at the Staatstheater Mainz.[1] He was an Oberspielleiter at the Nationaltheater Mannheim in the 1984/85 season.[1]

He has collaborated with his wife, the costume designer Dagmar Niefind, on productions at the Deutsche Oper Berlin, Paris Opéra, the Théâtre du Châtelet in Paris, the Liceu in Barcelona, the Finnish National Opera in Helsinki, the Houston Grand Opera, at the Royal Opera House in London, the Teatro Real in Madrid, in Strassburg, the Nationaloper in Tokyo and in Triest.[1] They worked together for the premiere of Aribert Reimann's Medea at the Vienna State Opera in February 2010, conducted by Michael Boder.[2]

Marelli was awarded a Danish Reumert Prize in 2009.[3] He was made an honorary member of the Vienna State Opera in 2010.[4]

Work

Marelli created stage sets, and from the early 1981s also directed the following operas:[1]

gollark: Those rules.
gollark: Yes, rules bad.
gollark: Oh dear, that looks like a positive gradient.
gollark: I live in [EXPUNGEMENET EXPUNGED] in the ÜK, which seems to have been doing okay, so meh.
gollark: Hmm. Bizarre.

References
  1. Andreas Kotte, ed. (2005). "Marco Arturo Marelli". Theaterlexikon der Schweiz (TLS) / Dictionnaire du théâtre en Suisse (DTS) / Dizionario Teatrale Svizzero / Lexicon da teater svizzer [Theater Dictionary of Switzerland]. 5. Zürich: Chronos. pp. 1173–1174. ISBN 978-3-0340-0715-3. LCCN 2007423414. OCLC 62309181.
  2. Büning, Eleonore (1 March 2010). "Oper: "Medea" in Wien. Eine antike Brünnhilde". Frankfurter Allgemeine Zeitung (in German). Retrieved 22 July 2017.
  3. Årets Reumert 2009 datagraf.dk, (in Danish). Retrieved on 1 January 2016.
  4. Feuriges Plädoyer für die Literaturoper. auf: nzz.ch, 3. März 2010, (in German). Retrieved on 1 January 2016.

Literature
  • Christoph Albrecht (musicologist, born 1944) (ed.): Marco Arturo Marelli – Ich höre den Raum. Arbeiten für die Oper des Regisseurs und Bühnenbildners. Henschel Verlag, Leipzig 2010, ISBN 978-3-89487-666-1.
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