Marcelo Coelho

Marcelo Coelho is a Brazilian computation artist and designer. His work focuses on the boundaries between matter and computation, and includes interactive installations, photography, wearables, and robotics. Coelho is currently a Research Affiliate at the MIT Media Lab and creative director at Marcelo Coelho Studio, an anti-disciplinary studio dedicated to technically innovative and experimental work based in Boston, MA.

Marcelo Coelho
NationalityBrazilian
Alma materUniversity of São Paulo
Concordia University
Massachusetts Institute of Technology
Known fordigital art wearables

Marcelo Coelho graduated from Concordia University with a Bachelor of Fine Arts in Design and Computation Arts, and received a Master of Science and Doctor of Philosophy from the MIT Media Lab.[1][2]

Works

Coelho makes objects, installations, and live experiences that challenges people's perception of material properties and behaviors.[3] Many of his works use techniques and concepts from composites, digital fabrication and programmable matter.

Six-Forty by Four-Eighty, a 2010 installation by Coelho, uses interactive physical pixels and body communication to convey an immersive digital graffiti experience.[4][5]

For the 2016 Summer Paralympics opening ceremony, Coelho created an audiovisual performance of 400 dancers equipped with illuminated walking sticks to form a large-scale 2.5-dimensional display.[6]

In Sandcastles, Coelho collaborated with artist Vik Muniz to etch drawings of castles originally created with a camera lucida onto grains of sand, using a focused ion beam and scanning electron microscope. [7][8]

In Hyperform, Coelho developed a chandelier that is assembled from a single 3D printed chain, and where the assembly information is encoded in the material itself.[9]

Awards and Exhibits

Coelho's work has been exhibited at Ars Electronica in Linz, Austria, the Tel Aviv Museum of Art, the Corcoran Gallery of Art in Washington, D.C., Design Miami in Basel, Switzerland, and the Waddesdon Manor in Buckinghamshire, England.

Coelho's work has won awards including the Vida 16[10] award from Fundacion Telefónica, the Designer of the Future Award from Design Miami,[11] an Honorary Mention for Interactive Art [12] and [the next idea] voestalpine Art and Technology Grant[13] from Ars Electronica.

gollark: Also, it's really fast, 400ms vs a few seconds for the Haskell program.
gollark: The images are big but I could theoretically drop the color space a bit to shrink them.
gollark: And because of the lack of floats I had to do some of the operations kind of hackily.
gollark: This isn't strictly an exact port, because the Haskell version uses floats and for efficiency this doesn't, but who cares.
gollark: It works! Although it's a bit dim for some reason.

References
  1. "Materials of Interaction: responsive materials in the design of transformable interactive surfaces". Massachusetts Institute of Technology. hdl:1721.1/46577. Cite journal requires |journal= (help)
  2. "Materializing Interaction". Massachusetts Institute of Technology. hdl:1721.1/79305. Cite journal requires |journal= (help)
  3. Killeen, Meghan. "Marcelo Coelho: Stunning Explorations in physical interface design from an MIT Media Lab student". Cool Hunting.
  4. "That's a beautiful code". Financial Times.
  5. "Digital play exhibition offers marvels for kids and grown-ups alike". The Globe and Mail.
  6. Coelho, Marcelo; Grossman, Tovi (2017). "Crowd-Driven Pattern Formation: Computational Strategies for Large-Scale Design and Assembly". Architectural Design. 87 (4): 50–59. doi:10.1002/ad.2195.
  7. "Microscopic castles etched onto grains of sand". Wired.co.uk.
  8. "Creating Sand Castles With A Single Grain Of Sand". The Creators Project.
  9. "A Chandelier That Can Practically Assemble Itself". Fast Company.
  10. "Premiados VIDA 16.0". Telefonica Fundacion.
  11. "W Hotels Designers of the Future at Design Miami/Basel 2010". Dezeen Magazine.
  12. "CYBERARTS 11: Prix Ars Electronica Exhibition". Offenes Kulturhaus. Archived from the original on March 4, 2016. Retrieved March 24, 2020.
  13. Sterling, Bruce. "Winners of the Ars Electronica prize 2013". Wired.
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