Marcel Tournier

Marcel Lucien Tournier (January 5, 1879 – May 8, 1951) was a French harpist, composer, and teacher who composed important solo repertory for the harp that expanded the technical and harmonic possibilities of the instrument. His works are regularly performed in concert and recorded by professional harpists, and they are often test pieces for harp-performance competitions. A student of Alphonse Hasselmans at the Paris Conservatory, Tournier won the Second Grand Prize of the Prix de Rome in 1909. He also won the Rossini Prize for Laura et Petrarch.[1]

Marcel Tournier

Tournier succeeded his teacher as professor of harp in 1912, holding that position until 1948, training two generations of harpists from France, the United States, other European countries, and Japan. Tournier composed several dozen solos for harp, a number of chamber works that feature the harp prominently, and a few works for piano and for orchestra. Notable students include American harpist and educator Eileen Malone.

Family life

Born to a family of five brothers and two sisters, Tournier grew up around music. His father, Joseph Alexis Tournier (1842–1920), was a string instrument maker and required all of his sons to play an instrument. Tournier started young and soon became very proficient and entered the Paris Conservatoire at age 16.

His wife, Renée Lénars-Tournier (1889–1971), was professor of chromatic harp at the Paris Conservatory from 1912 to 1933. They were married in 1922.

Works

Harp solo

  • Quatre Suites (1897)
  • Quatre Préludes op. 16 (1903)
  • Féerie: Prélude et danse (1912)
  • Air à danser. Petite pièce brève et facile (1913)
  • Berceuse. Petite pièce brève et facile (1913)
  • Au Matin. Étude de Concert (1913)
  • Quatre Préludes (1917)
  • Vers la source dans le bois (1921)
  • Trois Images, suite 1, op. 29 (1925)
  • Sonatine op. 30 (1924)
  • Six Noëls op. 32 (1926)
  • Jazz-band op. 33 (1926)
  • Trois Images, suite 2, op. 35 (1930)
  • Berceuse russe (1932)
  • Scherzo romantique op. 38 (1932)
  • Pièces nègres op. 41 (1935)
  • Encore une boîte à musique op. 43 (1935)
  • Pastels du vieux Japon op. 47 (1948)
  • Au hasard des ondes op. 50 (1953)

Piano solo

  • Cortège (1912)
  • Deux Esquisses (1914)
  • Du côté de la mer op. 26 (c.1925)
  • Deuxième valse op. 27 (c.1925)

Violin and piano (or harp)

  • Chanson folle op. 18 (1903)
  • Deux Préludes romantiques (1909)
  • Sérénade (1911)
  • Promenade à l'automne (1912) (also designated for cello and harp)

Chamber music

  • Suite (1929) for flute, violin, viola, cello, harp or piano
gollark: That probably doesn't push it up to the efficiency of just shining light on them directly, but it maybe makes it less bad.
gollark: I read somewhere that plants work more efficiently if you can tightly control the frequency of light you feed to them, and the duty cycle and stuff.
gollark: Just make your solar panels 200% efficient, silly.
gollark: Ideally, nuclear if people weren't bees.
gollark: I was envisioning electric ones here, but I don't know if they'd be cheaper.

References
  1. "Marcel Tournier (1879–1951)". Retrieved 18 February 2012.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.