Manuel García y Rodríguez

Manuel García y Rodríguez (1863, Seville - 6 May 1925, Seville) was a Spanish costumbrista and landscape painter, who also painted Orientalist scenes.

Manuel García y Rodríguez
Born1863
Seville, Spain
Died6 May 1925
Seville, Spain
NationalitySpanish
EducationJosé de la Vega Marrugal, Seville; School of Fine Arts, Seville
Known forPainter
MovementOrientalist; costumbrista

Biography

Bridge in Seville

At first, he studied music but ultimately dedicated himself to his love of painting. He received his earliest art education from José de la Vega Marrugal in Seville.[1] Later, he attended the Escuela de Bellas Artes de Sevilla, where he studied with Eduardo Cano, Manuel Ussel de Guimbarda and Emilio Sánchez Perrier.[2]

Throughout his life, he participated in the National Exhibition of Fine Arts, where he was awarded medals in 1887, 1890 and 1895.[2] He also participated in the Exposition Universelle (1889) and the World's Columbian Exposition. In 1899, he was named a member of the Real Academia de Bellas Artes de San Fernando.[1]

In 1904, he visited Tangier and produced some paintings in Orientalist style. His works are in numerous museums (including the Carmen Thyssen Museum) and private collections. He was also a regular contributor of illustrations for the magazine Blanco y Negro.[2]

He took much of his inspiration from the city of Seville and the Guadalquivir, including the Guadaira rivers and surrounding areas. He was closely associated with the Alcalá de Guadaira school of painting. In his final years, he focussed on the gardens, patios and parks of Seville, at which time he developed more of a modernist and impressionist aesthetic.[3]

Work

Garcia's work remains well-known because many of his landscapes were reproduced as black and white illustrations, postcards and posters. Example of his work can be found in the Museum of Fine Arts in Seville. Many of his paintings are now in private collections, such as the Bellver Collection.

List of selected paintings

  • A Morning Stroll by the Canal, 1904
  • Patio with Children, 1906
  • Alcazar de Sevilla, 1911
  • A River Landscape with Seville Beyond, 1912
  • A Garden in Seville, 1913
  • Seville Garden, 1914
  • The Borders of Guadalquivir, 1917
  • A Garden in Seville, 1919
  • Collecion Bay, Madrid, 1921
  • The Rose Garden, 1921
  • Seville Patio, 1925
  • At the Well
  • A Courtyard in Seville
  • Easter Procession in Mateos Gago Street, Seville
  • Feeding Poultry in a Courtyard
  • The Gardens of the Alcazar of Seville
  • Mother and Daughter Sewing in a Patio
  • Mujer con guitarra, (Woman with Guitar)
  • Musician in an Andalusian Palace
  • Inside Courtyard, Seville
  • Street scene in Granada
gollark: That's pretty stupid.
gollark: You can, for example, run a worker-owned collective under a market economy, and have it interface with the existing system as a firm.
gollark: Obviously it's going to be interfacing with other ones if they exist, though.
gollark: You can totally run a social/political/economic system locally.
gollark: Well, this seems vaguely nonsensical.

See also

References

  1. Brief biography @ the Carmen Thyssen Museum.
  2. Brief biography @ the Museo del Prado.
  3. Caso, E.D., Les Orientalistes de l'école Espagnole, ACR edition, 1997, p. 276
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.