Manny Albam

Manny Albam (June 24, 1922 – October 2, 2001 was an American jazz saxophonist, composer, arranger, record producer, and educator.[1][2]

Manny Albam
Manny Albam conducting
Background information
Birth nameEmmanuel Albam
Born(1922-06-24)June 24, 1922
Samana, Dominican Republic
DiedOctober 2, 2001(2001-10-02) (aged 79)
Croton-on-Hudson, New York, United States
GenresJazz, Latin jazz
Occupation(s)Musician, arranger
InstrumentsSaxophone
LabelsSolid State
Associated actsBuddy Rich, Stan Kenton, Woody Herman

Career

A native of the Dominican Republic, Albam grew up in New York City and was attracted to jazz at an early age when heard the music of Bix Beiderbecke.[3] He left school in his teens and played saxophone in a Dixieland band led by Muggsy Spanier. When he was with the Georgie Auld band, he learned about arranging with Budd Johnson.[3] By 1950 Albam was concentrating less on performing and more on writing and arranging. Within a few years, he became known for a bebop style that emphasized taut and witty writing with a flair for distinctive shadings; flute-led reed sections became something of an Albam trademark. One of his most popular works from that era was an Afro-Latin composition he did for the Stan Kenton Innovations Orchestra entitled "Samana", named after his birthplace in the Dominican Republic.[4] He worked with bandleaders Charlie Barnet and Charlie Spivak[3] before collaborating with Count Basie, Stan Getz, Bob Brookmeyer, Coleman Hawkins, Dizzy Gillespie, Freddie Hubbard, Hank Jones, Mel Lewis, Art Farmer, Urbie Green, and Milt Hinton.

Albam wrote arrangements for Leonard Bernstein's score for the musical West Side Story in 1957. The work earned him a Grammy Award nomination in 1959. He was invited by Bernstein to write for the New York Philharmonic, and he began to study classical music, eventually writing Concerto for Trombone and Strings.[3] He also wrote music for movies, television, and commerials.[3] In the early 1960s he became music director for Solid State Records.[3] For the rest of his career, he taught at Glassboro State College, Eastman School of Music, and Manhattan School of Music.[3] He helped start and lead the BMI Jazz Composers Workshop.[3]

On June 25, 2019, The New York Times Magazine listed Manny Albam among hundreds of musicians whose material was reportedly destroyed in the 2008 Universal fire.[5]

Discography

As leader
  • The Drum Suite (RCA Victor, 1956)
  • The Jazz Workshop (RCA Victor, 1956)
  • Manny Albam and the Jazz Greats of Our Time Vol. 1 (Coral, 1957)
  • Sophisticated Lady (Coral, 1958)
  • The Jazz Greats of Our Time Vol. 2 (Coral, 1958)
  • The Blues Is Everybody's Business (Coral, 1958)
  • Double Exposures (Top Rank, 1960)
  • West Side Story (Vocalion, 1960)
  • Jazz Goes to the Movies (Impulse!, 1962)
  • Brass on Fire (Solid State, 1966)
  • The Soul of the City (Solid State, 1966)

As arranger

With Count Basie

With Kenny Clarke-Francy Boland Big Band

With Al Cohn

With Jose Feliciano

  • Jose Feliciano Sings (RCA, 1972)

With Curtis Fuller

With Freddie Green

With Coleman Hawkins

With Groove Holmes

With O'Donel Levy

With Jimmy McGriff

With Joe Newman

With Freda Payne

With Oscar Peterson

With Buddy Rich

With Zoot Sims

  • New Beat Bossa Nova (Colpix, 1962)

With Dakota Staton

With Eddie "Cleanhead" Vinson

With Dionne Warwick

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See also
  • List of Jazz Arrangers

References
  1. Strunk, Steven; Kernfeld, Barry (2002). Barry Kernfeld (ed.). The New Grove Dictionary of Jazz Vol. 1 (2nd ed.). New York: Grove's Dictionaries. p. 24. ISBN 1561592846.
  2. Cook, Richard (2005). Richard Cook's Jazz Encyclopedia. London: Penguin Books. pp. 6. ISBN 0-141-00646-3.
  3. Ankeny, Jason. "Manny Albam". AllMusic. Retrieved 17 March 2020.
  4. Sparke, Michael (2010). Stan Kenton: This Is an Orchestra. UNT Press. p. 91.
  5. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
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