Manidvipa
In the Shakta tradition of Hinduism, Manidvipa/Manidweepa (Sanskrit: मणिद्वीप; IAST: Maṇidvīpa) is the eternal supreme abode of the goddess Bhuvaneshvari Devi Mula Prakritithe supreme being in Shaktism. Also known as Sripura,Śrī Nagara and Devi Loka, it is an island situated in the middle of an ocean called the Sudhā Samudra (The Ocean of Nectar). In the Devi Bhagavatam, Manidvipa is portrayed as the Sarvaloka, the highest world, superior to Kailasa, realm of Shiva, Vaikuntha, realm of Vishnu, and Goloka, realm of Krishna. This is consistent with the Devi Bhagavatam's portrayal of Goddess Bhuvaneswari Devi as higher than any of these other gods. In her form as Bhuvaneshvari or Tripurasundari, Devi is the Empress of Manidvipa. At the beginning of the creation, Bhuvaneswari Devi, in her form as Adi Parashakti or Mahakali, created this island according to her will.She is Radha in the abode of Madanakya nirbruta nikunjam a part of divya vrindavan which is called mani dweep . No body, even Krishna dont have entry to this abode . Only she will grace from there to other world through Krishna her,energetic embodiment
The word Bhuvaneśwari is a compound of the words Bhuvana Iśwari, meaning "Goddess of the world" or "Queen of the universe", where the worlds are the tri-bhuvana or three regions of bhūḥ (Earth), bhuvaḥ (atmosphere) and svaḥ (Heavens).
After the goddess slays demons Sumbh and Nishumb she takes her abode in manidweepa in the name - "Tripurambika. "
Description
A description of Manidweepa can be found in the Devi Bhagavata Purana
During the beginning of time the Tridevas – Brahma, Vishnu and Rudra did not know who they were and what was their purpose. At this time a flying chariot appeared before them, and a heavenly voice directed them to board the chariot. As the Tridevas boarded the chariot and it started flowing with mind's speed and took them to a mysterious place, which was an island of gems surrounded by ocean of nectar and pristine sylvan forests. As they stepped out of the chariot, the Tridevas were transformed into women, much to their astonishment. As they explored the island they came across an Imperial city protected by nine enclosures and guarded by fierce Bhairavas, Matrikas, Kshetrapalas and Dikpalas. As they entered the city they were amazed by its prosperity and soaring infrastructure and finally reached the Imperial Palace known as Chintamanigriha, guarded by Yoginis. For this was Śrīpūra (alias Devipattana), the capital of Devi Bhuvaneshvari, the Empress of Manidvipa, the abode of Adi Parashakti. When they entered the palace they witnessed Devi Bhuvaneshvari, the queen of all worlds.
Her complexion was red. She had three eyes, four arms, braided hair and was clad in red ornaments. She wore a garland of lotuses and Her body was anointed with red sandalwood paste. She held a goad and a noose with Her left hands, while her right hands displayed abhaya and varada mudras. She was decked with ornaments and wore a crown with a digit of crescent moon as crest jewel.
She was seated on the left lap of Bhuvaneshvara Mahadeva, who was of white complexion, wore white garments and was decked with ornaments. His hair was matted and was decorated by a crescent moon and Ganga. He had five faces each with three-eyes, and four arms, holding a trident and a battle-axe while displaying varada and abhaya mudras.Before creation while intending to sport, the Devi Bhagavati divided Her Body into two parts and from the right part created Bhuvaneshvara.
The Divine Couple was seated on Panchapretasana, a throne which had Sadashiva as plank while Ishvara, Shiva, Vishnu and Brahma were five legs. They were being served by many Yoginis, some fanning them, some holding mirror, some offering betel leaves flavoured with camphor, some offering a drink made by mixing honey, ghee, wine and coconut water. Some were ready to dress Bhuvaneshvari's hair, some ready to do makeup, some busy stringing garlands while some singing and dancing to entertain Devi.
The Tridevas witnessed millions of universes each with their own Tridevas, in the sheen of Bhuvaneshvari's toe-nail. Some were getting created by Brahma, some getting sustained by Vishnu while others getting annihilated by Rudra.
Bhuvaneshvari enlightened the Tridevas with Her greatness. Bhuvaneshvara is Brahman while Bhuvaneshvari is Brahmashakti. Though they appear distinct, both are of the nature of one another. Bhuvaneshvara is Adipurusha while Bhuvaneshvari is Mulaprakriti. To help Trayambaka perform his three-fold Lila, Devi created first the beautiful form of Gopala Sundari/Krishna. Brahma, Vishnu and Shiva born from his body. Thus, Tridevas are forms of Bhuvaneshvari. Thereafter Goddess Radha created two shaktis calles Saraswati and Lakshmi. Bhuvaneshvari created goddess Durga shakti of shiva.
Brahma with Saraswati created an cosmic egg and Rudra with Uma split it, exposing the Pancha Bhootas. Brahma with Saraswati fashioned the universe from Pancha Bhootas, and Vishnu and Lakshmi sustain it. At the end Rudra with Kali will annihilate the universe so that Brahma and Saraswati can start afresh.
Once, Lord Brahma, Lord Vishnu and Lord Shiva were involved in an argument about who is the most powerful and supreme of the three. Their debate became so intense that it disturbed the peace of the heavens and worried the Gods. That was when the beautiful Goddess stepped in to intervene and cease the dispute. She took the Trinity of Gods to her idyllic abode and led them to her beautiful chamber. There, Goddess Bhuvaneshwari enlightens them that she is the creator of the entire universe as it is created out of her and ends in her. She is responsible for protecting it from devils. She has created many elements and gave life to all the Gods, sages and all living beings.
She had also created many worlds, such as Satyalok, where Lord Brahma lives. It is the most supreme place of all the worlds where the inhabitants are free of life and death cycle. Then Taplok came into being, where the soul, including the body, resides. The inhabitants there wait for Satyalok to take shape. Gyanlok then was formed where the place had the presence of ascetics who were the inhabitants. Maharlok came into being where after the harsh penances, the sages and ascetics have a place to live. The sages who live in that place has the power equal to Gods. That is why all the sages live in that place. Then comes Anandlok, which is Swarglok, which is the residence of Gods and virtuous beings. Next, Bhuvarlok was formed where the sun and planets are positioned. After Bhuvarlok came Bhulok, where mortal and other living beings live.
The worlds beneath Earth came into being, the first being Atal Lok in which it is the home of revelry and all the wealth of the planets in accumulated there. Then came Vital Lok, where the beings of the earth stay there to mine gold and other elements. Just like Atal Lok, Vital Lok is centred on earthly riches. Then through King Bali, the king of demons, Sutal Lok came into being. Talatal Lok came into existence and below that, Mahatal was created in which it is Naaglok, the home of all serpents and snake girls. Further down below is the realm of demons and monsters, named Rasatal. Finally, below all the worlds, then originated Patal Lok where Vasuki, the King of snakes lives. This is the foundation of all the other realms.
Then, Brahma, Vishnu and Mahadev witnessed millions of universes each with their own person, in the sheen of Bhuvaneshwari's toe-nail. Some were getting created by Brahma, some getting sustained by Vishnu while others getting annihilated by Rudra. Bhuvaneshwari enlightened the Tridevas with Her greatness.
Thereafter, Goddess Bhuvaneshwari gave her Shaktis Saraswati to Brahma, Lakshmi to Vishnu, and Gauri to Shiva. She informed Tridev that her Shaktis that they are given to will help them create and preserve the world, and when the appropriate time comes, it will be destroyed completely so that a new creation can be started afresh by Brahma and Saraswati.
See also
External links
- English Translation of the Devi Bhagavata by Swami Vijnanananda
- Devi Bhagavata Purana English translation correct IAST transliteration and glossary