Manfred Kelkel
Manfred Kelkel (15 January 1929 in Siersburg in Saarland, then under French occupation[1] – 18 April 1999 in Paris) was a 20th-century French musicologist and composer of contemporary music.
A pupil of Darius Milhaud at the Conservatoire de Paris, he got interested in the music of Russian composer Alexander Scriabin, whose latest works (from Prometheus: The Poem of Fire to Mysterium) influenced his own compositions. His work on Scriabin and a certain esoteric aesthetic of music are authoritative.
Works
Symphonies
- Symphonie n°1 Per aspera ad astra op.34, commission by Radio France (1983), premiered 19 October 1995
- Symphonie n°2 Architectura Cælestis op.40 (1986/87)
Concertos
- Concertino for cello and chamber orchestra op.4 (1955)
- Rhapsodie for saxophone and orchestra op.12 (1962)
- Concerto for bassoon op.13 (1963)
- Concerto de Zagreb for guitar and orchestra op.19 (1969)
Pieces for orchestra
- Musique funèbre for oboe and orchestra op.5 (1954/61)
- Hommage à Mozart, for string orchestra op.7 (1956)
- Ostinato et Mazel Tov, opening on a theme by Darius Milhaud op.11 (1960)
- Suite de danses hongroises for orchestra op.18 (1967)
- Ouverture sur un thème de Darius Milhaud (after op.11) op.21 (1971)
- Tombeau de Scriabine from the sketches of the Acte préalable by Alexander Scriabin, op.22 (1972/1973) with the permission of the composer's heirs[13]
- Tabula Smaragdina, acoustic mandalas for piano, percussion, chorus and small orchestra op.24 (1975-1978)
- Ming Tang, symphonic poem for chamber orchestra op.39 (1990)
Chamber music and for ensemble
- Toccata for piano op.2/1 (1952) / for oboe and piano op.2/2 (1969)
- Divertimento for oboe, clarinet and bassoon op.3 (1952)
- Quatuor à cordes n° 1 op.6 n°1 (1955)
- Quatuor à cordes n° 2 op.6 n°2 (1956)
- Sonatine for oboe (or recorder) and piano op.9 (1959)
- Suite for oboe (or recorder), celesta and gong op.10 (1959)
- Laterna magica for clarinet, bassoon, trumpet, violin, piano and percussion op.16 (1964)
- Miniatures pour le petit Alexandre, 7 children's songs for piano without opus number (1964)
- Danses aux miroirs, for harp, piano, celesta and string quartet op.20 (1969/1970)
- Deux pièces for solo harp (Melancolia and Mirabilis) op.23 (1970)
- Castalia pour flûte et bande sonore op.25 (1979)
- Talisman, sound mandala for 3 trombones and analogue echo op.28 (1981)
- Crachat de lune for celesta (or piano) and percussions op.29 (1981)
- Saturnalia for 3 violas and magnetic tape op.30 (1982)
- Tan Matra, sound mandala for 5 ondes Martenot or wind quintet op.31 (1981/1982)
- Athanor, for variable ensemble op.32 (1983)
- Irigangi for horn and analog echo op.35 (1984)
- Malinconia for solo guitar op.26 (1985)
- Rongorongo for Alphorn and basset horn op.36 (1985)
- Quatuor à cordes n° 3 op.38 (1992)
- Enigma, geometrical figures for organ op.41 (1997)
Vocal music
- Mélodies d'automne, for singing and piano, op. 1 (1950).
- Chanson à boire, for men's choir, op. 15 (1961).
- Les Voix de l'au-delà, mystery play after Victor Hugo for narrator, soloists, choir, tape and orchestra, op. 27 (1980/1981).
Incidental music
- Le Cœur froid, ballet with choir op.8 (1956/1958)
- La Mandragore, one-act psychodram op.17 (1965/1966)
- V.I.T.R.I.O.L.[note 1][14] audiovisual show after Chymical Wedding by Johann Valentin Andreae, for narrator, magnetic tape and small ensemble, op.33 (1983)
- Aux armes, citoyens, popular action for narrator, 2 mixed choirs and magnetic tape, op.37 (1989)
- Lady L, radio program after Romain Gary, op.42 (1997)
Bibliography
Books by Manfred Kelkel
General works
- À la découverte de la musique polynésienne traditionnelle (in French). Paris: P.O.F. 1981. p. 143. ISBN 2-716-90155-4.
- Naturalisme, vérisme et réalisme dans l'opéra (in French). Paris: Éditions Vrin. 1984. pp. 532. ISBN 978-2-7116-4253-3.
- Alexandre Scriabine (in French). Paris: Fayard. 1988. p. 418.
- Musique des mondes : essai sur la métamusique (in French). Paris: Vrin. 1988. p. 240. ISBN 978-2-7116-4263-2.
- La musique de ballet en France de la Belle époque aux Années folles (in French). Paris: Vrin. 1992. p. 330. ISBN 978-2-7116-4273-1.
Monographs
- Manfred Kelkel (1985). Le mythe de la fatalité dans Le pauvre matelot de Jean Cocteau et Darius Milhaud (in French). Paris: Vrin. p. 198. ISBN 2-711-64257-7.
- Manfred Kelkel (1989). Albert Roussel; musique et esthétique (in French). Paris: Vrin. p. 352. ISBN 2-7116-4267-4.
- Manfred Kelkel (1999). Alexandre Scriabine; un musicien à la recherche de l'absolu (in French). Paris: Fayard. p. 412. ISBN 2-213-60365-0. Manfred Kelkel1999.
Works about Manfred Kelkel
- Jean-Jacques Velly (2001). Le dessous des notes : voies vers l'ésosthétique. Hommage au professeur Manfred Kelkel (in French). Paris: Presses Paris Sorbonne. p. 442. ISBN 2-84050-209-7. ISSN 1275-2622.
- Jean-Jacques Velly. Préface (in French). pp. 5-15. Jean-Jacques Velly, Preface2001.
- Jacques Viret. "L'alchimiste des sons : Manfred Kelkel compositeur" (in French). pp. 251-263. Jacques Viret 2001.
- Jean-Jacques Velly. De la tradition classique aux spéculations ésotériques (in French). pp. 286-295. Jean-Jacques Velly,2001.
- Philippe Reynal. In memoriam Manfred Kelkel (in French). pp. 391-393. Philippe Reynal2001.
Sources
- Philippe G. Kerbellec (1988). Comment lire Raymond Roussel: cryptanalyse (in French). Paris: Éditions Pauvert. p. 264. ISBN 978-2-876-97035-9. Philippe Kerbellec1988.
Notes and references
Notes
References
- (Jean-Jacques Velly, Préface 2001, p. 6)
- (Jean-Jacques Velly, Preface 2001, p. 8)
- (Jean-Jacques Velly, Préface 2001, p. 7)
- (Jacques Viret 2001, p. 252)
- (Jean-Jacques Velly, Préface 2001, p. 7-8)
- (Jean-Jacques Velly, Préface 2001, p. 9)
- (Jean-Jacques Velly 2001, p. 286)
- (Jean-Jacques Velly 2001, p. 287)
- (Jacques Viret 2001, p. 251)
- (Philippe Reynal 2001, p. 392)
- (Jean-Jacques Velly, Préface 2001, p. 5)
- (Philippe Reynal 2001, p. 391)
- (Manfred Kelkel 1999, p. 355)
- (Philippe Kerbellec 1988, p. 237)
gollark: What if rich is a prion disease?
gollark: ... unless that causes you to be infected with rich. Oh dear.
gollark: Specifically, eat them.
gollark: See, I fully support lots of automation as long as we do something about society's whole "have a job or die" thing.
gollark: * *eat* the rich
External links
- Manfred Kelkel on musiqueclassique.forumpro.fr
- Manfred Kelkel on IdRef
- Manfred Kelkel on Goodreads
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