Márta Lacza

Márta Lacza (born December 2, 1946) is a Hungarian graphic artist and portrait painter.

Márta Lacza
Lacza Márta
Born (1946-12-02) December 2, 1946
NationalityHungarian
Alma materHungarian Academy of Fine Arts
Known forPainting, Illustration
Spouse(s)Dékány Ágoston (artist)
AwardsMunkácsy Prize
1983

She was born in the Csepel district of Budapest in 1946.[1] In 1967, she graduated from Fine Arts High School and then studied from 1970 to 1974 at the Hungarian Academy of Fine Arts under Simon Sarkantyú[2] and Károly Raszler.[3] Since then, she has had numerous solo exhibitions at home and abroad, and her works have been shown in London, Hamburg, Eindhoven, Ghent, Copenhagen and Athens.[3][4]

She was awarded a Derkovits Scholarship (1980–1983)[3] and won the Munkácsy Prize in 1983.[2][3][5] A 40-minute television programme about her, titled A Tv galériája. Lacza Márta grafikusművész (The TV gallery. Lacza Martha graphic artist), was broadcast on Magyar Televízió, the Hungarian national public broadcaster, in March 1982.[6]

She took part in the first "Frans Masereel Rijkscentrum voor graphite" international graphic artists' colony in Belgium, and was called back every year for fourteen years.[1] She also participated in the work of Atelier Nord in Norway.[1]

She is known for her oil paintings, drawings in pencil or chalk,[7] etchings and illustrations for many books.[1] Her work is described as combining mood, thought creativity and personal vision with "unmatched skill and preparedness coupled with outstanding craftmanship".[8] Her paintings show "mysterious, sometimes almost bizarre figures" that "provoke emotion from observers."[8]

Her illustrations have been published in a number of books, including the Hungarian translation of the Anne of Green Gables series of children's books by Lucy Maud Montgomery translated by Katalin Szűr-Szabó,[9] and books of Hungarian folktales such as The Silver King's Flute by Zsigmond Móricz,[10] and The Tree That Reached the Sky.[11] She and her husband also illustrated academic volumes such as Hajdú-Bihar megye 10-11. századi sírleletei,[12] and The late neolithic of the Tisza region (1987).[13]

Her autobiography, Élet és Művészet (Life and Art), was published in Budapest in 2007.[14]

She and her husband, artist Dékány Ágoston (died 28 August 2015[15]), lived and worked in the Csepel district of Budapest.[8]

Solo exhibitions

Her solo exhibitions include:[2]

  • 1975 Joseph Municipal Culture House, Budapest
  • 1976 Purple School, New Palace, Budapest
  • 1978 Studio Gallery, Budapest
  • 1979 Pesterzsébeti Museum, Budapest
  • 1980 Chili Gallery, Budapest
  • 1981 Theatre Gallery, Budapest
  • 1982 TV Gallery, Budapest; Culture House, Siófok;[4] Turnhont
  • 1983 Bastion Gallery, Budapest; Fórum Szálloda; Galerie Mensch, Hamburg
  • 1984 Miskolc; Fórum Galéria, Budapest
  • 1985 Turnhont
  • 1990 Elizabeth City Gallery, Budapest
  • 1995 Color Games

Works

Works acquired by the Janus Pannonius Múzeum:

  • Négy évszak, pen/ink on paper, 275 × 402 mm[16]
  • Tópart, 1978, lithography on paper, 475 × 570 mm[16]
  • Belső udvar, pencil on paper, 312 × 440 mm[16]
  • Arcuk egy-egy kis külváros, 1980, p. szín. cer, 370 × 545 mm[16]
  • Információ, pencil on paper, 370 × 550 mm[17]
  • Szólíthatom Jánosnak? , pencil on paper, 395 × 550 mm[17]
  • Pára, pencil on paper, 385 × 545 mm[17]
  • Félsziget, 1984, pencil on paper, 340 × 510 mm[17]
  • Túlsó part, pencil on paper, 280 × 395 mm[17]

Other works include:

gollark: This is to occur. It is also to be network transparent.
gollark: You should have inter-StupidVM networking such that you can form vast emulated clusters of them.
gollark: Fourier transform™ technology converts time apioids to frequency apioids.
gollark: Or just very fast rewavetabling.
gollark: So if you want to play PCM sound you will need a "fast fourier transform" and approximation?!

References

  1. "Lacza Márta – BKSZC Weiss Manfréd Szakgimnáziuma, Szakközépiskolája és Kollégiuma". wm-iskola.hu. 2009-11-26. Retrieved 2016-12-23.
  2. "Lacza Márta". artportal.hu. Retrieved 2016-12-23.
  3. "Lacza Márta – Munkácsy-díjas grafikusművész (Márta Lacza – Prize-winning graphic artist)" (PDF). September 1983. Retrieved 2016-12-29.
  4. "KISZ-galéria – Érdekes kiállítás". Pest Megyei Hírlap. 26 (168). Hungaricana. 1982-07-20. Retrieved 2016-12-24.
  5. "Lacza Márta illusztrációi (1990) Terbess Gábor: Folyik a híd c. könyvéhez". terebess.hu. Retrieved 2016-12-23.
  6. "Á Radio és Televízió". Dunántúli Napló. 39 (59–89). Hungaricana. 1982-03-17. Retrieved 2016-12-24.
  7. ":: Lacza Márta és Dékány Ágoston Kiállítások 2006 - Fővárosi Szabó Ervin Könyvtár". fszek.hu. Retrieved 2016-12-23.
  8. Százdi Antal (March 1999). "Közel kerülni a természethez – Látogatóban Lacza Márta és Dékány Agoston képzőművészeknél" (PDF). Tehetség – A Magyar Tehetséggondozó Társaság Kiadványa: 6–7. Retrieved 2016-12-29.
  9. "Márta Lacza (Illustrator of Anne férjhez megy)". goodreads.com. Retrieved 2016-12-23.
  10. Zsigmond Móricz; Márta Lacza (1989). The Silver King`s flute. Corvina. ISBN 978-963-13-2843-1.
  11. "Der himmelhohe Baum, Ungarische Volksmärchen, Mit Illustrationen von Marta Lacza, Aus dem Ungarischen von Liane Dira, Gertrud Dubovitz u.a." amazon.de. Retrieved 2016-12-23.
  12. M. Nepper Ibolta (2002). Hajdú-Bihar megye 10-11. századi sírleletei 1. rész. Budapest: Debrecen. ISBN 963 9046 80 9. Retrieved 2016-12-24.
  13. Hódmezővásárhely-Gorzsa, Szegvár-Tűzköves, Öcsöd-Kováshalom, Vésztő-Mágor, Berettyóújfalu-Herpály (1987). The late neolithic of the Tisza region (1987). Budapest: Szolnok. p. 4. Retrieved 2016-12-25.CS1 maint: multiple names: authors list (link)
  14. Lacza Márta (2007). Élet és Művészet (in Hungarian). ISBN 978-963-06-3877-7. Retrieved 2016-12-23.
  15. "Gyász: Elhunyt Dékány Ágoston grafikusművész, Csepel díszpolgára". csepel.hu. Retrieved 2016-12-23.
  16. "Janus Pannonius Múzeum Évkönyve 28 (1983) (Pécs, 1984) | Library". Hungaricana. Retrieved 2016-12-24.
  17. "Janus Pannonius Múzeum Évkönyve 37 (1992) (Pécs, 1993) | Library". Hungaricana. Retrieved 2016-12-24.
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